Exakolouthouse na enthousiazetai, na arpazetai, n' arpazetai tropon tina apo mesa pros ta exw, ap' to poukamiso prwta kai meta ap'to sakaki, na ton arpazei diladei, na to enthousiazei se tetoio vathmo touto to kynigi. To kynigi tis synhronis eikonografias tis pleon liminal praxis, tis pleon synoriaka proswpikis praxis, tis pleon anti-koinwnikis praxis endokoinwnika, tou kafe-me-tsigaro, tou tsigaro-me-kafe, tou kafetsigarou, opws to skeftike mia nyhta, mia zesti nyhta, mia nyhta hwris whiskey, pou to mono pou tou 'he apomeinei, to mono exon 3000 tosa vivlia, 3 viliothikes kai miso dwmatio vivlia, to mono pou tou 'he apomeienei itan kafes kai ena paketo tsigara, ta teleftaia, ton enthousiaze na pasheni kai itan haroumenos, poli haroumenso, otan ta vradia, epsahne, kynigouse, apo to ena lnk sto allo, afto pou zouse, afto pou zouse apo dipla omws, ton kafe me to tairi tou, monos. Ton enthousize na vriskei, akoma, photografies, enos kafe, misou tsigarou, dyo matiwn, dyo heiliwn kai mias mytis. Photografies me kafe kai tsigaro kai kapno kai ahna, kai mallia kai daktyla. Aftopou zouse apo dipla, ton enthousiaze na to psahnei, tin eikonografia tou diladi. Mikri prosthesi st' aheia tis arheiothetisi ki afto. Isws. Spania o idios, par'oles tis gnwseis, par'olo ton exoplismo, spania, pote shedon, pote se xenous, spania se gnwstous, pote i shedon pote den sikwne tin mihani na prosthesei sto arheio touto. Ap'ti mia i epignwsi tis monaxias, tis apolafsis tis monaxias, tis monaxias me kafe kai tsigaro, epevale tin prostasia tis kai ohi ton diamerismo tis se pixel i kadra i gwnies lipseis. Ki ap' tin alli, to kynigi , i exerevnisi kai i anakalypsi totutis tis eikonografias itan praxi wrwn pou ta cafe, ta bar, ta kafenia, ta coffee houses eihan kleisei. EIhan kleisei m' aftos ta pethymouse kai etsi ta psahne apo dw, ta psahne apo kei kai ta vriske, poto apo dw, pote apo kei, kai ta ferne mazi tou, diladi sto spiti tou, mesa, edw, mazi tou, tetoies wres. Den milouse, den epsahne kati to opoio the eperne apo afti tin eikonografia, aftes tis photografies, na tou dwsei lexeis, ohi. I eikonografia mono tou arkouse, mono afti, i eikonografia ws mnimi tou prwino pou efyge ki anamnisi enos prwinou pou tha rthei, edw, mesa, mazi tou, tetoia wra. Mehri ekeini ti stigmi, apenanti se ekeini ti photografia, apenanti, se ekeino to kafe, se ekeino to tsigaro, apenanti se ekeino to kafetsigaro, apenanti se ekeino to proswpo, apenanti se ekeino ton kapno, se ekeina ta matia, apenanti se ekina ta malia, se ekeina ta daktyla kai se ekeino to flyntzani. Opou emeine apla afwnos. Mia lexi itan oli ki oli i lexi pou ithele na artrwsei, ena onoma, mia monaha lexi, me ena erwtimatiko sto telos, etsi apla, ki omws emeime apla afwnos. Kai epistrefontas, opws ekane se tetoies periptwseis, opou emene apla afwnos, epistrefwntas stin logoklopi, sto pokoumpi toutis tis ekforas, tis synkekrimenis ekforas tou tritou enoikou, epistrefwntas stin methodologia pou onomatistike, pou vaftistike dikaia, "o thriyamvos tou tritou enoikou", epistrefwntas ston "thriamvo tou tritou enoikou", mia epohi pou olo epestrefe se pramata apo to prin, se pramata apo pio prin, se pramata oikeia kai pramata dika tou, se pramata apo palia, palia oikeia pramata diladi, mia epohi pou epestrefe s' afta ta paliopramata ta oikeia, ta oikeia touta paliopramata, opws ton "thryamvo tou tritou enoikou", opws to whiskey, opws to kafe-kai-tsigaro, opws to tsigaro-kai-kafe, opws to kafetsigaro, epistrefwntas eipe: Leto?
A kind of a "dangerous supplement", marked, scarred on a body, post-orgasmically, always, already in anticipation of (a) crisis OR for a desert avec 'agape'. Mindb(l)ogg(l)ing Noise. "Avalanche, would you share my last pursuit?" (Baudelaire)
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