Saturday, September 30, 2006
Friday, September 29, 2006
What The Fuck?
Changes to your blog
What's changing: Soon, we will be retiring the Blog*Spot Plus feature from Blogger.
Features of Blog*Spot Plus include FTP access, non-blog uploads and subdirectory creation. We have added a warning icon () to your Dashboard to indicate which of your blogs is a Plus blog. Click the icon to see this message again.
What this means for you: This will not affect your blog much.
We'll continue hosting all content you've uploaded to this point and you'll be able to update your blog with text and images, just like always. But, you will no longer be able to upload non-blog content or have FTP access to the content you've already uploaded.
What you can do: You have two options for future hosting.
Stick with blogspot hosting. This does not require any action on your part. All your old content will be exactly the same and you'll be able to update your blog and post images using Blogger.com.
Move to an external hosting service. If you want to continue to upload non-image files and have FTP access to your blog content, you will need to obtain external hosting on your own before the Blog*Spot Plus feature is discontinued. We will send you an additional reminder closer to this date, too.
If you have any questions, please see our Blogger help article.
Diladi?
What's changing: Soon, we will be retiring the Blog*Spot Plus feature from Blogger.
Features of Blog*Spot Plus include FTP access, non-blog uploads and subdirectory creation. We have added a warning icon () to your Dashboard to indicate which of your blogs is a Plus blog. Click the icon to see this message again.
What this means for you: This will not affect your blog much.
We'll continue hosting all content you've uploaded to this point and you'll be able to update your blog with text and images, just like always. But, you will no longer be able to upload non-blog content or have FTP access to the content you've already uploaded.
What you can do: You have two options for future hosting.
Stick with blogspot hosting. This does not require any action on your part. All your old content will be exactly the same and you'll be able to update your blog and post images using Blogger.com.
Move to an external hosting service. If you want to continue to upload non-image files and have FTP access to your blog content, you will need to obtain external hosting on your own before the Blog*Spot Plus feature is discontinued. We will send you an additional reminder closer to this date, too.
If you have any questions, please see our Blogger help article.
Diladi?
Grace and Appetite
(je har' stin oreksi)
Ali in an Art Gallery looking at Paintings...
Ali : Who be dis cheeky lickle lady?
Guide : It's a friend of Van Gough
Ali : She look like she just been having??
Guide : She doesn't look very happy.
Ali : Perhaps she just been taken up the wrong 'en or something?
Ali in the Royal opera house...
Ali : Look at dis. It's the royal opera 'ouse. Don't it look rubbish? That's why they is spending 25 billion squid to try to make it look like the John Nike Leisure centre in Bracknell.
Ali : Why is it that so many of the singers 'ere are so terribly fat?
Guide : They're not all fat.
Ali : Is it because of the discrimination that you is letting all of the fatties in?
Ali : What is the acoustic like in 'ere.
Guide : It's brilliant.
Ali : Wicked.
Guide : Try it.
*Ali Sings* HERE ME NOW, RYYYYYYYDE THE PUNANI. RIDE THE PUNANI.
Ali : So, if you wanna sample some culture you can spend fifty squid ona night out at the opera or me can get you a bag of skunk DIS BIG.
Respek
(je har' stin oreksi)
Ali in an Art Gallery looking at Paintings...
Ali : Who be dis cheeky lickle lady?
Guide : It's a friend of Van Gough
Ali : She look like she just been having??
Guide : She doesn't look very happy.
Ali : Perhaps she just been taken up the wrong 'en or something?
Ali in the Royal opera house...
Ali : Look at dis. It's the royal opera 'ouse. Don't it look rubbish? That's why they is spending 25 billion squid to try to make it look like the John Nike Leisure centre in Bracknell.
Ali : Why is it that so many of the singers 'ere are so terribly fat?
Guide : They're not all fat.
Ali : Is it because of the discrimination that you is letting all of the fatties in?
Ali : What is the acoustic like in 'ere.
Guide : It's brilliant.
Ali : Wicked.
Guide : Try it.
*Ali Sings* HERE ME NOW, RYYYYYYYDE THE PUNANI. RIDE THE PUNANI.
Ali : So, if you wanna sample some culture you can spend fifty squid ona night out at the opera or me can get you a bag of skunk DIS BIG.
Respek
Thursday, September 28, 2006
Tuesday, September 26, 2006
Signification, which is the only function of a word admitted by semantics, reaches perfection in the sign. Whether folksongs were rightly or wrongly called upper-class culture in decay, their elements have only acquired their popular form through a long process of repeated transmission. The spread of popular songs, on the other hand, takes place at lightning speed. The American expression "fad", used for fashions which appear like epidemics — that is, inflamed by highly-concentrated economic forces — designated this phenomenon long before totalitarian advertising bosses enforced the general lines of culture. When the German Fascists decide one day to launch a word — say, "intolerable" — over the loudspeakers the next day the whole nation is saying "intolerable." By the same pattern, the nations against whom the weight of the German "blitzkrieg" was thrown took the word into their own jargon. The general repetition of names for measures to be taken by the authorities makes them, so to speak, familiar, just as the brand name on everybody's lips increased sales in the era of the free market. (Adorno & Horkheimer, Dialektik der Aufklärung)
Monday, September 25, 2006
Sunday, September 24, 2006
Parntzouglismos
To roz tou 1926 einai tholo.
Itan tholo sto diafragma twn vouvwn.
(na sou kamw mia tianisi antrea mou?)
Oi skepseis den einai aerovoles mpales tou golf sta ditika tis lefkwsias (5km - Nevada, Las Vegas - 28is Oktwvriou) ma xelwnonintzakia. Anazitwntas ta antikeimena pou swriazoun tin axrwmatopsia twn prwinwn.
Estise ston toixo ton Nwe kai tn Afroditi tis Milou, kai arxise na tous simadevei me koukoutsia elliwn. Mexri pou tis ekopse to xeri k' aftounou t' arxidia.
(p.s 'Nwe, ti tha fame simera?' / O Jean-Pierre Brisset efkalen ta laima tou na mas pisei oti oi vatraxoi miloun Gallika, dioti dithen to coa.coa en qui)
Itan tholo sto diafragma twn vouvwn.
(na sou kamw mia tianisi antrea mou?)
Oi skepseis den einai aerovoles mpales tou golf sta ditika tis lefkwsias (5km - Nevada, Las Vegas - 28is Oktwvriou) ma xelwnonintzakia. Anazitwntas ta antikeimena pou swriazoun tin axrwmatopsia twn prwinwn.
Estise ston toixo ton Nwe kai tn Afroditi tis Milou, kai arxise na tous simadevei me koukoutsia elliwn. Mexri pou tis ekopse to xeri k' aftounou t' arxidia.
(p.s 'Nwe, ti tha fame simera?' / O Jean-Pierre Brisset efkalen ta laima tou na mas pisei oti oi vatraxoi miloun Gallika, dioti dithen to coa.coa en qui)
Lossy
Fylaw tis lexeis na mou vrethoun ki arnoume na prodwsw to sfyrigma mou. Depeche Mode kai filleta stis Spetses. Apehw ap' tin Poli kai to plirwnw ws oikodespotis. Zw etsi me tin myrwdia tou allou kai ta prwina whiskeya. Ashetws proelefsews i daktylografisi paramenei i apousia tis echo. O Narkissos me backlight. Fate matia psaria kai sardelles st' ampelofylla. Aeras ypogeiou egkainiazei tin proslipsi tou hwrou mines meta tin afixi. Skoni to parellthon pou i hwra tis enilikiwsis mas klironomise, mazi me ton palimpaidismo tou exwterikou kai tin aiwniotita tis nyhtas. Enhwrion proion.
Ta kalwdia den epitrepoun tin opsi kai i akoi einai daneismeni. Fin ji arche.
Ta kalwdia den epitrepoun tin opsi kai i akoi einai daneismeni. Fin ji arche.
Tuesday, September 19, 2006
Monday, September 18, 2006
Tuesday, September 12, 2006
Lalei mou: E ethkiavases to; Ti enomises;
Jai skeftomai egw. Skeftomai: Nai re, arese mou. Areskei mou o tropos pou laleis istories, o tropos idika pou sundeeis idees jai diafora gegonota, erkountai oulla kuklika, jai areskei mou pou ginontai diafora pramata, ennow, se diafora epipeda, ara ennen anangki na pollo katexw pou ta endiaferon sou, epeidi, sto katw katw en polla ta pramata pou laleis, ennen yia to Virtuoso pou grafeis vasika, alla yia oulla ta pramata pou ton perikuklonoun.. diladi, oulla ta pramata pou perikuklonoun mas oullous. Etsi eskeftika.
Alla.
Lalw tou: E... en lion... "eclectic" enne; Ennow sou... Grafeis sta kupriaka. Diladi, se mia dialekto tin opoia lioi miloun, akoma pio lioi en sunithismeni na thkiavazoun, jai stin opia akoma pio lioi grafoun. Ara, idi, en esheis pollous anagnwstes. Jai oi monon touto, grafeis yia hip hop. Jai oi mainstream hip hop, alla underground hiphop. Jai oi monon underground alla grafeis me leptomeria yia enan agnwsto kalamaroamerikano dj... Diladi re, milas yia enan thema me ton opoion polla lios kosmos asxolite, jai oi parapanw en katexoun kupriaka, jai jinoi pou katexoun en filoi sou pou emathan yia to hip hop pou sena. Ara re.. nomizw oti to blog sou en lion "eclectic".
Jai meta pou kapoies meres... esuniditopoiisa...
"Eclectic"?
Gamw to. Grafw pas'sto ombion.
Jai skeftomai egw. Skeftomai: Nai re, arese mou. Areskei mou o tropos pou laleis istories, o tropos idika pou sundeeis idees jai diafora gegonota, erkountai oulla kuklika, jai areskei mou pou ginontai diafora pramata, ennow, se diafora epipeda, ara ennen anangki na pollo katexw pou ta endiaferon sou, epeidi, sto katw katw en polla ta pramata pou laleis, ennen yia to Virtuoso pou grafeis vasika, alla yia oulla ta pramata pou ton perikuklonoun.. diladi, oulla ta pramata pou perikuklonoun mas oullous. Etsi eskeftika.
Alla.
Lalw tou: E... en lion... "eclectic" enne; Ennow sou... Grafeis sta kupriaka. Diladi, se mia dialekto tin opoia lioi miloun, akoma pio lioi en sunithismeni na thkiavazoun, jai stin opia akoma pio lioi grafoun. Ara, idi, en esheis pollous anagnwstes. Jai oi monon touto, grafeis yia hip hop. Jai oi mainstream hip hop, alla underground hiphop. Jai oi monon underground alla grafeis me leptomeria yia enan agnwsto kalamaroamerikano dj... Diladi re, milas yia enan thema me ton opoion polla lios kosmos asxolite, jai oi parapanw en katexoun kupriaka, jai jinoi pou katexoun en filoi sou pou emathan yia to hip hop pou sena. Ara re.. nomizw oti to blog sou en lion "eclectic".
Jai meta pou kapoies meres... esuniditopoiisa...
"Eclectic"?
Gamw to. Grafw pas'sto ombion.
Sunday, September 10, 2006
frozen sundays avec soutzoukakia palyria
Last night I accidentally kicked the moon, but it was not full thus it did not roll or spill - Fellini was not a lunatic, no traces of foam off his mouth, when shooting the moon, when listening to it (1990) (Benigni perhaps is), or even Alan Parker that same year he built the wall shot the moon down as well (1982)
Helsinki;
walking down Helsinkinkatu - there are no aliens here, no street, road, place, mews, crescent, avenue, rise, lane, way, grove, park, gardens, alley, arch, path, walk, broadway, promenade, gate, terrace, vale, view or hill, no aliens like George Mikes' 'How to become an alien' (acquired: sept. 2002, on departure by D.) - simply katu (AKA kantouni) or tie - formalism cast concrete resembling the monument To the Conquerors of Space outside the VDNKh in Moscow / pink was faint back then, 'pink is better than black. but the two harmonize', that makes grey, good-grey
back: epias to paplwma sou re nikolaki? Tziai to paplwma, tziai mia lemonada, tziai ena dekaliro me 2 tappous tis pennas – mia ountzia me t’antera. Ma irte, irte, irte? Pios empou irte? Oi mono irte alla tz’ iirten – aise perkei mou rapsei kanena poukamiso.
“you have reached the page on which this book’s previous owner decided to give up” (cabinet magazine), yet, Ulysses (with verted and inverted commas) is unfinished, not on long benches (wrong places avec wrong people, Dublin), not standing upright on the periphery of museums (Berlin), not in the 'city of museums' (quoting CYPRUS AIRWAYS video clip upon landing onto LCA - 35°09´35"N, 033°29´18"E, Elevation 123m (403ft) - referring to Nicosia, despite that they only mention one)
(“aigia kotsini pou paeis” arthografei me maestria o S. Kossiaris se mia analisei ton parallilwn viwn maxla kai trattou)
to back: from Helsinki with a duvet and a certificate for roll (Kilaidonis), at last I found a descent coffee blend.
Helsinki;
walking down Helsinkinkatu - there are no aliens here, no street, road, place, mews, crescent, avenue, rise, lane, way, grove, park, gardens, alley, arch, path, walk, broadway, promenade, gate, terrace, vale, view or hill, no aliens like George Mikes' 'How to become an alien' (acquired: sept. 2002, on departure by D.) - simply katu (AKA kantouni) or tie - formalism cast concrete resembling the monument To the Conquerors of Space outside the VDNKh in Moscow / pink was faint back then, 'pink is better than black. but the two harmonize', that makes grey, good-grey
back: epias to paplwma sou re nikolaki? Tziai to paplwma, tziai mia lemonada, tziai ena dekaliro me 2 tappous tis pennas – mia ountzia me t’antera. Ma irte, irte, irte? Pios empou irte? Oi mono irte alla tz’ iirten – aise perkei mou rapsei kanena poukamiso.
“you have reached the page on which this book’s previous owner decided to give up” (cabinet magazine), yet, Ulysses (with verted and inverted commas) is unfinished, not on long benches (wrong places avec wrong people, Dublin), not standing upright on the periphery of museums (Berlin), not in the 'city of museums' (quoting CYPRUS AIRWAYS video clip upon landing onto LCA - 35°09´35"N, 033°29´18"E, Elevation 123m (403ft) - referring to Nicosia, despite that they only mention one)
(“aigia kotsini pou paeis” arthografei me maestria o S. Kossiaris se mia analisei ton parallilwn viwn maxla kai trattou)
to back: from Helsinki with a duvet and a certificate for roll (Kilaidonis), at last I found a descent coffee blend.
Wednesday, September 06, 2006
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