Svinw ta fwta.
Satie kai prwimos Cage se apraxia. Krina, Pinter, Derrida. Apoheteftika kai gelia. Ehw allaxei idi 3 spitia kai ehw twra 2. Tha thela na grapsw gia tous mines pou perasan. Tous kafedes stin iviriki hersoniso, ta afiltra assos sta pyrenea, gia to Parisi, xana, kai ton potho tis Athinas, pali, gia tous agwnes twn sentoniwn kai tin agwnia tis odikis skonis, to whiskey kai to tsai plai plai kai plai mou. Gia tin siwpi, me tin seira tis. To kathimerino krasaki kai tin anihnefsi vivliothikwn. Gia ta matia tis kai ta mallia tis.
Tha thela na grapsw gia kollarous poukamiswn kai bespoke 3 piece suits, gia tin lefkwsia me aftokinito tin nyta kai gia ola ta podilata mou. Xana.
And yet again.
Gia ta trena kai ta ekatontades hiliades hiliometra me aeroplana. Ta upgrades kai ta delays. Ton podarodromo kai to klama.
Tha thela na grapsw gia to dwsimo kai to hasimo,orphan drugs, kai pare dwse, aenaa here.
Foraw akomi ta diafana mou gyalia kai eimai, pali, sto Londino.
Pinw alli mia goulia Black Bush, ap' to kainourgio mpoukali.
In his text, the writer sets up house. Just as he trndles papers, books, pencils, documents untidly from room to room, he creates the same disorder in his thoughts. They become pieces of furniture that he sinks into, content or irritable. He strokes them affectionately, wears them out, mixes them up, re-arranges, ruins them.
Theodor W. Adorno Minima Moralia
Enunciating, en pointe, as en, E, symplwrites.
A kind of a "dangerous supplement", marked, scarred on a body, post-orgasmically, always, already in anticipation of (a) crisis OR for a desert avec 'agape'. Mindb(l)ogg(l)ing Noise. "Avalanche, would you share my last pursuit?" (Baudelaire)
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