Gemwnoun ta Inboxes mas me e-mails [ki adika xypno to prwi kai trehw sto grammatokivotio, stin porta me ta ihni tou astikou psilovrohou gia ta "apo melani opiouha sou"] gemata "concepts" jai "social-political manifestations" jai "projects". Idees, symfwnies kai stroggyles trapezes "to redifine the role of the artist-curator" the "social-cultural scene" (of the periphery- or the 'sexier' term "outskirts" never the less) "to define the possibilities of emmancipatory politics" of "radical breaks or unpredictable incidents", focusing on "public awarness" and "the transfornation of the audience from consumers to producers", polles fores mesa apo psychanalytikous symvolismous.
Ws gemataris ombiouhos, den tha xananaferthw ston fetichismo tou 'social' tou 'koinou', tis 'mazas' tis 'koinwtitas' - as koitaxei kaneis pio katw, ta proigoumena mou entries gia tin grepho-logia toutis tou logou. Ma piasmenos apo to concept tou 'concept' tis ideas - pou nai men edw emfanizetai ws theoretiki nomimopoiisi kai praktiki apofygi tou pio panou fetichismou - dierwtoume kata poso i idea tis 'ideas' -tou Platonikou Eidous- pou emfanizetai ws dithen polydiastati, me meas apo erwtiseis pro-topo-thetimenes kai "orous symmetohis"- paei gyrevwntas gia mia eido-logia. Mia eido-logia of sorts, of tropes pou krata to iso tou metwnymikou apo tin Platoniki kai meta-platoniki hris tis lexis [apo ton Decartes mehri tous orous symmetohis / sym-fwnias ypo to tade i deina 'concept' - lexi/term pou ites emperiehetai idi, panta sto anti-keimeno (form) tou concept (ma analiwti kai originary)] krata dialdi to meta-language tou 'eidous' ma einai always, already -ara- ohi 'seimio' (point) 'typos-topos' ma arnitis tou (being) present, tou 'here' [gai tous apistous tou koinwniko-phenomenologikou kai tous apiastous tou here] opoia ki an einai i ekastote metamfiesi tou formalistika, critical ios, a viral son and a son of a virous, ena ek-(s)-trwma kai ohi giatreia gia to 'trauma' [-kai i diagnwsi einai to imisi tou pantos, eidika gia tin omoipathitiki kai tin psychanalysi].
Mia eido-logia pera apo tin eidisio-grafia i tin 'epikairwtita'-estw eidomeni analytika- mia eido-logia, logos peri 'concepts' gios [kai tis 'ios tha itan toutos o thylikou genous arsenikos - xekatharo 'trito genos', proin 'logismou nothou'! (des Plato, Timaeus)] mias eido-grafias pou apsifa to e-theu-grafiko chrono-grafema ma den xehna to hreos (a-plerwto) sto dia-logiko choro-grafema, pou kathete lion para-kei...
Archewthetwntas to parelthon -me 'valitses' kai 'stroggyles trapezes' sta/gia ta 'panwforia', gia ta matia tou kosmou, mbas kai piasei kanena 'draught' kai kopei to 'revma'- egg-io(n)maste tin paragwgi ki allou archeiou, to post-ponement diladi tou anoigmatos kai tou here, pou nai men efinei to 'eidos' na diatrehei mellontologikes allanes, ma anaparagei tin 'archontiki' 'arche' tou 'archeiou', tin nomo-logiki 'arche' (pou leei kai o Derrida-s) pou den einai alli apo tin epanalipsi kai to dedikasmeno. To gramma tou nomou, to 'eidos' (a.k.a. formalistiki poiotita) tethetai ws arche - arche-o-tethetai, enw "the crucial questions are not asked" [Kypriaka omilwntes i.e.: Pws diaforopoietai o orismos 'Kypros'?]
A kind of a "dangerous supplement", marked, scarred on a body, post-orgasmically, always, already in anticipation of (a) crisis OR for a desert avec 'agape'. Mindb(l)ogg(l)ing Noise. "Avalanche, would you share my last pursuit?" (Baudelaire)
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