A kind of a "dangerous supplement", marked, scarred on a body, post-orgasmically, always, already in anticipation of (a) crisis OR for a desert avec 'agape'. Mindb(l)ogg(l)ing Noise. "Avalanche, would you share my last pursuit?" (Baudelaire)
Wednesday, January 31, 2007
ftou re (...) itheles ta tz'epathes ta
Welcome to the city of misery (no.96) or (no.14a) (Automated translation so excuse me for the errors)
Is Berlin for Artists what Honey is for Winnie the Pooh? (eshiei tipote meli tz' emazeftikan oulloi pou girwn)
+ Ela mia penna na grafeis, ena lepto (...) ela dkio ttappous tis pennas tziai pienne sto kalo
Is Berlin for Artists what Honey is for Winnie the Pooh? (eshiei tipote meli tz' emazeftikan oulloi pou girwn)
+ Ela mia penna na grafeis, ena lepto (...) ela dkio ttappous tis pennas tziai pienne sto kalo
Monday, January 29, 2007
spirtokouto
to pedio tis phones egkite pandote stin en dyname pragmatosi tis kapou metaxi tou phonetikou ke tou 'logikou'. to spirtokouto, me alla logia, egkliei ton emmeni kindino, ohi pleon me ti morfi tou diakyvevmatos alla ipo tin aporia mias apithanis anaggeotitas, tis dinitikis (os ek tou logou proerhomenis) ipervolis meso tis anaflexis (vl. Heidegger, Brief über den "Humanismus", Glossa esso eni - alla krouzi poukato poukato). to epipleon touton, i ipervoli, i epikeimeni anaflexi, erhete os epakoloutho tis ipotaxis tis phones stin simvoliki taxi, mias ipotaxis pou episimeni pros tin apokeimansi tou s(t)omatikou apo to fonitiko, pros kapia prospatheia apedafikopiisis enos ‘logou’ anapothniskontos. touti i apokommeni foni san asomato organo ine pou kataklizi tin epikeimeni anaflexi tou spir(i)tokoutou. giafto i klimakosi tis exosomatosis tis fonis, i apotychia tis ecstasis, akolouthite apo tin homeostatiki stomatiki afodefsi, tin choriki epanedafikopiisi toutis tis ekspermatosis: (epi-)strephontas sti phone I [phallologiki] eikona ite tha apediknie tin fantasiaki diastasi tis idias tis iper-pragmatikotitas tis, ite tha esimene ton peran tis eikonas aisthisiasmo pou tin diagrafei.
Sunday, January 28, 2007
Το ηρωικό 'Ναί'
"... and I thought him as well as another and then
I asked him with my eyes to ask again yes and then
he asked me would I say yes to say yes my mountain
flower and first I put my arms around him yes and
drew him down to me so he could feel my breasts
all perfume yes and his heart was going like mad and
yes I said yes I will Yes."
Saturday, January 27, 2007
1553: Of writen proof
"εδώ και 33 χρόνια δεν είναι μόνο οι άνθρωποι αγνοούμενοι, αλλά και οι ιερές εικόνες των εκ των ουρανών ανθρώπων μας"
"Διότι είναι ιστορικά αποδεδειγμένο ότι το χαλλούμι διαδραμάτισε το δικό του καταλυτικό ρόλο στις εξελίξεις του εθνικού μας θέματος και κυρίως στον μακροχρόνιο αγώνα μας, που συνεχίζεται εδώ και αρκετές δεκαετίες"
"αυτός ο τόπος συνεχίζει να έχει ιστορία, συνεχίζει να έχει πολιτισμό και διεκδικεί ό,τι του ανήκει"
So is your mother a landscape or a face? A face or a factory? (Godard.) - D&G, A Thousand Plateaus, Year Zero: Of Faciality, p. 190
"Διότι είναι ιστορικά αποδεδειγμένο ότι το χαλλούμι διαδραμάτισε το δικό του καταλυτικό ρόλο στις εξελίξεις του εθνικού μας θέματος και κυρίως στον μακροχρόνιο αγώνα μας, που συνεχίζεται εδώ και αρκετές δεκαετίες"
"αυτός ο τόπος συνεχίζει να έχει ιστορία, συνεχίζει να έχει πολιτισμό και διεκδικεί ό,τι του ανήκει"
So is your mother a landscape or a face? A face or a factory? (Godard.) - D&G, A Thousand Plateaus, Year Zero: Of Faciality, p. 190
Friday, January 26, 2007
Requiem: Big Makarios, Sketch I
A 'pirate' radio station and a laptop is installed inside the top part [the kalimafchi] of the statue. Four helicopters are deployed to carry the statue. One performer is placed inside each helicopter equiped with pithkiavli, tamboucha and a score of three randomly selected bars of 'Tha paro mian aniforia'. The performers are recorded improvising variations of the score [either on the pithkiavli or on the tamboucha] along the way to throni. The four microphone outputs are processed by using a database with all of makarios' speeches to extract the amplitude of his voice and translate it to (1) pitch shifting for output from helicopter one (2) delay for output from helicopter two and (3) grain length selection and bit reduction for output from helicopter three. Makarios' speech is to be multiplied by the output from helicopter four. The transmission from the radio should be locally receivable for the croud(s) waiting with their portable radios to give their last farewell to Makarios again. Once the statue is enthroned, the live performance will stop and the recording of it will continue to be transmitted, looping through the modulating selections of makarios' speeches. The channel will be monitored and in the case of turkish interference it will automatically broadcast a loud sine tone and then all 4 of rik's channels [as inputs for modulation, rather than the 4 performers] together for three days, after which the ethnarchic voice will reassuringly state 'Ime zontanos' and continue the transmission of the requiem.
jiallo memoir
thimoume ena party tou kosti, imaste mitsioi, epira ena cd offspring, je fonazi o dimitris
'piou en touto?'
'emena'
'mpravo mpravo'
meta esinexise na fonazi pros alli katefthinsi
'piou en touto?'
'emena'
'mpravo mpravo'
meta esinexise na fonazi pros alli katefthinsi
Thursday, January 25, 2007
eton je ton nikon
i sxesi mas me to demetri taliwti itan pantote anepanorthoti, tha elega. en tha pw gia tin prwti fora dioti me jinos me gw epistepsame potte stin arxi. (cf. 2002 in New Division: 'edkiavases to archive fever? tou derrida?' 'oi re akoma kamnoume introductio to moral/political philosophy' 'E! inta mpou spoudazeis filosofia?')
kapote itan etsi:
-geia re
-geia re
-ma pou en o kwstis?
- re je gw gireukw ton kwsti
- e ate paw na piaw kanena poto
meta itan:
- malaka! ivra tin pleon thriliki idea! malaka eto! pentzikis file mou, derrida, JOYCE file mou, ELIOT - neeee - i akoma kallitera: michalis pashiardis
(tote en ekamname dialogous apla emilousame mazi)
kapote, meta pou polla pota itan real i real - panta me ta heria stis tsepes, though.
twra emegalwsame, ksana p'arkis:
-geia sas demetrie
-oo hristo mas
-e ne
- e ma ti na peis..
- e paw na piaw kanena poto
- e je gw
eipen to omws, eipen to. je na mou to thimitheite: touti en to sperma tou pou thelei.
kapote itan etsi:
-geia re
-geia re
-ma pou en o kwstis?
- re je gw gireukw ton kwsti
- e ate paw na piaw kanena poto
meta itan:
- malaka! ivra tin pleon thriliki idea! malaka eto! pentzikis file mou, derrida, JOYCE file mou, ELIOT - neeee - i akoma kallitera: michalis pashiardis
(tote en ekamname dialogous apla emilousame mazi)
kapote, meta pou polla pota itan real i real - panta me ta heria stis tsepes, though.
twra emegalwsame, ksana p'arkis:
-geia sas demetrie
-oo hristo mas
-e ne
- e ma ti na peis..
- e paw na piaw kanena poto
- e je gw
eipen to omws, eipen to. je na mou to thimitheite: touti en to sperma tou pou thelei.
Μαζεύκω Ιστορίες (A Memoir to the Ombion Master)
Εχτές εκάθουμουν στο coffeeway με τον ορέστη, τον σώτο, τζαι τον njester. Eσυζητούσαμεν τα τάνγκια τζαι τον δημήτρη ταλιότη, τζαι εγελούσαμεν. Σε κάποια φάση αρκέφκαμεν να λαλούμεν ήνταλος εγνώρισεν ο καθένας μας τον δημήτρη. Τζαι είπαμεν να τα γράψουμεν δαμε, τζαι να γράψετε ούλλοι σας για την 1η σας επαφή με τον όμπιον μάστρο. Μαζεύκω ιστορίες, πέτε τζαι την δική σας.
(Dem, εν δικαιούσε να απαντήσεις, εν τίπου obituary, μπορεί μετά που τούτο να αρχίσεις την καριέρα σου ως πολιτικός).
Εγώ εν ‘εγνώρισα’ τον δημήτρη ποττέ, ήμαστουν στο ίδιο σχολείο, απλά τζείνος ήταν 3 χρόνια πιο μεγάλος μου τζαι έκαμνεν παρέα με τον αρφό μου, τον κώτσιο. Είχαμεν κάμει τζαι έναν θέατρο μαζί, αλλά εν του επολλο μίλουν επειδή ήταν αρκετά φοιτσάρικος, τεράστιο αφρο μαλλήν, καμπανέ παντελόνια, τζαι φονακλάς. Επίσης εν επολλο άρεσκεν του αρφού μου να ασχολούμε με τους παρεές του, γι’αυτό, γενικά, εν εμιλούσα του Τάλα. Αλλά αθημούμε εναν καλοτζαίρη, που ήμουν 16 τζαι ο αρφός μου ήταν στο 2ο του χρόνο στρατό, τζαι είχα πάει αμερική για 6 εφτομάδες. Εγύρισα Κύπρο τζαι εκάλεσεν με ο κώτσιος να πάω ‘35º 33º’ μαζί με τζείνον, τον δημήτρη, τζαι την ελένη. Εχάρικα πολλά που ήταν να πάω, αλλα αντρέπουμουν τζιόλλας, εν είχα πολλήν θάρρος που ήμουν μιτσιά. Φτάνουμεν τζιάμε, καθόμαστεν, τζαι ο Τάλας τζαι ο Κώτσιος εμπήκαν αμέσος σε συζήτηση. Γύριζει η ελένη, πρέπει να με λυπήθεικεν, εν πάντα πολλά καλή σε έτσι καταστάσεις, τζαι λαλεί μου:
- Ε, Αλεξάνδρα, άκουσα οτι επήες Αμερική?
- Ναι, λαλώς της εγώ, πολλά νρτοπαλά (εν επίστευκα οτι εμίλαν για μένα ο αρφός μου στους φίλους του). Πού το ξέρεις?
Τζαμέ που ενόμιζα οτι εν με άκουεν ο Τάλας, γυρίζει τζαι φονάζει
- ΕΓΡΑΨΑΝ ΤΟ ΟΙ ΕΦΗΜΕΡΙΔΕΣ!
Ο κώτσιος εφίρτικεν.
Εγώ εν εξαναμίλησα τζείνην την νύχτα.
The rest, as they say, is history.
(Dem, εν δικαιούσε να απαντήσεις, εν τίπου obituary, μπορεί μετά που τούτο να αρχίσεις την καριέρα σου ως πολιτικός).
Εγώ εν ‘εγνώρισα’ τον δημήτρη ποττέ, ήμαστουν στο ίδιο σχολείο, απλά τζείνος ήταν 3 χρόνια πιο μεγάλος μου τζαι έκαμνεν παρέα με τον αρφό μου, τον κώτσιο. Είχαμεν κάμει τζαι έναν θέατρο μαζί, αλλά εν του επολλο μίλουν επειδή ήταν αρκετά φοιτσάρικος, τεράστιο αφρο μαλλήν, καμπανέ παντελόνια, τζαι φονακλάς. Επίσης εν επολλο άρεσκεν του αρφού μου να ασχολούμε με τους παρεές του, γι’αυτό, γενικά, εν εμιλούσα του Τάλα. Αλλά αθημούμε εναν καλοτζαίρη, που ήμουν 16 τζαι ο αρφός μου ήταν στο 2ο του χρόνο στρατό, τζαι είχα πάει αμερική για 6 εφτομάδες. Εγύρισα Κύπρο τζαι εκάλεσεν με ο κώτσιος να πάω ‘35º 33º’ μαζί με τζείνον, τον δημήτρη, τζαι την ελένη. Εχάρικα πολλά που ήταν να πάω, αλλα αντρέπουμουν τζιόλλας, εν είχα πολλήν θάρρος που ήμουν μιτσιά. Φτάνουμεν τζιάμε, καθόμαστεν, τζαι ο Τάλας τζαι ο Κώτσιος εμπήκαν αμέσος σε συζήτηση. Γύριζει η ελένη, πρέπει να με λυπήθεικεν, εν πάντα πολλά καλή σε έτσι καταστάσεις, τζαι λαλεί μου:
- Ε, Αλεξάνδρα, άκουσα οτι επήες Αμερική?
- Ναι, λαλώς της εγώ, πολλά νρτοπαλά (εν επίστευκα οτι εμίλαν για μένα ο αρφός μου στους φίλους του). Πού το ξέρεις?
Τζαμέ που ενόμιζα οτι εν με άκουεν ο Τάλας, γυρίζει τζαι φονάζει
- ΕΓΡΑΨΑΝ ΤΟ ΟΙ ΕΦΗΜΕΡΙΔΕΣ!
Ο κώτσιος εφίρτικεν.
Εγώ εν εξαναμίλησα τζείνην την νύχτα.
The rest, as they say, is history.
No longer in Beta
Dear Ombiouhoi
Agapitoi Symplwrites,
Ypakouwntas sta kelevsmata twn kairwn, kai afougrazwmenos tis protropes kai tis anagkes sas, ehw metaferei to ombion makria apo to agapimeno mas beta, sta pio syhrona format. En ixerw an tha mporw na stelw jai post pou to tilefwno twra, alla tha to koitaxw.
Poda jai da prepei na kamnete sign in me google email account, gnwtson kai ws gmail. Ean men eshete, kamete. En na sas to ypenthimisei jai o Blogger, eipe mou.
Tipote allon den allasei. Elpizw.
A! Ektos pou ta maskaralikia ta extra, labels jai xerw gw malakies.
Eidopoiate omws ean eshet provlimata, kaoures, kallous, paranyhides kai ta loipa. Xerw mian kali podiatro, perki sas voithisei.
To archive en ixerw an esastiken. Twra na dw.
Fenete sasmeno.
Entaxei am?
fare forward
UPDATE: Gamwto Satana mou! Pete mou ti hrwma na kamoume ta links - pou damesa da ws jai oi titloi twn posts en links- pre-visiting kai ti hrwma meta.
Touton mas eleipe twra.
Agapitoi Symplwrites,
Ypakouwntas sta kelevsmata twn kairwn, kai afougrazwmenos tis protropes kai tis anagkes sas, ehw metaferei to ombion makria apo to agapimeno mas beta, sta pio syhrona format. En ixerw an tha mporw na stelw jai post pou to tilefwno twra, alla tha to koitaxw.
Poda jai da prepei na kamnete sign in me google email account, gnwtson kai ws gmail. Ean men eshete, kamete. En na sas to ypenthimisei jai o Blogger, eipe mou.
Tipote allon den allasei. Elpizw.
A! Ektos pou ta maskaralikia ta extra, labels jai xerw gw malakies.
Eidopoiate omws ean eshet provlimata, kaoures, kallous, paranyhides kai ta loipa. Xerw mian kali podiatro, perki sas voithisei.
To archive en ixerw an esastiken. Twra na dw.
Fenete sasmeno.
Entaxei am?
fare forward
UPDATE: Gamwto Satana mou! Pete mou ti hrwma na kamoume ta links - pou damesa da ws jai oi titloi twn posts en links- pre-visiting kai ti hrwma meta.
Touton mas eleipe twra.
What I learned while eating sushi
From the Cyprus Mail, 24th January 2007
Makarios cut down to size
By Jean Christou
THE CHURCH is to remove the giant bronze statue of Archbishop Makarios that has graced the grounds of the Archbishopric for the past 15 years and replace it with a more realistic option.
The announcement was made by Archbishop Chrysostomos yesterday. He said there had been so many complaints about the ten-metre statue over the years that it was time for it to go.
He said it would be replaced with a two-metre marble likeness of Makarios that would be a more realistic size.
“It’s moving because a lot of people have reacted over the size,” the Archbishop told the Cyprus Mail. “People say it’s too big and is an eyesore.”
The statue was designed and sculpted by Nikos Kotziamanis between 1984 and 1987 and placed right in front of the Archbishopric. It was the brainchild of the previous Archbishop Chrysostomos, who was replaced as the Cypriot Church leader late last year following an extended illness.
The new Archbishop said his predecessor had wanted it the way it was made and would not listen to any opposing views. It had been suggested to him that the giant statue was fine but would look better out of the city in an open area or at a high elevation.
Chrysostomos II said he was now looking for a sculptor in Greece to discuss the new statue. “We are going to put a more life-size statue in the Archbishopric and move the bigger one out of Nicosia to a non-residential area,” he said. ‘It could be at Kykkos or it could be Panayia. We have not decided yet.”
Chrysostomos said it might even take a year for the move to be made, depending on how long it would take to have the new statue made. “We are not in a hurry,” he said. He also said the costs would be large. “But it needs to be done,” he added.
Kotziamanis, one of the most prolific sculptors around, could not be reached for comment yesterday.
His first sculpture of Makarios was a bronze 18-inch head in 1979. He has also created fibre glass figures of Makarios for the municipalities of Larnaca and Nicosia, a 2.5 metre bronze statue of Makarios for Pedhoulas, in 1981, and a 4.5 metres one for Larnaca Municipality in 1983, among other Makarios tributes.
He has also bronzed Lord Byron, EDEK honorary chairman Vassos Lyssarides, former Greek Prime Minster Andreas Papandreou, the late Cyprus President Spyros Kyprianou, ex US President Bill Clinton and British Speaker of the House of Commons, Betty Boothroyd.
In April 2005 he was attempting to get off the ground a project to recreate the Colossus of Rhodes.
Opws se vlepw kai me vlepeis.
O archepiskopos panta epanaprosdiorizei to kitsch. Etsi paei.
Culture is in flux baby.
Culture is in flux.
Makarios cut down to size
By Jean Christou
THE CHURCH is to remove the giant bronze statue of Archbishop Makarios that has graced the grounds of the Archbishopric for the past 15 years and replace it with a more realistic option.
The announcement was made by Archbishop Chrysostomos yesterday. He said there had been so many complaints about the ten-metre statue over the years that it was time for it to go.
He said it would be replaced with a two-metre marble likeness of Makarios that would be a more realistic size.
“It’s moving because a lot of people have reacted over the size,” the Archbishop told the Cyprus Mail. “People say it’s too big and is an eyesore.”
The statue was designed and sculpted by Nikos Kotziamanis between 1984 and 1987 and placed right in front of the Archbishopric. It was the brainchild of the previous Archbishop Chrysostomos, who was replaced as the Cypriot Church leader late last year following an extended illness.
The new Archbishop said his predecessor had wanted it the way it was made and would not listen to any opposing views. It had been suggested to him that the giant statue was fine but would look better out of the city in an open area or at a high elevation.
Chrysostomos II said he was now looking for a sculptor in Greece to discuss the new statue. “We are going to put a more life-size statue in the Archbishopric and move the bigger one out of Nicosia to a non-residential area,” he said. ‘It could be at Kykkos or it could be Panayia. We have not decided yet.”
Chrysostomos said it might even take a year for the move to be made, depending on how long it would take to have the new statue made. “We are not in a hurry,” he said. He also said the costs would be large. “But it needs to be done,” he added.
Kotziamanis, one of the most prolific sculptors around, could not be reached for comment yesterday.
His first sculpture of Makarios was a bronze 18-inch head in 1979. He has also created fibre glass figures of Makarios for the municipalities of Larnaca and Nicosia, a 2.5 metre bronze statue of Makarios for Pedhoulas, in 1981, and a 4.5 metres one for Larnaca Municipality in 1983, among other Makarios tributes.
He has also bronzed Lord Byron, EDEK honorary chairman Vassos Lyssarides, former Greek Prime Minster Andreas Papandreou, the late Cyprus President Spyros Kyprianou, ex US President Bill Clinton and British Speaker of the House of Commons, Betty Boothroyd.
In April 2005 he was attempting to get off the ground a project to recreate the Colossus of Rhodes.
Opws se vlepw kai me vlepeis.
O archepiskopos panta epanaprosdiorizei to kitsch. Etsi paei.
Culture is in flux baby.
Culture is in flux.
Wednesday, January 24, 2007
Tuesday, January 23, 2007
trellos mathimatikos (+pellares): Friedrich Schlegel
it all started with this fragment:
'As is well known, Leibniz went to Spinoza to have his glasses made; and that’s the only contact he had with him or his philosophy. If only he has also ordered his eyes there, so that he might have gazed at least from a distance into that continent of philosophy that was unknown to him and where Spinoza has his home'
Athenaeum fragment 270
By the time he was fourty, writes Hans Eichner, 'according to Schlegel, the age Enoch reached was particularly significant, not merely because his life spanned as many years as the year has days, but because [as Schlegel himself said] ‘in the number of 365 years the number 33 is comprised as a root – a number which, in every respect, and in the most various application, is discovered to be the primary number of the earth. For, with the slight difference of a unit, the number of 365 years corresponds to the sum of 333 plus 33, while the number of days strictly comprised in those 365 years amounts to 4x33,000 plus 4x330’.
Friedrich Schlegel spent the evening of January 11 1829 with his old friend Ludwig Tieck. Around 11 PM he returned to his study to resume work on the tenth lecture of his Philosophie der Sprache. There, at his desk, and pen in hand – he had just commenced a sentence about that ‘entirely perfect and complete understanding’ – he suffered a stroke, and a few hours he died in the hands of his niece. His old enemies promptly circulated the rumour that he had choked to death on a dish of pate de foie gras.
Monday, January 22, 2007
Club Soda HD
Opws pethymas tin anatasi pou epiferei mia fouriοza afroza, kappou, pia, arhise na leipei apo mesa mou, apo panw mou, i echo kai to kathreftisma tis Psihis sto Stoma.
Ean einai dynato, tha mou peis.
Estw ki ap'tin pronomiaki mou thesi, loxodiavazwntas tin.
Ki afou akoma trww ta mesimeria ap' ta etoima.
Ean einai dynato, tha mou peis.
Estw ki ap'tin pronomiaki mou thesi, loxodiavazwntas tin.
Ki afou akoma trww ta mesimeria ap' ta etoima.
Sunday, January 21, 2007
C.V.
Diegersi tou kafe: Avoiding death and thus becoming political, they were reading magazines in search of their names, since no restaurant was to offer itself to them, and finding not their counterparts, they saw parts of their multitasking personas, dressed under the 'C' word -adjective and locale- planning their Wild West holidays, in the absence of The New Yorker, outlining virtual kebab houses' strategies and habitats.
Oi xapoloun.
Only the txts leave us alone. We will.
Oi xapoloun.
Only the txts leave us alone. We will.
Sunday sticky note
Ψυχρολουσία με μύρο και κολλιτσιασμένα δάχτυλα που την λεμονάδα
'μπρός στου το διαμπερές κιπορτ,
'πίσω σου στο χωρίς, η τηλεόραση να του το Βλάση Μπονάντζου τηλεπαιχνίδι πουμπουρίζει στο mono
Στο 11 rue Larrey το '27 και τρεις σφήνες το '14 (το σπαθί του Dettol - και των για το κκεράζι κοκτέιλς - δεν καθαρίζει καμιά σαπήλλα, Piero)
πως να δαμάσω την πουτάνα, την γλώσσα;
πως που γωννιάς να την πιάσω, ή που να την γωννίασω να της τον φουτουννιάσω που παν στη λευτεριά;
(να πνάσει το φλαντζί μου)
"κορή πανόρια θα της πω, άννοιξε τα."
οι του σπιτιού λάμπες δεν είναι βηδοτές μαπουτες άλλες, όπου το κλικκάρισμα προμηνίει πως το αφτόματο θα παραμήνει αφτόματο και διεγερμένο (κι'ο Βλάσης να πουμπουρίζει μόνος)
(Τι για το χιόνι να γράψει; Ότι δήθεν καλύπτει τα ίχνη απ' τα βήματα της; Ναι, βεβαίως. Μα της επιτρέπει να χωρεύει ιχνηλατόντας την άχνα μου)
(on her tiptoes)
'μπρός στου το διαμπερές κιπορτ,
'πίσω σου στο χωρίς, η τηλεόραση να του το Βλάση Μπονάντζου τηλεπαιχνίδι πουμπουρίζει στο mono
Στο 11 rue Larrey το '27 και τρεις σφήνες το '14 (το σπαθί του Dettol - και των για το κκεράζι κοκτέιλς - δεν καθαρίζει καμιά σαπήλλα, Piero)
πως να δαμάσω την πουτάνα, την γλώσσα;
πως που γωννιάς να την πιάσω, ή που να την γωννίασω να της τον φουτουννιάσω που παν στη λευτεριά;
(να πνάσει το φλαντζί μου)
"κορή πανόρια θα της πω, άννοιξε τα."
οι του σπιτιού λάμπες δεν είναι βηδοτές μαπουτες άλλες, όπου το κλικκάρισμα προμηνίει πως το αφτόματο θα παραμήνει αφτόματο και διεγερμένο (κι'ο Βλάσης να πουμπουρίζει μόνος)
(Τι για το χιόνι να γράψει; Ότι δήθεν καλύπτει τα ίχνη απ' τα βήματα της; Ναι, βεβαίως. Μα της επιτρέπει να χωρεύει ιχνηλατόντας την άχνα μου)
(on her tiptoes)
Saturday, January 20, 2007
Soul Kicking
Eida prin lio tin tainia tou Economide I Psihi Sto Stoma. En epia sto party meta - epia Plato's jai eipia mia Leffe- oi monon logo tou oti oi erwtiseis pou akolouthisan tin tainia itan ws epi to pleiston erwtiseis mias aristeris dianoisis tou '60-'70, pou psahnei stin tehni, sto cinema, oti den vriskei sto krevvati. Ikanopoiisi kai Desmefsi. Arnite, i etsi mou fanike, tin apotypwsi mythoplastika tis "pragmatikis pragmatikotitas" ws enavsma gia tin pragmatiki allagi (to 'thetiko"stin glwssa tous, pou episis perimenan apo ton skinotheti kappoioi, ehwntas mallon kata nou to oti afou i tainia einai politki, opws eipe o Economides, einai kai thetikistika tagmeni), afto pou o skinothetis onomase ws 'paidia'. I Psihi sto Stoma thymizei La Haine, galliki electroniki mousiki twn '90's, Londino twn '80's, katastaseis tentwmenes oso den paei allo, pou opou ki an eisai spazoun, spourtoun.
Thelw na dw to DVD tis tainias na to pouloun Nigirianoi stin Athina, na anevenei se kypriaka youtube accounts, na allazei heria ypotitlismeno se poleis tis evrwpis. Copies oula. Paranoma. Ehtws dihtywn dianomis tainiwn. Kali i provoli sta symvatika, ki agapimena, cinema. Ma mia hardcore tainia, mia tainia eafto-syniditopoiisis -pera apo taxika stegana- hreiazetai kai hardcore 'dianomi'. Alliws isws katantisei apla ekthema kai thema pros sizitisi. Ki ohi pyrinas drasis - epanalamvanw anthrwpinis ki ohi mono taxikis.
Sto telos o Giannis Economides eipe oti einai sigouros pws i tainia tou tha vgalei rizes. Tha vlastisei kati apo afti. Kappois pou tin eide, se asheto hrono kai gia kati allo, toulahiston se prwto epipedo, milouse gia trihoeidis rwgmes. Kati tarasei pantws. Kati klwtsa mes tis swlines me tin Psihi sto Stoma.
Vgalte to cinema exw apo tis aithouses, gamwto! Deite to (kai) stin ma[p]pa!
Thelw na dw to DVD tis tainias na to pouloun Nigirianoi stin Athina, na anevenei se kypriaka youtube accounts, na allazei heria ypotitlismeno se poleis tis evrwpis. Copies oula. Paranoma. Ehtws dihtywn dianomis tainiwn. Kali i provoli sta symvatika, ki agapimena, cinema. Ma mia hardcore tainia, mia tainia eafto-syniditopoiisis -pera apo taxika stegana- hreiazetai kai hardcore 'dianomi'. Alliws isws katantisei apla ekthema kai thema pros sizitisi. Ki ohi pyrinas drasis - epanalamvanw anthrwpinis ki ohi mono taxikis.
Sto telos o Giannis Economides eipe oti einai sigouros pws i tainia tou tha vgalei rizes. Tha vlastisei kati apo afti. Kappois pou tin eide, se asheto hrono kai gia kati allo, toulahiston se prwto epipedo, milouse gia trihoeidis rwgmes. Kati tarasei pantws. Kati klwtsa mes tis swlines me tin Psihi sto Stoma.
Vgalte to cinema exw apo tis aithouses, gamwto! Deite to (kai) stin ma[p]pa!
Pressing the wrong button
Noteone: Edw o Eleftheros Radiostathmos tis Pafou (Me gnwrimes fwnes tou laikou pentagrammou - tziai 40 Graven A stous pnevmones).
Notetwo: O Raymond Scott na pezei mixanoues kai si se mia gwnia na trweis pagwto garifallo
Notethree: 1 loukoumi, 2 loukoumia, 3 loukoumia mix, (tziai dkio dontia angaze)
Friday, January 19, 2007
Antistixi
I viaia epanaprosarmogi tou exouthenwmenou killimiou ston kroto tis pragmatikotitas, pera apo tis kouvertes.
Basi bozuk sta hwmata kai ston iliolousto nyptira.
Diasalefsi me to kilo, ospria misodojin kai gw na oneirevomai to anepaisthito.
Afalos, oti pio konta sti rwga. Egkymosini parastasewn. Vathmoi anti agkales.
Xana, vazoume ta pota mas monoi mas.
Cesar! Cesar!
Dates and Bibliography
Basi bozuk sta hwmata kai ston iliolousto nyptira.
Diasalefsi me to kilo, ospria misodojin kai gw na oneirevomai to anepaisthito.
Afalos, oti pio konta sti rwga. Egkymosini parastasewn. Vathmoi anti agkales.
Xana, vazoume ta pota mas monoi mas.
Cesar! Cesar!
Dates and Bibliography
Thursday, January 18, 2007
In the beginning was the number
Our all time favourite ombiouxos! On your footsteps we proceed. Or how Jester would have been if he was a mathematician.
Attention: Emagkosan oi parousiastes. Dwstetous pou ena panadol
p-p-p-poop
posters in the paper
paper in the posts
paper posts
what do the posters do? write about the papers; and the papers? well they write about the posters who are writing about the papers writing about the posters can you say peter piper took a pack of pickled peppers?
what does a poster do when not posting?
stares at a computer screen.
what does a poster do when posting?
stares at a computer screen, but creatively (of course).
Ladies in the library he says.
Bicycles for sale she says.
The pith of the matter, I discovered in a conversation, we were jesting, but I fear it to be true, and perhaps not the pith, but the heart of the matter I should say, seems to always be looming in the foreground, chilling with elvis, there's no escaping it.
have you brushed your teeth today?
paper in the posts
paper posts
what do the posters do? write about the papers; and the papers? well they write about the posters who are writing about the papers writing about the posters can you say peter piper took a pack of pickled peppers?
what does a poster do when not posting?
stares at a computer screen.
what does a poster do when posting?
stares at a computer screen, but creatively (of course).
Ladies in the library he says.
Bicycles for sale she says.
The pith of the matter, I discovered in a conversation, we were jesting, but I fear it to be true, and perhaps not the pith, but the heart of the matter I should say, seems to always be looming in the foreground, chilling with elvis, there's no escaping it.
have you brushed your teeth today?
Wednesday, January 17, 2007
Internal Mail
Agapitoi symplwrites,
Opoios ombiouhos athymithei i thelei na pei kati peri tou agapimenou pia twn kypriakwn efimeridwn thema, to blogging, as mou to pei. Axipa. Molis emilisa me ti Cyprus Mail (des comments poukatw post).
Ate, eginamen diasimoi pale.
A.M. grafoun gia mas. Twra ti, kartera ws tin kyriaki.
P.S. Kapoios twra prepei na sasei jai ta links tou archive.
Meta timis,
"He who calls himself the ombion mastros"
Opoios ombiouhos athymithei i thelei na pei kati peri tou agapimenou pia twn kypriakwn efimeridwn thema, to blogging, as mou to pei. Axipa. Molis emilisa me ti Cyprus Mail (des comments poukatw post).
Ate, eginamen diasimoi pale.
A.M. grafoun gia mas. Twra ti, kartera ws tin kyriaki.
P.S. Kapoios twra prepei na sasei jai ta links tou archive.
Meta timis,
"He who calls himself the ombion mastros"
Tuesday, January 16, 2007
Extract from what was going to be "Estates General of the Quotation Market"
"(...) Quotation marks generally function as small clothespins meant to keep at a distance, without really touching them, clothes which, whether dirty or still wet, won't be freed from their clothespins and really touched until they are properly clean and dry. In this case, the quotation marks around "theory" far from keeping an impure concept at a distance, convey a distrust towards a concept which is pure from any contamination and from an absolutely reappropriable proper sense: the proper sense of the word "theory" and "theory" as determined by the telos of proper sence which would elude quotability or, more generally, general iterability (...)"
quote / un-quote
Source: Derrida, J., Some statements and truism about neologisms, newisms, postisms, parasitisms and other small seismisms, in The states of 'theory'
quote / un-quote
Source: Derrida, J., Some statements and truism about neologisms, newisms, postisms, parasitisms and other small seismisms, in The states of 'theory'
Under the Volcano
In the past years you have been putting a lot of emphasis on pedagogy.
Yes, it's the core of our new political praxis. We even have a summer school in Oaxaca...
"...the zones [of silence] ... have a strong cultural production but do not host biennales, triennials or mega art fairs. In the zones of silence there exists an acute sense of isolation among artists and organisations, accompanied by a frustrating lack of communication with the region's multiple cultural scenes. This alienation from each other not only helps to maintain the negative dependency from the Western mirror to validate our own productions but also takes away the possibility of creating necessary networks of collaboration. I envisage stimulating new cartographies as a possible tool for the empowerment of creative communities outside of the established maps.
It is due to our internalised colonialism that the only opportunities to create our own cartographies ... are replaced by the emulation of mainstream models...."
Yes, it's the core of our new political praxis. We even have a summer school in Oaxaca...
"...the zones [of silence] ... have a strong cultural production but do not host biennales, triennials or mega art fairs. In the zones of silence there exists an acute sense of isolation among artists and organisations, accompanied by a frustrating lack of communication with the region's multiple cultural scenes. This alienation from each other not only helps to maintain the negative dependency from the Western mirror to validate our own productions but also takes away the possibility of creating necessary networks of collaboration. I envisage stimulating new cartographies as a possible tool for the empowerment of creative communities outside of the established maps.
It is due to our internalised colonialism that the only opportunities to create our own cartographies ... are replaced by the emulation of mainstream models...."
why one should read deleuze
or the eternalization of corruption.
in case of fire, earthquake, or flood (kwsti), or in case to ethniko lithei.
isws tote na kitaksoume tin diafthora, tin parakmi, tin fthora pou ws twra tin oiktiroume oloi mazi.
(an den eixame to 'ethniko' enna ekamname absurd-me seminars?)
''Η Εκκλησία θα κάνει κάποιες επενδύσεις και στις δύο Τράπεζες, ούτως ώστε να υποβοηθήσει να μην αλωθούν από ξένους, οποιοιδήποτε και αν είναι αυτοί οι ξένοι'', ανέφερε ο Χρυσόστομος Β' απαντώντας σε ερώτηση ύστερα από συνάντησή του με τον Πρόεδρο του ΔΗΣΥ Νίκο Αναστασιάδη.
Ο προκαθήμενος της κυπριακής Εκκλησίας κάλεσε όλους, ενόσω υπάρχει το εθνικό πρόβλημα, να αφήσουν απρόσκοπτα τις τράπεζες να χειρίζονται τα οικονομικά θέματα του τόπου. Το τραπεζικό σύστημα στην Κύπρο είναι άριστο όπως είπε, και πρόσθεσε ότι "όταν με το καλό λυθεί το εθνικό θέμα, μέσα στα πλαίσια της παγκοσμιοποίησης, σίγουρα θα έλθουν μεγαθήρια εδώ και θα συγχωνευθούν και οι δικές μας τράπεζες, αλλά πιστεύω ότι τώρα πρέπει να μείνουν ανενόχλητες".
in case of fire, earthquake, or flood (kwsti), or in case to ethniko lithei.
isws tote na kitaksoume tin diafthora, tin parakmi, tin fthora pou ws twra tin oiktiroume oloi mazi.
(an den eixame to 'ethniko' enna ekamname absurd-me seminars?)
''Η Εκκλησία θα κάνει κάποιες επενδύσεις και στις δύο Τράπεζες, ούτως ώστε να υποβοηθήσει να μην αλωθούν από ξένους, οποιοιδήποτε και αν είναι αυτοί οι ξένοι'', ανέφερε ο Χρυσόστομος Β' απαντώντας σε ερώτηση ύστερα από συνάντησή του με τον Πρόεδρο του ΔΗΣΥ Νίκο Αναστασιάδη.
Ο προκαθήμενος της κυπριακής Εκκλησίας κάλεσε όλους, ενόσω υπάρχει το εθνικό πρόβλημα, να αφήσουν απρόσκοπτα τις τράπεζες να χειρίζονται τα οικονομικά θέματα του τόπου. Το τραπεζικό σύστημα στην Κύπρο είναι άριστο όπως είπε, και πρόσθεσε ότι "όταν με το καλό λυθεί το εθνικό θέμα, μέσα στα πλαίσια της παγκοσμιοποίησης, σίγουρα θα έλθουν μεγαθήρια εδώ και θα συγχωνευθούν και οι δικές μας τράπεζες, αλλά πιστεύω ότι τώρα πρέπει να μείνουν ανενόχλητες".
Monday, January 15, 2007
Saturday, January 13, 2007
Piracy to piracy [piratically] Prince Roy to The pirate bay p2p
The pirate bay is throwing anchor over-head, outwards and Sealand-board to circumvent international laws - Prince Roy is way too clever / pee(r) to pee(r). Way out
ps. In case of earthquake, fire or flood there is Ladonia in the horizon Fire Exit
ps. In case of earthquake, fire or flood there is Ladonia in the horizon Fire Exit
Friday, January 12, 2007
Avek tu et tout le rest
Wednesday, January 10, 2007
Sunday, January 07, 2007
Greetings earthlings and bloggers
I know im uncharacteristically active alla ime athkiaseri. ena suggestion kai mathima apo tous filous clangers for non-controversial language in the following lecture-venture - - - parolo pou ehete ipopsi oti to bbc logokrine akoma kai ta haritomena roz pontikakia se kapoia fasi for being offensive (evrizan)
doo-doo!
doo-doo!
Eis foron timis....
en llion pagiatika nea alla mpori na men epiasen to fti sas dilosis oti 'i kipros den tha gini texas' - varia dilosi tou ipourgou dikaiosinis is kameres rik, antena ktl ep efkairian tou road rage incident pou kapoios lemesianos ettoppouziasen 3 podilates pou tou paraponethikan oti tous ekopse to dromo me to aftokinito.
epidi irten tse o neos hronos ego omos grafo pros timin tous, tous efhome kali anarrosi, tse grafo mia efhi na dei i kipros tin imera pou para 'texas' ennan llion amsterdam/copenhagen fasi tse enna kikloforoume me podilata anti gia 4x4. mountain anti landrover, kourse anti mercedes slk kai gia tous pio eklektikous/idiotropous pou en pollo pan ta aftokinita etsi tsi allios sogreni.......
epidi irten tse o neos hronos ego omos grafo pros timin tous, tous efhome kali anarrosi, tse grafo mia efhi na dei i kipros tin imera pou para 'texas' ennan llion amsterdam/copenhagen fasi tse enna kikloforoume me podilata anti gia 4x4. mountain anti landrover, kourse anti mercedes slk kai gia tous pio eklektikous/idiotropous pou en pollo pan ta aftokinita etsi tsi allios sogreni.......
Friday, January 05, 2007
Working, Girl or The Redefinition of Luxury
“The monarchy is a labor intensive industry.” Harold Wilson
From RKCR/Y&R
Source: The Real Brand Republic
From RKCR/Y&R
Source: The Real Brand Republic
Wednesday, January 03, 2007
excuse me for a post while i go a bit horoscopical
It's meant to be my year this year. Though now I think about it, about 4 of us ombiouxi are piggies, aren't we?
Ombion itself though, is a sheep, " thought to be the most artistic sign of the zodiac."
Ombion itself though, is a sheep, " thought to be the most artistic sign of the zodiac."
Algebraic Revisiting
"http://ombion.blogspot.com/rchives/2003_12_01_ombion_archive.html" +"a"=http://ombion.blogspot.com/archives/2003_12_01_ombion_archive.html=Archives (in this case December 2003 archives)
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