ombion

na tis xilosei:
oi grammes vouizoun
monaxia.

na ifanei tis epistrophes:
oi xartes
xenes.

Anemogkastri


O Beethoven drwmenos
O RFK stin kouzina
O Nick Cave nero sta roz
poukamisa mas straight to you.
Kamenes joitrw
milies stous pezo
dromous mas.
Katastrefw tin akoi mou gia hari tou my
aliwna mou
Perkimon to perkalon sou proswpo an
ihnefsw
Mesa pou tin nothkia twn aisthitirwn /
Ex
askisi ston po
No
tou kry
fou

... ego semper amavi

Se poio plithos, se poio vivlopoleio na anazitisw ta tou here antifarmaka, tis syntages tou apogevmatos Savvatou, me poio potamo, apo poia gefyra na se psaxw. I zesti, oi fwnes -s' antithesi me ta eknevristika eknevrismena isyha plithoi twn 10:00, twn 15:00, twn 18:30- i kaki asfaltos, den m' afinoun dromous efidrwsis. Xerenw ta matia mou ohi stous hamilous kathreftes kai sta parathyra tou 3ou orofou ma sto liparo l' Universe twn psifidwn tou Anagramatos (MONOTYPE), pou epitrepoun kai stin perifereia kai stin serotonini mou tin idia afxitiki anaprosarmogi. Sto plithos ohi twn matiwn ma twn matiasmenwn, gia tous opoious pharmakia / ammatopetra einai i ekdosi.


Se quis, amans quod amare iuvat, feliciter ardet
gaudet et vento naviget ille suo

Nec te lar patrius, sed amor revocabit amicae

Vina parant animum Veneri, nisi plurima sumas
ut stupeant multo corda sepulta mero.
Nutritur vento, vento restignutur ignis;
lenis alit flammas, grandior aura necat.
Aut nulla ebrietas, aut tanta sit, ut tibi curas
eripat: si qua est inter utumque, nocet

P. Ovidi Nasonis Remedia Amoris

Brahms enantion twn zizirwn.
Polles fores myristika tin ladorigani tis agkalis
antimetwpos me tis diakopes
Dwsmou xana tin veranta twn proshimatwn
Ta elektronika anoigmata twn ygrwn vazwn sou sto aspro
Ta louvimena fylla tis voukaimvillias.
Vouvwnas Xeros.
Eikonografimenes opisthografiseis pistwsis tin wra touti
Anazitwntas psifia /
grammata
sou.
x

Afierwmeno ap' ta spirometers twn minwn

A touching and marvellous ingenuity
Such as you see only in [the faces of] angels in holy pictures
Imitates the cheek where the smile makes a hollow.

Arthur Rimbaud, from Les Stupra*, (trans. Oliver Bernard, 1962)


*Stupra(Latin): defilements, pollutions by lust

Hamlet: Is this a prologue, or the posy for a ring?
First Player: 'Tis brief, my lord.
Hamlet: As woman's love.

Afta kratw apo simera, tou Evangelismou, kai tis Anatasis tou katakalokairou paskatou, prin epistrepsw stous filous mou.

Noiwthw to whiskey na palletai san anapnoi, stin myti, mesa. Plirwnw oti mou dothike, to harama, me idrwta. Me katestramena kyttra kai kakwseis tou dermatos. Ki omws, oti mou dothike, to harama, kala plirwthike. Ap' ta metamesonyktia bar mas opou oi filoi milousan gia tainies, gia fwta, gia mousiki, gia tis poleis opou milousa me tous filous gia tis kores pou den tha kanoume (tin Ariadne, tin Ariana, tin Anthi) kai gia ta paidia pou theloume orgismenoi na spyroume stin apohavnwmeni hwra mias xedontiasmenis polis, kai syntoma, soon, all too soon, opou oi files epinan mpyres, kai katapinan hamogela, kai oi filoi kernousan thanatifora anazwgonika gemata potiria, kai exis ihous, kai trantahta gelia, opou o post-modern zeimbekikos xanavgike stin epifaneia, me tragoudia aplirwta pou den einai gia sena i gia kanena, kai opou i technologia, pia, mas apothanatize, mas evriske, mas evrize, tin vrizame, kai ekane oti to skwtomeno myalo, ena dasos skwtomenwn filwn, den mporouse, pia, na kanei, mas fylae, kai fylage, ta filia tou parelthontos ws agkalies tou mellontos, apo ola touta plirwthike oti mou dothike, to harama, prwta mesa ap' ta parathyra, san kalesma, pou me orthanoihta matia ypakousame kai vrethikame -aloimono an einai to harama na se kalei mono, to stereo, stentorio kalesma tou haramatos pou kalei na sou dwthei- mesa, haidevomenoi haideftes tou. Twn magoulwn kai twn zygwmatikwn tou, twn matiwn kai twn heiliwn tou, tis mytis tou, twn gwfwn kai twn mirwn tou. Tis asfaltou kai tou ouranou tou. Kala plirwthike oti mou dothike, to harama, pou twra plirwnw, noiwthwntas to whiskey na palletai san anapnoi, stin myti, mesa.

"Had I the heavens' embroidered cloths,

Enwrought with golden and silver light,

The blue and the dim and the dark cloths

Of night and light and the half-light,

I would spread the cloths under your feet:

But I, being poor, have only my dreams;

I have spread my dreams under your feet;

Tread softly, because you tread on my dreams."

Sunday or Monday night, new division kai tiri.

Kypriaki Parallagi*

Fermarw omoplates tis astoshias / tote
[afou i pashia exiliftin].



*Tha pantreftw mian pashia
na 'shei vyzia megala
ji aman en na rtei astoshia
pernoumen me to gala

Somatopoiesi (2)

Thelw na mou leipsoun
opws mou leipoun oi
lexeis
me to black bile
kai tin fwni
tis Billie (provlepsima romantikos - i Reinhardt /)
na se vriskw katw apo tin akinito pyrgo
tou Eiffel (jai 'ftyhws pou o Magiakofski aftoktonise)
i kai sto bar me tis kalogries konta
sto pagwmeno parko
opou ta 'e' einai makrosyrta, opou ta gelia einai ihira gemata
triglikeridia, san mavroaspi aktinografia
xenos kapnos dika mas kalloi - pathitikoi thamwnes diladi tis pithanotitas apothikefsis
ultrasound koilias apo to mellon.
Koita pws pallete to sykwti mou gia sena
kardia mou.
Thelw ton heimwna sou.

Prwtes Yles

Den mporeis na xefygeis radiofwnika
ap' tous zizirous.
Paroxysmos oi 'oi'-
Otan i fwni omws sou milaei na akoueis Leykwsia
H
lithia.

Liga pramata paramenoun akoma stin thesi tous
i dyskiliotita
ta mydralliovola
o kathreftismos twn kravgwn anamesa sto earl grey kai ta prwta lepta perasmenes 12. Dys(3,4,5,
Kolo na agapas ta xena.
/ ta matia kai tin agkalia sou tha psaxw sta apovrohia

I

I istoria pou pote den tha ginei diki mas pou exargyrwnetai;
Rwtiste sto Tahydromeio.

Voura! -

Noiwthw tin anagki here na apantisw sto (i) p.m. tis a.m. note pou parenthentika prospathise na afisei na eisvalei sto pein mou i avra tou skatharikou 'love'. Love, agape mou ma en ethkiavazes ta blog mas toson jairo? To skouloukouin ymwn, to skouloukouin pou xekina tin hionostivada - jai xereis to polla kala- den einai oute to all, oute to you, oute to need oute to love. Antithetws an theloume, kalo, lalei jai mia alli, na tentwsoume, lalei jai enas allos, ta glwssika simenwnta pou mas deinwnte, ta home jai ta coming mas diladi, stin pros-patheia na en-topisoume to anti-keimeno ousiastiko prepei na pame sto entry aghape kai ston stiho 90 tis Antigonis. Pou den einai telos ma arche, post-orgasmicaly, meta ta diladi tin syntrivi tou hwrohronou -ara me tin ekinisi / ektinaxi tis khoras- i opws to grafei o Sikelianos stin Anna (hwris na tis to pei) "Prin na idwthoume, o hronos eihe stin psyche mas nikithei. Prin na idwthoume, to diastima eihe nikithei." (Edw mpainei kai i parametros dektikotita stin klisi tou kallous pou kalei pera apo tin pro-vlimatiki poreia mas, dia-pernwntas tous porous mas ean einai anoihtoi, xapostelnwntas to all, to you, to need majai to (i)). To maoman -opws grafei i Sapho- einai to mental mastrubation -to opoio antitheta me ton Pound pou pisteve pws einai ena xodema, ena coming, einai alli mia arche- na min akyrwthei apo to ektwnotiko sex, ma opws akrivws lerwnoume ta mayala mas kai ta rouha mas me mpyres, whiskeya, melania, ihous jai eikones, na ximarizoume -i dynaton (to ideal ws deal pera apo to i diladi)- jai ta krevathkia mas, ta sherka jai ta sheili mas. Jai love, love is not enough - poso mallon all you need.
Dioti an itan mono me touto to love pou tha eprospathousame -synehizwntas na antigrafw, egw o laimargos logoklopos, apo to gramma tou Aggelou Sikelianou imerominias 15.4.1938- "na nikisoume ton kosmo" (i opws o Papagiwrgis yperoha fallokratika grafei 'den yparhei megalyteri apolafsi, megalyteri idoni apo to na aparniesai tous filous sou gia mia gynaika' - kai den nikas to koinwniko para mono me tin pragmatwsi tou prwsopikou, pou einai archika anti-keimeno) pws tha mporousame na zitoume epanadimiourgia tou hrwnou, na lygoun ta gonata mas kai na tremoume sta bar pou to kallos mas kallei, agkaliazwntas mas stis spasmwdikes selides kai stis seismografika omorfes kardies mas me vlemata filia lexeis kai agkalies? To ektopisma tou rigmatos -thamnou, faragiou, ammolofou i kafkalas- einai proion seismikis donisis. Kai ohi kounismatos - kai malista kwlou.
Gia ta tou kwlou yparhoun ta skatharia - oi kotsiropampouloi sta kypriaka.
Emas afise Thee, Fysi, Energeia na eautohrezomaste here e-potes tis erwn aghapes.

O filos mou o Paris shedon mia vdomada prin, meta apo poly gin, poly tonic, poly whiskey jai poly nero mou eipe sta katw katw skalopatia pws i monaxia, i aenai monaxia mas einai pou mas exoplizei me tin grafi. Pari mou, file mou file mou jai aderfe mou, isws. Isws na en touti i kosmiki kai koinwniki monaxia mas, pou mas kalliergei tin dipsa kai tin terpsi tou alkool, tin pamfaga kai sparagmatiki anagnwsi, tin methexi kai tin emetiki grafi pou mas prosehei, mas taizei mas ntynei, mas exoplizei kai mas thwrakizei. Ma isws na en touta oula ta pofagia jai ta popia tis monaxia, oula toyta mazi, ouloi mazi ki o erwtas, opws titloforei ena diigima tou o Skarimpas. Estw kai an e mahes argoun, duktywnontai, kalwdiwnontai, methoun mehri to deal, to final deal na ypo-graphe (empaine christo).

Kales pintes jai kouintes a.m @ this p.m. hour in Ir-e/a-land.

ena prwi, arxes tou avgoustou, exipnisa jai ivra to Doublino eksw pou to parathiro mou. Lion pio katw, sti platia, eshei enan agalma pou onomazete Prick on a Stick. Poios allos? O Joyce me to pastouni tou. (Joyce = Max???) Telos panton, nai eftasa sti xwra tou Joyce, tou Shaw, tou Yeats, tou Guinness jai tou Baileys, tou Beckett jai twn U2, tis Sinead jai tis alithinis IRA. Twra eimai Sligo, epia jai ida ton Yeats, Horseman pass by, katw pou to Ben Bulben, sto radio en o Heaney jai thkiavazi enan poiima tou, trww patates jai pinw tsai, thkiavazw poiimata, sizitw yia poiimata, pinw pints, and that, my friends, is all. I am in a place of idealic mental masturbation. And that (mr. dem) is sometimes all you need (contrary to the song, DA-da-dararaaa).

13.3.3 Gia na "diavastei" i glwssa tou kallous ws klisi-se-shesi, mallon apaiteitai mia aprokathoristi etoimotita - toulahiston mi ypokeimeni se ypodeixeis, parotrynseis, epiheirimata. Tha mporouse na haraktiristei erwtiki auti i etoimotita, an me ton erwta simainoume ti neusi gia to athlima autoparaitisis kai autoprosforas. Pantws, gia na leitourgisei i empeiria tou fysikou kallous parapemptika, na parapempsei stin prwsopiki amesotita Theou Dhmiourgou, na "diavastei" ws klisi erwtiki Theou Erasti kai Nymfiou tou anthrwpou, o apofasistikos syntelestis den mporei na einai kapoia orthologiki katadeixi tis "simantikis" tou kallous oute i apatili "peithw" twn synaisthimatikwn exarsewn. To anti-keimeno kallos emfanizei ti dynamiki tois prwsopikis klisis se proswpiki shesi sto pedio tis aprosdioristias, opou gennietai i den gennietai (den thrauetai i thwrakis tou egw) kathe pragmatikotita shesis.
Tha yparhoun pantote anthrwpoi pou tha zoun ti mia kai monadiki zwi tous hwris pote na "synantisoun" ton Mozart, ton Van Gogh, ton Kavafi - hwris pote mia glwssa mousikou, zwgrafikou, poiitikou kallous na leitourgisei gia autous "exaifnis" ws klisi erwiki gia methexi tis proswpikis eterotitas (monadikotitas kai anomoiotitas) tou mousourgou, tou zwgrafou, tou poiiti.

13.3.4 Perissotero isws kai apo tin erwtiki empeiria, to kallos ws thelxi vevaiwnei ti shesi ws endehomeno tropo yparxews anypotakton se prokathorismous tis fysis- epitrepei na milame gia ontologia tis shesis. I erwtiki epithymia zwis-ws-shesis eukolotera sygheetai me tis anepignwstes parallaktikes metamfieseis tis sexoualikis enormisis. Enw stin periptwsi tou kallous, estw ki an i thelxi leitourgei me tous orous tis fysikis epithymias methexis-metalipsis-synousias (pws alliws naleitourgisei i enypostati sti fysi yparxi;), paramenei anypotakti i thelxi tou kallous se prokathorismous kai anagkaiotites tis fysis.


Christos Giannaras, Ontologia tis Shesis, Ikaros, 2004

Multidedicated fragments from a hypertext mind

...ki an epistrefw me tin tromokratia twn dakrywn na me ehei gia ta kala agaliasei stin ygri, zesti, panikovliti hwra, ki an epistrefw me pliges epoulomenes ap' ti ptwsi kai nees pliges ananoihtes pou me tromazoun, an epistrefw drapetis xopaska hwris tis violetes, hwris tis gardenies sou, ma m' apotypomenw sto dromo mou, san tou Leonard Cohen ton stoiho, t' agaliasma sou to hamogelwn, t' agaliasma sou to aylo pou prgmatwnetai tin praxi mesa apo tin ekfora tis -anikete twn amihanwn amihane kai esy tou hronou mastre- pws na epistrepsw sto here otan techno-logika ta daktyla mou mpousouloun, otan ta matia mou se herwnte kai otan sta ftia mou oi lexeis sou me tou whiskey tin aura -ekei anoikwmen, ekei: here, anakoinwste to koinwnwntas ta epi hartou vimata tou hwnemenou kapnou- ximerwnoun ta savvata kai tis defteres mou, kai i giorti kai i skoli xana ehei tin protokathedria, akoma kai stis aggareias to prostagma, akoma kai here, se poiou pia to here na hereafetithw afinwntas me to here, me ta daktyla, to melane na ihnografisei tin frasi "The human heart beautiful as a sesmograph", otan i ygri, zesti, panikovliti tromokratia twn dakrywn, oi ananoihtes pliges me exorizoun stin fygodikia tis kokkinomalas panw apo ton ahnisto kafe, kathws to tsai krywne afougrazwmeno ta tziztzikia. Monaha to here tou hronou tou Ezra Pound isws mporei na metrisei to stavrolexo tou hronou, kathws epistrefwntas epistrefw ex orismou kai chorometrisis stin poiesi kai stin evexapti ypomoni tis: One hour was sunlit and the most high gods / May not make boast of any better thing / Than to have watched that hour as it passed.
Hwris to krataio koinwniko tou kratous, me heria gemata pote nero kai pote ammo, gnwrimoi tou Escape! There is, O Idiot, no escape / (...) / It is our eyes you flee, not the city, epimenw:

Free us, for there is one
Whose smile more availeth
Than all the age-old knowledge of thy books:
And we would look thereon

Xorkizwntas tin ehemytheia tou here 'dear voyagers', fernw pisw tin mihani EOS Parajei D.