ombion

Ean eprosexete sto arthridio perix tis Della gia Della apostirwmenis Della, emperiehetai en eidi supplement ena factfile - isws gia na balancarei tis Delloapopseis ('very conceptual, very contemporary'). Katw katw, sgian footnote grafei 'famous sons and daughters' kai arithmei ton George Michaeil, ton Stelio Hadjioannou kai ton Kypro Nicolaeidi. Atoma - Andres- epifaneis tis ni(t)sou(s) mas, pou asholountai me ta 'organa' kai diatympanizoun ta peri Kobrous. O George Michael, piper, tragoudistis kai peristasiakos antistasiakos se lead voice (d)roll(e), o Stelios easy-piecy lemon-squeezy, kai o pafios Nicolaeidis salpihtis. Kata kapian periergi symptwsi oloi oi perifimoi 'ilioi' tis hwras pou o Kritikos Logos perase xista, en eidi afanwn pafiwn (p.h. Nicos Nicolaides) ma apfasise na paei pros Iran, asholountai me pipes - dialdi to organo tou einai pnefsto, gemato aera koupanisto - i sperma vrasto vrasto- to opoio hrisimopoioun kai san krousto (ding-ding) 'ama lahei naoume'. Oriste kyrioi poio to soundtrack mas kathws exouthenwmenoi simera pernoume tin teleftaia mera nomimis diamonis stin Aggletera (o ypofenwmenos den tha ehei pia adeia paramonis apo avrio i wra 0:00- estw typika). Tragoudiste (Della) mazi mou ton perifimo athanato Kypriako Politismo (10000 ...watt) :ding-ding, pipe me some ding-ding-ding, ding-ding-ding pipepipepipepipe.
Dysyhws i Guardian (treme Engels!) xihanei na mas enimerwsei oti the three pipers, which pipe our way into EU, zatin jai eperimene tin egg-risi mas, stadiw-dromoun stous aetheres tou metropolitikou Londinou, me periodies sto Los Angeles kai alla AmerikanikoEvrwpaika Suburbs, opou mazi me ta pipes tous souzoun jai to ding-ding tous, flomwnontas - Kypriako pronomio to flomwma- tin pladari e-liwmeni Anglo-Amerikanikotita (pros theou den eimai anti-amerikanos, ma touta mian alli fora) apo aeros, farmakou kai test-tube, stuffing the pharmakon down the tube.

Oson afora famous daughtersons of Kobros, tous Kobro-pharmakeus, tous dispensers kai ohi tous accumulators, tous 'knock-knock' kai ohi tous 'ding-ding' (edw gelate), ekremei dia-dikastiki erevna me anamenous zippous sta skotadia tou idiomorfou Kypriakou skotadismou. Pou en na evrete fws, diladi akri n(o)imatos pete mou jai mena. Kata ta alla, egw eimai treis -kat' onoma kai syneidisi- toulahistwn "Georgia Della - very contemporary, very conceptual". Oi pws oi traida prosferei lyseis p.h. ston favlo kyklo tou binary, den einia allwste ekei to thema, ma anagkastika has no resources to the piped down the line 'spliting'. Mallon me to viaio juxtaposition, to splicing -you video artists- syn-genevei, me to I, EYE, AYE (akouste to omotitlo live tou - pnefstou - Rahsan Rolans Kirk se full entasi se aeroplano tis easy-jet pros Athina "of course" - jai as paw mesa gia ypothalpsi tromokratias): polemiki rohala pou tatsonei, para na kanei taxidakia pros to 'voluntary slavery' tou 'goal'....

Here dem -e- tris.

[p.s. apo simera to 'anasikwse tin plati ki apos(h)ise tous pentadaktyle', always already, allasei hrwmata..... epikeite chromato-grafia ara of this 'new coat of paint' me to opoio tha disoume to 'pouli' mas (pouli den einai ti symvolo tis kypriakis demokratias? - pouli, symvolo, opws to symvolo twn symvalwn three pipers (ding-ding) pou fernei, diladi ek twn ysterwn, iremia, galini, eirini. Meta to salpisma tou, to soustou jei-da, to cashing in ding-ding....meta pou ta asteria lampsoun olohrysa. (Katourate (...) prin mbeite - pou xerete pou en na vrethei apo-patws, apo-chora-tirio, mesa stin Astroland me ta ding-ding, ding-ding sternchens na pezoume me ta debris derbies - egw e-pro.eidopoiisa, dame [jai] jairo oson afora tin Kypriaki syn-metohi stin EURO-vis/i/on).]

'I grew up on a divided island, so I carry this sense of duality, which tends to crop up in my work' - Georgia Della, 28, artist/manager, Efx productions, Nicosia
apologoume: telika o Descartes eperase pou ton kipro (opws je o DaVinci pou ta lefkara)

emeis oi evrwpeoi, je w kapios na eksigisei giati tosous pou mas efere i thalassa tis kerineias (kwsta (del)monti pou lalei je o dimitris) en mas efere je llio Diafotismo, ton Kant i ton Sartre, tin omorfia tis aisthisis, tin gamimeni tin anagki na katevasoume tin afroditi pou to bar.
apolauste mas evrwpeoi!

'Histories that tell another story are written to teach, and what they teach is to live that history'
- Joseph Kossuth as quoted in Kwstis: 2003

While the Cypriot F.M. states, on BBC Radio 4, that he had other 'important engagements' during the last referendum campaign, that in effect he was 'too busy' 'for the sake of the Cypriot people', and that is why he did not campaign for the endorsement of a 'yes' vote, in a last attempt not to proclaim his political incapacity, his diplomatic stupidity and his lack of any rigid argument in why he followed his president Ta(t)SSos 'poulos and his phobic master James (call me Thomas the Non-Believer) Christ-I-made-it-to-the-chair; I AM NOT LEAVING NOW, and with 'poulos, according to AP and as reported on www.bbc.co.uk/news, threatening a 'veto' even before he enters the EU (!!!!) to any measure that directly or indirectly recognises a Turkish/Cypriot 'state' [something not even the T/C do not want - although they are not less opportunistic than the tourist-based Paphos 85%+ of 'No' voters], evident of his 'ego papas ego tatas' style of nationalism (I refuse to credit him with political insight to ideological frameworks - the above quote speaks beyond the lines of itself) the lonely yet noisy expedition in live-lo-graphemes has always, already been enunciated.
Until the whole political spectrum of Cyprus gets a nervous breakdown, or decide to sue me (the legal secretaries of the state or of private firms can contact me via demetris_taliotis@yahoo.com), or simply gets bombarded with eggs and food waste on every public appearance untill they realise that they are stinking rotten [you read it here first - I give you 6 months before the first mass eggs&cream-cake attck takes place, and I am a pessimist by nature!] I will exercise my right in cultural terrorism. Dialogue at the moment is nothing but a moronic concession to FASCISM and its Modus Operandi (aka Media, Legalistic and Technocratic a prioris and pure and simple inarticulation - imagine a dialogue with Giorgos Iakovou and 'Poulos as the representatives of the Cypriot goverment. No wonder the Swiss Dialogues of April 2004 failed!)

lehozouthkia apsa*




MBOUKA TatSSo! Skase! Oi! Na men peis tipote!

gia touton to ohi [i touton] milas kwsta (del) monti? gia touton -tis exorias tis an-istoritis? tou phenomelogikou syn(an)aisthimatismou kai tis en argia glwssas? tis simaias kai tou onomatos, i fuck my sa-tan?

"...i'll find her somewhere and kiss her lips and take her hand..."

Όχι, δεν είναι άχρηστα τ' άχρηστα όνειρα,
όχι δεν είναι περιττά τα περιττά όνειρα.
Σου έχει ένα πείσμα η Κύπρος,
σου έχει ένα «όχι»!
Χρόνια, σκλαφκιές ατέλειωτες
τον μπάτσον τζιαι τον κλώτσον τους.
Εμείς τζαμαί. Ελιές τζιαι τερατσιές πάνω στον ρότσον τους.
Είν' αρκετό να πούμε όλοι
από μια φορά στη ζωή μας
ένα όχι
Κωστας Μοντης

"Axizei pio poly to pws para to ti mou dineis"

Stin myrwdia mesa tou psariou, tis beeras kai tou aiwniou whiskey, stin myrwdia mesa tou kryou idrwta kai tou kapnou sta akrodaktyla, afinw ta eisagwgika na me travisoun mesa-exw apo ton epithimito parakeimeno, mia tetoia wra, mia tetoia nyhta, meta apo ta hronia pou perasame "pou m' afisane mono, na psahnw tin pnoi mou ston nekro eafto sou", mia tetoia nyhta pou i elaiohromatismeni frasi "Take Courage" twn epohwn tis exafanisis epi-strefei, kravgazwntas 24wra, kravgazwntas a-topimata, kravgazwntas to onoma enos parakeimenou pou den onomatizetai, para mono to "Take Courage", "egine i apwleia synitheia mas", kai kata gramma kai geneologias tous, kata onomatopoiias diladi, vaftismatos, mia tetoia nyhta, meta apo ta hronia pou perasame, ta kalo-kairia, which "pass through you", eglyfa, opws kai tou filiou i skepsi [allwste esy to psithirises, katw apo tis akakies, katw apo tous efkaliptous, "Mia gynaika, Mia douleia - Oh Lord (: wont you buy me a pack of LSDs / My friends all drive Porsches / I got to take a leave) - Na mas parei makria", ekei, katw apo tis akakies, sto anoixiatiko fws twn polewn mesa, stin myrwdia tou kapnou sta akrodaktyla vaftismenos] ma opws kai i skepsi tou filiou, to myalofilima pou eiserhetai ek twn ommatiwn, kai poios eide ta dierigmena sou ymatia kai den koniortopoiithike, mnisti (ti mou kyrie!), "We won't use guns, we won't use bomb , we'll use the one thing we' ve got more - that's our minds" estw poltopoiimeno kai en mesw eisagwgikwn, ara + exagwgikwn, adasmologitwn nevertheless, unbound time, mesa se toutes tis wres, "Take Courage" - kai ti courage, ti exagwgimo ara eisagwmeno courage, toutes tis wres, tis wres twn heiliwn kai twn hiliwn (to dilema tou "me pious na pas kai pious n'afiseis", pou se diktiwnei se diktya kai links, to xereis, to xereis, den einai kan syzitisimo - me ti empistosyni pou kouvalas gia tis lexeis) ti courage,ji allo 'na, allilozitate oi(e) -tr[e]is sas, kai den mporw, pws allwste afou to 1977 gia mena ein'allo(u), an-other, na vixw san (p)elvis, lost in translation, never hitting home, if you would Adam and Eve it that's it, in[n]it, a-dynamos, toutes tis kapseres "Meres Argias" pou arga arga kapsalisan tin chora, thetwntas en argia to "den katoikoume mia xora, katoikoume mia glwssa", kallyptwntas to 'x' -which marks the spot, stains the marking, and staining as a marker- epanaferwntas to epi-strefwn fevgio.



"Dem klaiw gia afta pou mou 'heis kanei, gia afta pou mou 'heis arnithei" enw "Vlepw skyftous anthrwpous me pligwmeno egwismo, omws eimai o teleftaios giati den ehw oute ki afto" dioti "mana mou ola pernoune, ki ola arhizoune xana, omws touti i thetia den stamataei pouthena".

Quod Me Nutrit Me Destruit.

Normancy just ended (...) this morning. (CNN, 11 September 2001)

If I am foreign it is because I am trying to accept the world...It is on the face of this chaos that I brood. (Laurence Durrell, "The Black Book")

ergolavoume gi'anakriveies, arwstes ekkliseis gia to ompriteron, orthromenoi katapatoume tis istorias to istera - ksana (vlepw) stis iporeies twn vounwn, vithiasma tis monaksias, eksw, eksw makria, pantou to dakatw tis monaksias ax louloudi
'Aparithmw tis sinikies ke tous dromous. Eine prwi, tis polis to proswpo ksekourasto apo ton proigoumeno kamato, to skepazoun akoma, me tin teleftea tou ipnou noheleia, sinnefa gemata oneira, pou mporeis na taksidepseis pros oles tis diastaseis se kathe apostasi'
panta meli enos adranous theamatos, ofthalmopatheis, katathetes twn pio xerswmenwn perivoliwn autousioi metadotes, euxome na ipirxes, w paratatike -

'I put my brow amid the deep waves,
descended like a drop amid the sulphurous peace,
and, like a blind man, returned to the jasmine
of the spent human springtime'

i love my alma mater

[lehozouthkia apsa *]

E-n-3ry


Mousiki Titlwn

Meu amor, meu coracao
Fiquei com saudades
Equero ouvir voce dizer que e meu

"Drink me..."- I did and still do drink to forget (...)
'Till the next pair of eyes come along
and imply they are true
'Till the next parasite hums along
I'm in you...




Par'auta kai se ota packed up yet not blocked by beeswaxminding -epaggelmata tou syllogikoy egwismou- pro-teinw me ton jeilio mou jai 'gw pramata tis modas, tou tropou diladi, tou sort jai tou sirtou, ma me vimatismous allokwtous, pojein' tous methismenous stou Pashali -Pasha, Xmas jai Kalokairi- ta zeimbekika- vlepw anagnwrizete, ohi? lathos? liana, as ta kamoumen liana, enas enan men kountate [exwn tou Ta(t)SSou 'poulou- 'faka tou mia me tin kounia panw stin jefali tou' pio gerin re malaka, pio geri! twra pou en ta synora sou a; -
Ombiouhoi dis-pyr-karies! ean ekamete klik, ean me tiheraki glypsate porto-klwtswntas to link tha idate pws sas evgale se com.(merc[i]al) meroi: Agwraste, Agwraste - Proteinw etsi tin dem-iou-rgia Ombiou Book Club (ews jai PATTA!) otan me to kalo (a) pamen stin KYP-ro me (1)vivlio to poupaninw jai (2)-ongoing- [hehe!] to Finnegans Wake. Dil. p-salmon jai psarikia kalo-kairina (jai otan o spasmo-kostis pou mas e-spasen gia-nei [to-be] jai xi-kollisei pou to key-board jai e-nevasei mas ws www. jai sto www.) me tin Sap-HOHO! ws sy-ze-tisimo (kai please deiteto jai xanamiloume: ek-pliktiko! typo-meta-grafika) i-them, jai to FW, fw + ongoing reading: "The Nicosia Finnegans Wake Reading Group" [fanela + key-ring dwro] me st-oh[o-he!] 'doing it' (anomale!) in a sunmer. A?
Tell your friends, peite to jai tis giagias sas (ean endiaferetai) - peri/menw eis-ygei-'seis




Ex-odos

"If I should fall (like I have before)
What can worse befall me?
And if I should dance with kicking feet
Around the ash of our defeat
Is it to appease you? Or press my luck?
Or bare the plot where love lays fucked?"

eperase to pasxan, the passover, ithi anithika kavalla se gaourka, kleitos iwannidis je tterlikkas, to '(E)' tis epanalipsis - kathw ti souppa ston kapetanio -
je prin tullamore dew, supplement.
je epeidi stin agglia en zei o leivaditis oute o varnalis: elate, na, oriste lord byron:

It may be easily suppos'd, while this
Was going on, some people were unquiet,
That passengers would find it much
To lose their lives, as well as spoil their diet;
That even the able seaman, deeming his
Days nearly o'er, might be dispos'd to riot,
As upon such occasions tars will ask
For grog, and sometimes drink rum from the cask.

There's nought, no doubt, so much the spirit calms
As rum and true religion: thus it was,
Some plunder'd, some drank spirits, some sung psalms,
The high wind made the treble, and as bass
The hoarse harsh waves kept time; fright cur'd the qualms
Of all the luckless landsmen's sea-sick maws:
Strange sounds of wailing, blasphemy, devotion,
Clamour'd in chorus to the roaring ocean.
(Don Juan, Canto II, kapou jiame)

when can we drink together?

"Mi fovaste toso. Ekeino pou apomenei meta tin katarreusi olwn twn provolwn, einai o eautos sas, eseis oi idioi, ekeino akrivws entos sas pou den itan mihanismos amynas, pou den itan ideologia, pou den itan provoli. Min panikovalleste - isaste toso kairo en apwleia, tha parei isws monaha ena lepto, meta ton kataklysmo, wspou na vreite xana ton eafto sas, ekei sto kentro pia twn pantwn. Apres de deluge, moi! Meta ton kataklysmo, eseis!
Kai den tha xanavretheite pia monoi, pote."

For Ourselves, The right to be greedy #125, 1974 (trans. G.I. Mbambasakis)

[Anthoforia Vregmenis Logoklopis]




Quies

This is another of our ancient loves.
Pass and be silent, Rullus, for the day
Hath lacked a something since this lady passed;
Hath lacked a something. 'Twas but marginal.

Ezra Pound

Gemwnoun ta Inboxes mas me e-mails [ki adika xypno to prwi kai trehw sto grammatokivotio, stin porta me ta ihni tou astikou psilovrohou gia ta "apo melani opiouha sou"] gemata "concepts" jai "social-political manifestations" jai "projects". Idees, symfwnies kai stroggyles trapezes "to redifine the role of the artist-curator" the "social-cultural scene" (of the periphery- or the 'sexier' term "outskirts" never the less) "to define the possibilities of emmancipatory politics" of "radical breaks or unpredictable incidents", focusing on "public awarness" and "the transfornation of the audience from consumers to producers", polles fores mesa apo psychanalytikous symvolismous.

Ws gemataris ombiouhos, den tha xananaferthw ston fetichismo tou 'social' tou 'koinou', tis 'mazas' tis 'koinwtitas' - as koitaxei kaneis pio katw, ta proigoumena mou entries gia tin grepho-logia toutis tou logou. Ma piasmenos apo to concept tou 'concept' tis ideas - pou nai men edw emfanizetai ws theoretiki nomimopoiisi kai praktiki apofygi tou pio panou fetichismou - dierwtoume kata poso i idea tis 'ideas' -tou Platonikou Eidous- pou emfanizetai ws dithen polydiastati, me meas apo erwtiseis pro-topo-thetimenes kai "orous symmetohis"- paei gyrevwntas gia mia eido-logia. Mia eido-logia of sorts, of tropes pou krata to iso tou metwnymikou apo tin Platoniki kai meta-platoniki hris tis lexis [apo ton Decartes mehri tous orous symmetohis / sym-fwnias ypo to tade i deina 'concept' - lexi/term pou ites emperiehetai idi, panta sto anti-keimeno (form) tou concept (ma analiwti kai originary)] krata dialdi to meta-language tou 'eidous' ma einai always, already -ara- ohi 'seimio' (point) 'typos-topos' ma arnitis tou (being) present, tou 'here' [gai tous apistous tou koinwniko-phenomenologikou kai tous apiastous tou here] opoia ki an einai i ekastote metamfiesi tou formalistika, critical ios, a viral son and a son of a virous, ena ek-(s)-trwma kai ohi giatreia gia to 'trauma' [-kai i diagnwsi einai to imisi tou pantos, eidika gia tin omoipathitiki kai tin psychanalysi].

Mia eido-logia pera apo tin eidisio-grafia i tin 'epikairwtita'-estw eidomeni analytika- mia eido-logia, logos peri 'concepts' gios [kai tis 'ios tha itan toutos o thylikou genous arsenikos - xekatharo 'trito genos', proin 'logismou nothou'! (des Plato, Timaeus)] mias eido-grafias pou apsifa to e-theu-grafiko chrono-grafema ma den xehna to hreos (a-plerwto) sto dia-logiko choro-grafema, pou kathete lion para-kei...

Archewthetwntas to parelthon -me 'valitses' kai 'stroggyles trapezes' sta/gia ta 'panwforia', gia ta matia tou kosmou, mbas kai piasei kanena 'draught' kai kopei to 'revma'- egg-io(n)maste tin paragwgi ki allou archeiou, to post-ponement diladi tou anoigmatos kai tou here, pou nai men efinei to 'eidos' na diatrehei mellontologikes allanes, ma anaparagei tin 'archontiki' 'arche' tou 'archeiou', tin nomo-logiki 'arche' (pou leei kai o Derrida-s) pou den einai alli apo tin epanalipsi kai to dedikasmeno. To gramma tou nomou, to 'eidos' (a.k.a. formalistiki poiotita) tethetai ws arche - arche-o-tethetai, enw "the crucial questions are not asked" [Kypriaka omilwntes i.e.: Pws diaforopoietai o orismos 'Kypros'?]

emathes na xwrefkis, oxa akoma?

For more fun....

"And the things you can't remember, and the things you can't forget..."

[tou Kwsti t' a'rfou mou]



p.s. pager egorases? na 'goraseis!

M'aformi tis prwtes selides twn efimeridwn, me tis fwtografies apo tis diadilwseis twn Tourko-Kypriwn stin Lefkosia yper tou "Nai" me tis Regis-Simaies kai ta kerakia (!), kai se syndiasmo me to opportunistiko politika "Ohi" tou Talat gia tin anavoli twn dimopsifismatwn tis 24-04-2004 (epefylasete i idi yparhwn exigisi tou pio panw harakterismou mian alli fora), treia, me tin morfi -minor- doureiou ippou, vivliografika apospamata, me tin en ek-stasi simasia tis kathe vivliografias. Tin dynatotita daneiou hwris interest kai tin -me proypothesi tin apodohi twn ekastote Danawn hwris fovies, ma me critical pathos- dia-palatinsi tou logou, me lexeis -polles fores- odostrotires.

"Flag...

How much more easily the leave-taker is loved! For the flame burns more purely for those vanishing in the distance, fueled by the fleeting scrap of material waving from the ship or railway window. Seperation penetrtates the dissapearing person like a pigment and steps him in gentle radiance.

...at Half-Mast

When a person very close to us is dying, there is (we dimly apprehend) something in the months to come that- much as we should have liked to share with him- could happen only through its absence. We greet him, at the last, in alanguage that he already no longer understands."

"[It should be proclaimed] through the mutual alieness of their contributions how impossible it is in our age to give voice to any communality -even though this common forum might suggest otherwise- and should make plain to what degree even this connection remains on trial only, while responsibility to substantiate it rests entirely with the editor."

Stin Kypriaki periptwsi ohi mono editor (hwris na simainei pws o editor einai enas kai monadikos, i o 'nous' pisw apo ton logo - m'akrivws o substantiator) den emfanistike ma oute kan o multi-lingual typo-grafikos diorthwtis den proslifthike. Ap' tin mia i anaparagwgi tou oiko-geniakou hwris rixi i smixi ki ap'tin alli efthynofovia kai opportunismos epanaferoun (dithen) meta apo toulahistwn 21 hronia (1983) ton kyriarho Kypriako lao "sto proskinio" kai "ypo to varos twn efthinwn tou". ATE OLAN KANEI! Na einai tyhaio arages sou pou anti gia ena neo logo diatympanizete apla allo ena logo - ena allo logo pou se diaforetiki [ygri] morfi den einai ligotero TM apo oti to proteinomeno mantili/logo/glwssa/fwni me to opoio sundiallegontai oi men kai oi den me tous tokous kai tous thwkous?

[Twn rolo tou Odyssea gia alli mia fora epaixe -perifima- o Walter Benjamin:"...according to a legend in the Talmud, the angels- who are born anew every instant in countless numbers- are created in order to perish and to vanish into the void, once they have sung their hymn in the presence of God."]

Xypnwntas tin epomeni tou Pasha, tin defteri tou mera to prwi, me tin fwni hameni kai ena terastio varos sto laimo kai ena xalafrwma sto stithos den tha mporousa na grapsw oute erwtiko tragoudi, poso mallon amane i rimokontoriko ponima. Tha synehisw oso ma afinei i katatonia- etsi- kai i amiliti monaxia na peri-patw [PATTA!] sta apo-spasmata, ta frgmnts. ta demo-kratika, ta oligolekta, i akoma tous monolektismous, pou leei kai o Karouzos -hwris par-exigisi- tin rimotomimeni epikrateia tou demou ara, tou koinou pou trefetai apo to plithos, tou oligou pou trefetai apo to poly, to para poly, to ametrita poly -stin peri-ptwsi mas [PATTA!] alkool kai malista whiskey, me nero, panta me nero, pote stis arhes Black Bush, ki otan stalaze Bushmills Malt, ma epeidi eimasten tou whiskey kai ohi tou whisky oppa-dei! [PATTA!] teleiwnoume me Jameson's, panta me Jameson's sto telos, Jameson's kai nero, kai [BOOM!] Ballantines 12ari kerasmeno, kerasmeno apo ton filo mou ton filo mou kai aderfo mou ton Pari, sto epi-keina tou telous, ston para-keimeno tou telous, stin pafsi tou telous, pou teleiwnei to telos, to fernei eis peras kai apo kei to pernaei enas theos xerei pou, file mou file mou pari, se touta ta liga frgmnts. ta aktinwta kai ta diaplata ftwha, oso ftwhia tha einai kai i hwra pou menw, i hwra-glwssa-loop (kai tha epanelthw sto loop, stin loopa, sto ftou xana p'arkis jai ftou sto telos) ta frgmnts. ta afierwmena, san haragmeno sto toiho (x)+(x)=L.F.E., algevra ki loga-rithmos stin dynami tou n, ohi tou gynaikeiou gia na exigiomaste, mite tou antrikou, ma tou elle n, tou akatanomastou tou titsirokwlou tou giou tis afroditis, pou pianei syggenies me tsoynamia kai el ninious kai [PATTA!][BOOM!]. san chorografiko (s' antithesi me to chrono-graffima: poio chronochoro, poio here apo here na heretisw) san anadiplwsi, san proektasi, ohi san - ohi - to frgmnt. to demo-kratiko apo-spasma emperiehei mesa tou kai to revma (to current + to draught) kai ton lamptira, ton fano, ton dia-fwtismo (ma ouhi to enlightment), to ihnos tou fwtos pou diagrafei diagrafwntas to prosopo tis pasa mias kai tou pasa ena [PATTA!] ta prwina heili kai ta nyhterina matia, ta spasmena podia kai ta efkampta heria, ta misokamena tsigara kai ta misoheimena pota (posa, posa whiskeya, posa, posa!), diakyndynevwntas etsi to livelografima, pou den einai tipota allo apo live-graphema, apo the word made flesh, ton ensarkwmeno logo, ton logo pou ponei, fovate, agapa, matwnei, klaei, gela, iketevei, proskalei, prokalei, klanei, katoura, gama, hynei, pinei, trwei, strefei, shezei, kai ohi ton Logo stin ypiresia twn epiheirisiakwn epiheirimatwn, twn logo tis logikis kai twn logo tou ite to ena ite to allo, tou nai/ohi, to an-an, tou cause and effect.

Me hameni tin fwni, anikanos ara gia tragoudi, kyrie-kyrie Nick Cave, pou mia kali mou fili se fyla se koutia tou Rachmaninov (Piano Concert No. 2), gia love song, gia sad song, ma kouvalwntas ton vaftisio choro tou sauidad, tin mystikia morfi tis Amalias (Nem as paredes confesso), ta frydia tis Ingrid, ta matia tou Humphrey, ta tragoudia sou Nick, Leonard, Lou, ta tragoudia sas Krinoi, den tragoudw, den ex-istorw, den lew. Den vriskw kata-fygio stis glwssas to anagnwsma, tis glwssas - ypokatastato tou anti-keimenou, tis glwssas- kleidi gia tin apospasmatiki mou enilikiwsi [PATTA!], tis glwssas tis psychanalysis pou mou trwei to 'worship', tis psychanalysis-ierias tou 'Normal', ma synehizw d' aprais Gorgias, gorga na anti-lalw "emou de paignio".

Paignion- idou to onoma tou pashalinou ihnous pou me tahytites 1/100000000000 die-grpase ton chorochrono tis Makarias Patrikis ma ouhi Patrias Enallias, tis para thin allis, gia na parameinis choro-graphema. Choro-graphema, anti-tragoudi, choro-graphema san tin tsarka, ton "peripato klaiwntas" tou Antwni Souroupi kai tis Mairis Depanou, pou den lamvamei hwra, dioti eihe idi apo panta apo-typwthei stou Skarimpa to diigima, liges selides prin, liga vimata diladi prin, to gramma-revans tou filologou/pioiti/naftikou evdokimou/kata fantasian farofilaka/ erasitehni mpouzouxi/retsinoviou Antwni pros ton Mario pou itan Maria, peripato [PATTA!] tsarka katahra erwtiki, katharia erotic, en - ekstasei -par' oli tin fysioviologiki kai tin psychoanalysoanagkastiki katiousa pou meta apo 10-15 whiskeya pernei to swma kai to pnevma kleinei pros- heremeneutike. Mantato ajiapes sou enos neou here, enos toso pothitou parakeimenou?

Paramenw erwn, Christina, Eleni, Kwsti, Pari, Christo, Jester, Michali, Soto, Oresti, Antrea, 'Gavrili', Alexandra W., A.M., Leto, Nantia, Pashali, Christodoule, Toro, Mark, Lara, Efthymia, Dan, Papa, Mama, Giagia, Papou, Pwlitria, Barman, Servitora, Servitore, Symi, paramenw erwn kai me daneika apo-spasmata ihnilatw tin ihnografia tis chorographeas toutis, pou methysmeni i yptameni, mian apo dw kai mia apo kei, mia sou mia mou, ena sou jai ena mou jai ena pou lo'ou sou jai ena pou lo'ou mou, touton to paignion, touton to 'potho-theros' pou mporei na mou twei to sykwti, to myalo kai ta matia, mporei na mou katastrefei ta pnevmonia kai na mou apagagei tin fwnei, ma m' afinei me ta aparaitita daktyla, ta daktyla apo opou tha sa anagnwrisw ta daktyla apo opou tha ma nagnwriseis - stin ektafi i stin gennisi, agnwsto- ta daktyla pou tha skoupisw, nai re gamwto, tha skoupisw tin vrohi ap'ta diafana gyalia mou kai ta galazia poukamisa mou, ap' to potiri sou kai ap' to vyzi sou, ta daktyla kai ta heili. Gia na mourmourisw psiha to "Panta Mpros Taxidiwtes" kai na shimatisw to "Phall if you but, rise you must" (mbas kai to pistepsw) kai to "Ta rouha peta, gdysou / Tipote mi fovasai. / Ear, heimwna, theros-/ opou ki an eisai- einai i romfaia mou mazi sou." (mbas kai to pistepsw) kai na anapsw Sante, i Assos, i Davidoff Danish Mixture, pinwntas Whiskey, i Krasi (ston ilio), i Kafe, perimenwntas me tous stihous "Mia gynaika kapote mas stamata / An den gelasi prokeitai na vrexi" (Embeirikos) enw "It has not been posible to connect your [my-PATTA!] call.[PATTA!]. Please try again later."
"Twra Meta?"

"I am passionately in love with passion."

"Now convalescence is like a return towards childhood. The convalescent, like the child, is possessed in the highest degree of the faculty of keenly interesting himself in things, br they apparently of the most trivial. Let us go back, if we can, by a retrospective effort of the immagination, towards our most youthful, our earliest, impressions, and we will recognize that they had astrange kinship with those brightly coloured impressions which we werelater to receive in theaftermath of a physical illness, always provided that that illness had left our spiritual capacities pure and unharmed. The child sees everything in a stateof newness; he is always drunk."

"Whether these men [and women] are nicknamed exquisites, incoroyables, beaux, lions or dandies, they all spring from the same womb; they all partake of the same characteristic quality of opposition and revolt; they are all representative of what is finest in human pride, of that compelling need, alas only too rare today, of combating and destroying triviality. It is from this that the dandies obtain that haughty exclussiveness, provocative i its very coldness. Dandyism appears above all in periods of transition, when democracy is not yet all-powerful, and aristocracy is only just beggining to totter and fall. In the disorder of these times, certain men who are socially, politically and financially ill at ease, but are rich in native energy, may conceive the idea of establishing a new kind of aristocracy, all the more difficult to shatter as it will based on the most precious, the most enduring facilities, and on the divine gifts which work and money are unable to bestow. Dandyism is the last spark of heroism amid decadence.(...) Dandyism is a sunset; like the declining daystar, it is glorious, without heat and full of melancholy..."

Charles Baudelaire, The painter of Modern Life


"αμηχανων ερας"

Eυριπιδης, Aντιγονη (line 90)

the light is so + so; yellow; you can't actually tell if the night is about to fall (and lets hope it want hurt itself falling from that height) or it is about to dawn / down - maybe the night is about to fall dawn;

"what are you thinking" she asked, while the prostitute at the back room of the shop was just shouting (opws tin selinniasmeni) "can someone explain to me what is fucking post-modernism" - me tin fwtografia tou vasillia kwnstantinou pisw apo to tameio kai tin mirwdia tou tiganitou / tianismenou fish&chips - the tables are nice in here - formica - and you could hear at once, everything, her asking me, the frying of fish&chips, the radio, the TV with the noise intervals "sh shhh shiou sh", the jukebox in between two songs, the neon light blinking outside, the old woman washing the dishes, the prostitute shouting, the wind - and then, I just realised, I couldn't say I wasn't thinking of anything, I couldn't, I had to think of something to say, and then I just realised that I was thinking what I might say when asked "what are you thinking", and I told her, that's what I'm thinking, trying to find a good answer, at least I was honest, like the junkie the other day, "can you spare some change please, I want to buy marijuanna, at least I am honest" - and then, only then however, only after, or later, but always sooner or later you realise - you get what the french call "esprit d' escalier" as Chuck Palahniuk says in "Guts":

"(...) say you are at a party and someone insults you.
you have to say something
so under pressure, with everybody watchin, you say something lame.
But the moment you leave the party?
As you start down the stairway, then - magic. You come up with the perfect
thing you should've said.
The perfect crippling put-down
That's the Spirit of the Stairway
(...)"


and this will always be happening, and you will always realise afterwars, always later -
so you take your feet / pianneis ta podkia sou

one-way to paris :

tomorrow n.v.
(dimitri / jester etc. - christo, xopaska)

[...] And where will she go and what shall she do
When midnight comes around
She'll turn once more to Sunday's clown
And cry behind the door' - Lou Reed

ectoplasmic eczema mass mezes draws into
and marks as cancerous and who the fuck is
that eurinates into box that ding boom round
and round and round everywhere decides to
form and oil draw line between
to mark as supplementary, scar(r)ed οστεοφυλάκιον
(no parking dead belt), to translate an identity great
grandfather looks severely strict lunches stripped
bare in an infinite regress plate (room spring echo
hall) narcissus condemned to speak quoting/unable
to see other than self, as that other grand father
fairies follow trails; fairy trace
never say no to cry baby cry and then
merge into the ectoplasma 'βάλε jάλλο
μεν αντρέπεσε' (the room, you're part
of the room, topos tropos trofos tokos
tik tik tik tok)
and tomorrow know for today maybe
the good lord will take the wrong step
and fall flat in the face of beloved
and will cry cry cry
shame on
to follow the ghost, (Hamlet was
surely Shakespeare's), to remember, to fall for
you who (ectoplasma)
plate is full and never
(we are entering the fields of saturn)
empties already below δυσπεψία but also δυσκοιλιώτης,
hemaetic, desire towards or
the abjection of earth
to cut off the cancer to all tomorrows masses
of a spring that is more of a revelation than a ressurection
['Και ειδον, και ηκουσα ενος αετου πετομενου εν
μεσουρανηματι λεγοντος φωνη μεγαλη, Ουαι ουαι
ουαι τοις κατοικουντας επι της γης εκ των λοιπων
φωνων της σαλπιγγος των τριων αγγελων των μελλοντων
σαλπιζειν.' Αποκάλυψις Ιωάννου 8:13]
of an essence that is more an ever rediscovered curse than blessing
of a crowd that speaks of answers to something that
is not really a question
of homes that taste more sweet
in absentia
ωυββτθαν

"I have nothing to say / and I am saying it / and that is poetry / as I needed it" --John Cage

αποζητωντας τελικα τη μοναξια
καλεισαι να προβλεψεις καθε τυχαιο γεγονος
εγκαθιστωντας εκτασεις σιωπης, εντασεις σιωπης
πεδια ακαθ-ορι-στων συμβαντων - μονα ορια τα σημεια
μη ελεγξιμων προπαντων
φυγοκεντρων λεξιλογιων
αποσπασματικες περιγραφες (ποτε απεικονησεις παρα μονο παρουσιασεις)
καθοριζουν τον τοπο του εγκληματος
τον τροπο του εγκληματος - η χρησιμοποιηση της ανθρωπινης απεικονισης συνεπαγοταν τον ακρωτηριασμο της Μαρκ Ροθκο
τον τοπο της εγ-γραφης
του εσωτερικου σου κωδικα
τον μη τοπο της συγκεκριμενοποιησης
της σιωπης
[ εδω ο joseph beuys και η σιωπη του συνιστουν το ρολο του εποπτη ]
παραφραζοντας τη ρηση του Lyotard θετω το ερωτημα στον συνομιλητη μου: Υπαρχεις;
και καθως εξαντλουμαι σε αυτο το μονολογο μου ρχεται στο μυαλο ο ακροατης οταν σηκωνεται στα δυο του (ταχα δηλωνει μια καποια ενηλικιωση;) και σερνεται εκει που το κουδουνισμα των ηχων ξεθωριαζει καθως παιρνει τη θεση του το ΑΚΟΥΦΑΙΝ, αυτο το βουισμα του αυτιου που αντιλαμβανομαστε κατα την απουσια καθε εξωτερικου θορυβου και γινεται γρηγορα ανυποφορο. Αναρωτιεται εφευρισκοντας μια δυνατοτητα επιλογης - που δεν υφισταται - κατα ποσο η μετατοπιση της δρασης προσεγγιζει την καρδια του. Απεναντι σ αυτα που η ταυτοποιηση των αντιθετων ορισε ως ιδια.
Η αναδραση εγγειται στην Ομερτα του λογου του, η στην τελικη αποσιωπηση των ηχων.

Xero, pia, arketa kala: eimasten oligi (opws that to egrafe o Makrygiannis). Kai xero, pia, pws ypoferoumen emeis oi oligi [more than 1 less than 2] apo tin dyspepsia pou ypoferei, pou ehei diladi haragmeni 'under the skin' (kai 'under the table', 'cash' - gia na thymithoume, here ta teleftaia X-mas(s)), ekeino pou koinoniologiko-iatrika , exorizetai - ite me farmakologia ite me poli-tektiki, ma pou pera [na allos ena Derridiansmos gia na paizoume: kwsti, christo, jester, nandia... ta flegomena flogismena Lefkosiatiaka vradya mas, osonoupw] perasernei [including the 'I, Aye, Eye'] tis statheres twn ohtewn me ena emetsoaimaswnta lo'on, pou arneitai ws tetois na ehei anti-katavoli i hreo-grafo. Eidika twra, here se touto to diaforetiko here pou diavatiriakos [dioti i 'taftotita' ws topologikis erevnas anti-keimeno ehei pro polou alloiwthei, me synepeia to here pou tosous mines here oi 'oligi' psykhikhirizoun] kaloumaste na arthrwsoume o lo'os ws ypo-shesiaki tomi, ws foreas tou tomo-kratikou reiou leitourgei -always, already agapitoi meta/frastes- ek-statika. Ara, emetsoaimaswmenta - s'antithesi me tin dikatoria tou dyadikou nai/ohi. Allo prama oi dikaiologia tis prooptikis apo-fasis, kai allo prama i en-arche tou arthrwmatos. Me kindyno Heideggerismou tha diakindyneusw here tin lexi poiesi: mia kataskevi idi in the making, mia poitiki pou den gyrevei teli, tempi i vwmous ma lexeis-trampolina. Mia poiesi a-proopti [pera apo to a-gnwst tou nai/ohi] pou peratwnei tin prooptiki, kai perasernei ton "syntelesmeno" melonta, ton future perfect twn 'tha', 'na' k.o.k mesa apo ena diamperes diamerisma ston parakeimeno, ston choro tou 'idi, panta' [kata to "What I have loved, whether I have kept it or not, I shall love forever. I simasia as mou epitrapei tis frasis aftis tou Breton vrisketai ohi sto psychologiki diavathmisi tou 'forever', ma metaxi twn 'kommatwn': ekei diladi opou to parelthon ws parron tou mellontos 'idi, panta' lamvanei chora.] Stom parakeimeno pou den vrisketai makria apo to perakeimeno. To telos tou keimenou ws to perasma tou keimenou. Peran tou keimenou diladi. Peran tou anti-keimenou tou text, tou ekviasmou tis oriotopothetisis tis arthrwsis [ite nai / ite ohi - either with us or with the terrorists].

Dyspeptikos gar, anikanos kai animporos tis swstis diatrofis, exakolouthw na ihnilatoume epi-kindyno. To potami pou perasernei tis ohthes tou polles fores katafeygei, hynetai, stin thalassa, kai menei i dyspespsia 'para thin allos'. Kati tetoio tha itan -pera apo aytokatastrifiko- exaskisi tis praktikis pou tosous mines, tosa hronia, tosous parakeimenous daktylodihname kai 'diava-zoume'. Exaskisi tis praktikis tis onomatopoiias, eafton kai allilwn.Syggrousi meionotitwn, pou kata De Certeau ehoun ginei to 'universal'. Dyspeptikos onomatopoios apeilw to ombion me "kinimatopoiisi", se touti tin ihnilatisi mias poiitikis - tin stigmi tou kindynou, tin kathe stigmi. Isws i ekhwrisi topou gia tin ek-fora 'apopsis' (mallon tin epikyrwsi tis dikatorias tou dyadikou) na kanei omws touti tin stigmi tou kindynou na apozita tin poiitiki ohi ws praxi ma ws meth-odo (ohi ws methodologia omws). Meth' odou aftis pros ton parakeimeno, ara pros tin anyparxia tou telous, dierwtatei kaneis ti estin touti i odos. Ma poia i simasia tis topografikis toutis erwtisis? Isws tha eprepe na rwtisoume, isws tha prepei, touti tin stigmi tou kindynou, na erwtisoume haragmenoi ombiouhoi ("symplwrites" -"supplementarians") poies oi methodoi paragwgis toutis tis meth'odou kai ohi to pou vgazei. I arnisi tis dimosias epivaivewsis tou nai/ohi, tis logo-kratias tou kratio-logismikou den exypakouei tin teliologia tis thesews p.h. 'adiaforia' - kati pou tha "kinimatopoiouse" tin 'dyspespia', topothetwtntas "exw". I dispepsia, idi, panta entos, in-side / in-site.

Mia tetoia erwtisi, mia erwtisi parakeimenou leitourgei i idia ws meth'odos gia ta pera-tairw. Ta parakeimena zevgarwmata tou parakeimenou. Mia meth'odos pou ana-thewrei (kai den ana-morfopoiei para mano met-onymika) tin 'milia' mas ws 'alitevma' - kai ohi ws 'o-noma'. Kati to opoio ehei tehthei 'ektos' - ean kati tetoio mporei na tethei, ektos i entos- einai akrivws o parakeimenos tou here, tou here tis pro-keimenis stigmis, pou imeriologika topothetite post-24 April 2004 (24042004 - san grammi gia telemarketing i afierwsis se radisostathmo - ean eishen jai ena 0800 mprosta, hm! hm!, nai? mwro mou, nai... perasernome.*) pou eno fantazei ws koinoniologikos mpampoulas einai, ws parakeimenos, ex arches, aprosdioristos - oso doto kai na einai to mellontiko here. Aprosdioristos, a-dioristos, a-prooptos - hwris simeia tixis i pixis.

To politiko skiniko, i skinografia tou politikou anamfivolos tha synehisie tin prospatheia tis ori-thetisis toutou tou akatanomastou. Ma anagkastika tha perasei mesa apo tis leitourgies tis glwssas, tis epi-koinwnias, tou minimatos-meaning. Twn M.M.E. (i anadiplwsi tou akronymou diki sas). Meth'odou para-keimenou. Ma idi, panta entos tha vrisketai i diafthirwn dia-fwra, pou den an-ehetai tin omoiogenia, estw kai poli-zoniki, pou epitrepei stin dikatora tou dyadikou, tis epi-logis, na diewnizetai. O jester kalese ena "imno tis prokopis". Ena imno pou kofkei pros kai ohi 'kommeno kai rammeno'. Ena diakaws kommeno ex aftou (kai ohi logo tou representative performance tou) imno. Me kindyno apenergopoiisi tis dyspepsias kai tou ombiou, here, me dyo-treis kata-theseis pera-kalw to perasma se mia diatriti 'milia', 'alitevousa', mia nea 'poietiki', mia kataske[p][v]i idi, panta in the making. Na thewriethie touto, tin syngekrimeni stigmi, a propos here, ohi eplida,ohi praklisi, oho propaganda, ma meth'odos, perasma. Perasma ohi twn meionotitwn, i twn politwn,m poli ligotero tis mazas i tis dimokratias, ma mias parakeimenis leitourgisimis chorografias.


"The whole chaotic constellation of the social revovlves around the spongy referent, that opague but equally translucent reality, that nothingness: the masses. A statistical crystal ball, the masses are 'swirling with curent flows', in the image of matter and the natural elements. So at least they are represented to us. THey can be "mesmerized", the social envelops them, like static electricity; but most of the time, precisely, the form an earth, that is they absorb all they electricity of the social and political and neutralise it forever. ... (T)he masses have no history to write, neither past nor future, thay have no virtual energies to release, nor any desire to fullfill: their strenght is actual, in the present, and sufficient unto itself. It consists in their silence...a silence which refuses to be spoken for in its name... They don't express themselves, they are tested. The referendum (and the media are a constant referendum of directed questions and answers) has been substituted for the political referent...Everywhere the masses are encouraged to speak, they ate urged to live socially, electronically, organisationally, sexually, in participation, in festival, in free speech, etc. The spectre must be exorcised, it must pronounce its name.... Out of this private and asocial universe, which does not enter into a dialectic of representation and of transcendence towards the universal, out of this involutive sphere wich is opposed to all revolution from the top and refuses to play the game, some would like to make a new source of revolutionary energy...Banality, inertia, apoliticism ised to be fascist; they are in the process of becoming revolutionary...Micro-revolution of banality, transpolitics of desire - one more trick of the "liberationists". The denial of meaning has no meaning... For us an utenable hypothesis: that it may be possible to communicate outside the medium of meaning...by an allergy to reference, to the message, to the code and to every category of the linguistic enterprise, by a repudation of all this in favour of imploding the sign in fascination (no longer any signified:absorption of the poles of signification). None of the guardians of meaning can understand this: the whole morality of meaning rises uop against fascination...."
Jean Baudrilliard In the Shadow of the Silent Majorities

"...there is no experience of pure presence, but only chains of differential marks."
Jacques Derrida Signature Event Context

"...triton de au genos on tis chwras aei, fthoran ou prosdehomenon, edran de parehon osa ehei genesinpasin, auto de met' anaisthisias apton logismw tini notho, mogis piston, pros o di kai oneiropoloumen vlepontes kai famen anagkaion einai pou to on apan en tini topw kai katehwn chwran tina, to de mite en gi mite pou kat' ouranon ouden einai. tayta di panat kai toutwn all' adelfa kai paeri tin aypnon kai alhthws fysin yparhousan ypo tautis tis oneirwxews ou dynatai gignometha egerthentes diorizomenoi talithes legein, ws eikoni men, epeiper oud' auto touto ef' w gegonen eautis estin, eterou de tinos aei feretai fantasma, dia tayta en eterw prosikei tini gignesthai, ousias amws ge pws antehomenin, i miden to parapan aytin einai....all' anwmalws panti talantoumenin seiesthai men yp' ekeinwn aytin, kinoumenin d' ay palin ekeina seiein. ta de kinoumena alla alose aei feresthai diakrinomena, wsper ta ypo twn plokanwn te kai organwn twn peri tin tou sitou katharsin seiomena kai analkmwmwna ta men pykna kai varea alli, ta de mana kai koufa eis eteran izei feromena edran....all' anoraton eidos ti kai amorfon, pandehes, metalamvanon de aporwtata ph tou nohtou kai dysalvtotaton legontes ou pseysometha."
Plato Timaios


*Istoriografiki simeiosi: I makrovioteri dikatoria sti Evrwpi, i diktatoria tou Estado Novo [Neo Kratos / New State- !!] stin Portogalia, kai praktika epese apo ton thwko tis exousias -meta pou o gia 36 hronia diktatoras Salazar, epese to 1968 apo tin karekla tou pathenwntas engefaliko, diefkolinwntas etsi tin katrakyla tou politikou morfwmatos tou opoiou igitw pros ton afanismo- stis 25 Apriliou 1974. Ehw adiko na eimai erwtevmenos me tin Lissavona?

bi all means!

[where?]

epien je touto to semester, epitelous ke entelws, tune up to easter - to pasxa thimoumaste ta pio zwntana tou kapote perasmena, kalin anastasi e-simplwrites, eis to epanidein stin division - to prwto jameson pou 'loou mou.
chiars me neruda!
'Stone within stone, and man, where was he?
Air within air, and man, where was he?
Time within time, and man, where was he?
Were you also the shattered fragment
of indecision, of hollow eagle
which, through the streets of today, in the old tracks,
through the leaves of accumulated autumns,
goes pounding at the soul into the tomb?
Poor hand, poor foot, and poor, dear life...'
(Alturas de Macchu Picchu, X)

ZITOUNTE atoma kathe fylou kai ilikias, katoikoi Kyprou i exwterikou, me pein epi 'Kypriakou' en genei, kai me gnwseis sti hrisi ekriktikwn, radiopeirateias, optikoakoustikwn technologiwn, psychanalysis, seimiologias, politikis oikonomias, diethnous kai evrwpaikou dikaiou, typografias kai mageirikis, ehemytha, me taseis ypervolis kai toulahiston mia katahrisi sto energitiko tous (no junkies please!) gia tin dimiourgia polyglwtis tromokratikis organwsis.

Steilte E-mail sto lehozouthkia_apsa@lycos.com (me subject: shit inside many years that we didn't become good belts), eswkleiontas biografiko, text pou na anadiplwnei ta shetika me tin tromokratia endiaferonta sas, kai tropo epikoinwnias (kata protimisi defteri i triti elektroniki diefthinsi i agapimeno bar), kai tha epikoinwnisoume emeis mazi sas gia ta pereterw.



1 Apriliou 2004

Ston jester jai stin katharia, pafsilypi mnimi tou -

'always already' (we should have known better not to be swayed by the "shadow of silent majorities"!) ALIEN ARTISTS.

"And so, not knowing how to believe in God and unable to beleive in an aggregate of animals, I, along with other people on the fringe, kept a distance from things, a distance commonly called Decadene. Decadence is the total loss of unconsciousness, which is the very basis of a life. Could it think, the heart would stop beating."
Fernando Pessoa The Book Of Disquiet