I entopiotita kai o entopismos tis kath'ola yposhetikis praxis pou diagrafei i meta-kinisi mesa sta plaisia tou symvatika efiktou anagrafei to a-dynato. To a-dynato, anagnwrizwntas tin taxinomisi tis opoias apotelesma einai kai i dynami kai to efikto, ws paragwgo meta-kinisis, diladi ana-hwrisis pros tin chora tou aenaou, afwmiownei tropon tina entos tou ta charaktiristika ekeina tou dynatou se vathmo pou i opoiadipote katahrisi tous, i opoiadipote anadomisi tous, na einai mi anagnwrisimi. Kai ws ek touto omoia me to mi genomeno, ontas a-dynato, to opoio mia psychri logiki tha periegrafe me ton oro adynato. I archiki morfi omws pou daneizei i yposhetiki tis meta-kinisis, mia meta-gewgrafiki praxi katheafti, epitrepei sto a-dynato ohi mono morfes ypostasis, ma kai morfes ana-tasis. Omoia tis ekastote prokeimenis meta-kinisis ehoun sto parellthon yparxei pampola. Simulacrum of previous passions and prelude to other substitutes, gia na daneistoume tin hiliodaneiszmeni frasi tou Walter Benjamin. Ma i ekastote prokeimeni -kai etsi synkekrimeni- meta-kinisi, ws praxi yposhetiki, afinei, kathe fora, na diagrafei to a-dynato ws entopisimos choro-chronos, agnwstou par'ola afta pro-orismou kai apo-telesmatos. Simasia ehei i yposhetiki arche toutis tis praxis pou anadiamorfenei tin genikoteri phenomenologiki empeiria tou ypokeimenou se shesi me to einai, xanagrafwntas me midamines kiniseis to ti mporei na lehtei pera apo to dynata (kai to) ortho.
Gia afto goustarw ton Gattuso.
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