the rise of the slightly moustached redish-brown haired ladies

one must always match flights and books

on a plane which fails to take off three times, takes off with an engine that still sounds faulty, this is the captain speaking do not panic, lands again to pick up more weight and again sounds like a disaster when it takes off

I must admit I have read many books. When I disappear, all those volumes will change imperceptibly; the margins will become wider, the thought more cowardly. Yes, I have talked to too many people, I am struck by that now; to me, each person was an entire people. That vast other person made me much more than I would have liked. Now my life is surprisingly secure; even fatal diseases find me too tough. I'm sorry, but I must bury a few others before I bury myself.

on a plane, going back to a new place, with just a pair of trousers, a shirt and a memory stick, [only] the first chapter of the greek translation

Στην περίπτωση της έννοιας του Άλλου ως έκφρασης ενός δυνατού κόσμου στα πλαίσια ενός αντιληπτικού πεδίου, οδηγούμαστε στο να θεωρήσουμε με νέο τρόπο τις συνιστώσες αυτού του πεδίου ως προς αυτό το ίδιο: ο άλλος, χωρίς να είναι πλέον ούτε υποκείμενο του πεδίου, ούτε αντικείμενο εντός του πεδίου, θα αποτελέσει τον όρο βάσει του οποίου αναδιανέμονται όχι τα περιθώρια και το κέντρο, το κινιτό [πράγμα] και το σημείο αναφοράς, το φευγαλέο και το ουσιαστικό, το μήκος και το βάθος...

then, on a flight that resides in the midst of a journey, between waking and sleep, waiting for further feet and trains, so that you lose half of the book because you read it in your sleep, such as

SOPHIST WALLOPS HAUGHTY HELEN SQUARE ON PROBOSCIS. SPARTANS GNASH MOLARS. ITHACANS VOW PEN IS CHAMP

- You remind me of Antisthenes, the prophessor said, a disciple of Gorgias, the sophist. It is said of him that none could tell if he were bitterer against others or against himself. He was the son of a noble and a bond-woman. And he wrote a book in which he took away the palm of beauty from Argive Helen and handed it to poor Penelope.
Poor Penelope. Penelope Rich.
They made ready to cross O'Connell street.

HELLO THERE, CENTRAL!

and on going back, for the first time, with no foolish patience for irrealisms or sufficient reasons, quite willing to abandon literature

Everything here seems chaotic. Do you see those little streams? Not one of them runs in a straight line. And those ponds, which are neither round, nor square, nor oval, nor regular in any shape or form? And all these little pointed particles sticking up like bristles all over the globe and which have torn the skin off my feet? [...] Frankly, what makes me think there is no one here is that, as I see it, no one with any sense would want to live here.

Allocating happiness

In psychology, in the bottomless fraud of mere inwardness, which is not by accident concerned with the 'properties' of men, is reflected what bourgeois society has practised for all time with outward property. The latyer, as a result of social exchange, has been increased, but with a proviso dimly present to every bourgeois. The individual has been, as it were, merely invested with property by the class, and those in control are ready to take it back as soon as universalization of property seems to endanger its principle, which is precisely that of with-holding. Psychology repeats in the case of properties what was done to property. It expropriates the individual by allocating him its happiness. Theodor Adorno, Minima Moralia, #39

Landes

Gloup! Kati evrwman alla...let's wait and see.

Spare a Camera?

A call for food and film stock for Beirut and Lebanon people.
Kouvertes jai odontopastes stelnoun alloi.

Belated (or) Yes!

And in the absence of anything to chronicle the present, a dedication, paraphrased, for what is to be left behind, as a chronicle of this present:

And I hope all men [sic] / Who think like this / Will soon lie / Underground



Soundtrack

i admire cucumber slicers. but i live for weavers.

Dem: eskeftika... "paralipomena publishings." enna'theles na 'soun paralipomeno keimeno?

episis eskeftika oti i maza eshei moutti opws tou romeous, jai ennathelen moutti opws tis kleopatras. i think the sphinx was built by aliens who had come from the future after having kidnapped and examined michael jackson. [ematha arxaia istoria pou ton goscinny jai ton underzo].

eskeftika oti i kathe kata-
strophe
en poiisi.
oti i poiisi en patheima.
oti sinexia o kosmos xtizi paradisous. oti
peftoume pou tin glwssa
se erga.
oti o mythos en jame pou arkefki
i logotexnia
jai jame pou teliwni [borges].
that speech
is a mouth [creeley].
oti o,ti vriskw,
arkefkw.

so forgive me if I relapse...into my dream of an art unresentful of its insuperable indigence and too proud for the farce of giving and receiving. "Three Dialogues" Beckett

On the Wire

Aneipwa apota nera. Konta mas i Skwtia kai to Suffolk. I hara tis katanalwsis kai tis grammatoseiras thoryvou. Gymna vradia, demi boukalia kai hwris perithoria ideata. Fyllometroume ta parke kai peristasiaka matonoume. Caught in the centre of a soundless field / While hot inexplicable hours go by. O ypnos adynatos. Perimenontas to epomeno deltio psithirizei Give us the tools. I mnimi sta oria tis.Apla vimata. O kathreftis Fevrouario. Thelima agkalis se omoia krevvatia me ekeina pou i monaxia xanamoirastike. Tymase; Adynatei oti palia ormwname. Diko mas mono, pleon, to diakaws. Kai to ateliwto.






Xanakouw thravsmata kai pethymw sas.

Aypna Imerologia # 360

Found

here

'Perfect Light'

There you are, in all your innocence,
Sitting among your daffodils, as in a picture
Posed as for the title: 'Innocence.'
Perfect light in your face lights it up
Like a daffodil. Like any one of those daffodils
It was to be your only April on earth
Among your daffodils. In your arms,
Like a teddy bear, your new son,
Only a few weeks into his innocence.
Mother and infant, as in the Holy portrait.
And beside you, laughing up at you,
Your daughter, barely two. Like a daffodil
You turn your face down to her, saying something.
Your words were lost in the camera. And the knowledge
Inside the hill on which you are sitting,
A moated fort hill, bigger than your house,
Failed to reach the picture. While your next moment,
Coming towards you like an infantryman
Returning slowly out of no-man's-land,
Bowed under something, never reached you -
Simply melted into the perfect light.

-Ted Hughes

Loss only works in a state of transference from one reader to the next.

I read, therefore, I lose?

on st-st-st-st-atic

phenomenome -
phomenolo -
phenome - (vlakas)
nolo -
nenolo -
phenone
phm
hmph

do i dream of huts? do you? not much one can do about oneirc guilt but constant aglutination.
return to the one fish two fish three fish blue fish of life.

Klemeni Epexigisi

Κάτι χειρότερο από άνεργος...

...- αιωρούμενος. Όχι μόνο δεν έχω συγκεκριμένη δουλειά - δεν ξέρω ούτε σε ποιόν επαγγελματικό χώρο ανήκω.

Ποτέ δεν ήξερα. Παντού ένιωθα απ' έξω. Κι αν δεν το ένιωθα εγώ, φρόντιζαν οι εκάστοτε συνάδελφοι να το αισθανθώ. Ούτε οι διαφημιστές παλιότερα με αποδέχθηκαν, ούτε πιο πρόσφατα οι δημοσιογράφοι. Όσο για τους συγγραφείς...

Καμιά φορά ζηλεύω αυτούς που έχουν ένα πλαίσιο εργασίας. Υποχρεώσεις, ωράριο, ιεραρχία, συνδικαλισμό. (Δεν υπάρχει χειρότερος και σκληρότερος εργοδότης από τον εαυτό σου.)

Ανεργία. Όχι επειδή δεν βρίσκω δουλειά. Αλλά επειδή δεν ξέρω που να την ζητήσω.

[...]

So that's what s/he meant, Or "...the truth, eh, the truth..."

The headlines of the post-script: Haunted Commentarian Remark

Syd's dead baby. Syd's dead.

12 / La Part Maudite

Μήπως είμαι τρελός
μήπως τα 'χω χαμέvα
πoυ ακόμα πιστεύω θα γυρίσεις σε μένα.

I am not afraid.-

And while you are at it, can I get some jugged kippers and two poached eggs with my paper please? We 've got to take heart today. Thanks. / Catch up later over steak and chips or a pie or something. Off to Jermyn Street.

Interlude: Could really do with a (large) bloody mary. I'll just pop into The French House.

Allaxa Friki

Synithisa na klonizomai

Daneia omilias, apomesimero, gia na perigrapsw to simera

Ciao Bella

Or Propositions on the Dancing Subject



I entopiotita kai o entopismos tis kath'ola yposhetikis praxis pou diagrafei i meta-kinisi mesa sta plaisia tou symvatika efiktou anagrafei to a-dynato. To a-dynato, anagnwrizwntas tin taxinomisi tis opoias apotelesma einai kai i dynami kai to efikto, ws paragwgo meta-kinisis, diladi ana-hwrisis pros tin chora tou aenaou, afwmiownei tropon tina entos tou ta charaktiristika ekeina tou dynatou se vathmo pou i opoiadipote katahrisi tous, i opoiadipote anadomisi tous, na einai mi anagnwrisimi. Kai ws ek touto omoia me to mi genomeno, ontas a-dynato, to opoio mia psychri logiki tha periegrafe me ton oro adynato. I archiki morfi omws pou daneizei i yposhetiki tis meta-kinisis, mia meta-gewgrafiki praxi katheafti, epitrepei sto a-dynato ohi mono morfes ypostasis, ma kai morfes ana-tasis. Omoia tis ekastote prokeimenis meta-kinisis ehoun sto parellthon yparxei pampola. Simulacrum of previous passions and prelude to other substitutes, gia na daneistoume tin hiliodaneiszmeni frasi tou Walter Benjamin. Ma i ekastote prokeimeni -kai etsi synkekrimeni- meta-kinisi, ws praxi yposhetiki, afinei, kathe fora, na diagrafei to a-dynato ws entopisimos choro-chronos, agnwstou par'ola afta pro-orismou kai apo-telesmatos. Simasia ehei i yposhetiki arche toutis tis praxis pou anadiamorfenei tin genikoteri phenomenologiki empeiria tou ypokeimenou se shesi me to einai, xanagrafwntas me midamines kiniseis to ti mporei na lehtei pera apo to dynata (kai to) ortho.

Gia afto goustarw ton Gattuso.

Leto

Exakolouthouse na enthousiazetai, na arpazetai, n' arpazetai tropon tina apo mesa pros ta exw, ap' to poukamiso prwta kai meta ap'to sakaki, na ton arpazei diladei, na to enthousiazei se tetoio vathmo touto to kynigi. To kynigi tis synhronis eikonografias tis pleon liminal praxis, tis pleon synoriaka proswpikis praxis, tis pleon anti-koinwnikis praxis endokoinwnika, tou kafe-me-tsigaro, tou tsigaro-me-kafe, tou kafetsigarou, opws to skeftike mia nyhta, mia zesti nyhta, mia nyhta hwris whiskey, pou to mono pou tou 'he apomeinei, to mono exon 3000 tosa vivlia, 3 viliothikes kai miso dwmatio vivlia, to mono pou tou 'he apomeienei itan kafes kai ena paketo tsigara, ta teleftaia, ton enthousiaze na pasheni kai itan haroumenos, poli haroumenso, otan ta vradia, epsahne, kynigouse, apo to ena lnk sto allo, afto pou zouse, afto pou zouse apo dipla omws, ton kafe me to tairi tou, monos. Ton enthousize na vriskei, akoma, photografies, enos kafe, misou tsigarou, dyo matiwn, dyo heiliwn kai mias mytis. Photografies me kafe kai tsigaro kai kapno kai ahna, kai mallia kai daktyla. Aftopou zouse apo dipla, ton enthousiaze na to psahnei, tin eikonografia tou diladi. Mikri prosthesi st' aheia tis arheiothetisi ki afto. Isws. Spania o idios, par'oles tis gnwseis, par'olo ton exoplismo, spania, pote shedon, pote se xenous, spania se gnwstous, pote i shedon pote den sikwne tin mihani na prosthesei sto arheio touto. Ap'ti mia i epignwsi tis monaxias, tis apolafsis tis monaxias, tis monaxias me kafe kai tsigaro, epevale tin prostasia tis kai ohi ton diamerismo tis se pixel i kadra i gwnies lipseis. Ki ap' tin alli, to kynigi , i exerevnisi kai i anakalypsi totutis tis eikonografias itan praxi wrwn pou ta cafe, ta bar, ta kafenia, ta coffee houses eihan kleisei. EIhan kleisei m' aftos ta pethymouse kai etsi ta psahne apo dw, ta psahne apo kei kai ta vriske, poto apo dw, pote apo kei, kai ta ferne mazi tou, diladi sto spiti tou, mesa, edw, mazi tou, tetoies wres. Den milouse, den epsahne kati to opoio the eperne apo afti tin eikonografia, aftes tis photografies, na tou dwsei lexeis, ohi. I eikonografia mono tou arkouse, mono afti, i eikonografia ws mnimi tou prwino pou efyge ki anamnisi enos prwinou pou tha rthei, edw, mesa, mazi tou, tetoia wra. Mehri ekeini ti stigmi, apenanti se ekeini ti photografia, apenanti, se ekeino to kafe, se ekeino to tsigaro, apenanti se ekeino to kafetsigaro, apenanti se ekeino to proswpo, apenanti se ekeino ton kapno, se ekeina ta matia, apenanti se ekina ta malia, se ekeina ta daktyla kai se ekeino to flyntzani. Opou emeine apla afwnos. Mia lexi itan oli ki oli i lexi pou ithele na artrwsei, ena onoma, mia monaha lexi, me ena erwtimatiko sto telos, etsi apla, ki omws emeime apla afwnos. Kai epistrefontas, opws ekane se tetoies periptwseis, opou emene apla afwnos, epistrefwntas stin logoklopi, sto pokoumpi toutis tis ekforas, tis synkekrimenis ekforas tou tritou enoikou, epistrefwntas stin methodologia pou onomatistike, pou vaftistike dikaia, "o thriyamvos tou tritou enoikou", epistrefwntas ston "thriamvo tou tritou enoikou", mia epohi pou olo epestrefe se pramata apo to prin, se pramata apo pio prin, se pramata oikeia kai pramata dika tou, se pramata apo palia, palia oikeia pramata diladi, mia epohi pou epestrefe s' afta ta paliopramata ta oikeia, ta oikeia touta paliopramata, opws ton "thryamvo tou tritou enoikou", opws to whiskey, opws to kafe-kai-tsigaro, opws to tsigaro-kai-kafe, opws to kafetsigaro, epistrefwntas eipe: Leto?

19 / 26+

Apistefti pyra. Ta mallia sto patwma, imilipothima papillions, anorthografa ki aikinita harin aera. Apousia kai tsirko. I meres twn pezodromiwn ston pago. Kena ermarakia kai kairoskopa ousiastika. Epimenoun t' apospasmata. Apohrwseis toihou, imiaithrio tsigaro kai Tom Wolfe. Logoklopi typografimenou Wagner, prwima mesanyhta, eisitirio ergasias: The eye recognizes only the surface of the sea: only the depths of the ear understand its depths.

Afta, kai ligo xydi, apo simera.

Tetelestai

Some Houses For Sale

Mnimi 3os Orofos, Christou Vournazou 11, Athina

FORZA GATTUSO!!!

Ehei xekinisei tou pleon endiaferon athlimatos i efidrwmeni panigiris, ma kati alitofatses, 2-3 geroi (o gnwstos enas) ki o aeras mas ehoun tileoptika dwsmeous stin mavroaspri. Meta kai ta simerina -doxa na 'shei!- sigontarei to mble 11ari, 1:4.33 pleon - as if. I varvatila tou dromou xefilinismeni anapoda, estw kai kata to imisi. To present the series /Of curioous heads in medallion - Romantikos palinpaidismos? Aiwnia efivia kai exargyrwmeni metohi oneirou. Zones of immanence semingly proliferate at the various stages or levels, even establishing connections between levels.
Ektos gewgrafikis phenomenologias.

Mahairi ki anoihto parathyro

Orthou vathews mou swnetai to whiskey / Ki i nyhta pou diavainei me sarkazei

Ta krasopotira ehoun ki afta katagrapsei tin oloklirwtiki tous apousia. Sta mesodiastimata keramikwn patwmatos psihoula kai lasmari kai rigani. Idrwtas paramashala kai neos minas, vrady. Psifia o alalos thoryvws tis thermis ap'ta gonata sto kranio. Ki o stenagmos. Anakates plates kai mavri anasa. Etsi dilwnete i metagrafi apo to trito so dftero proswpo pou haidevei to parke kai psahnei fraseis na dwsei ston Aprili. Pws na milisw allwste gia mia thalassa kai mia poli pou oikeiopoiete ton Breton? Only someone who keeps himself in some measure pure has hatred, nerves, freedom and mobility enough to oppose the world, but just because of the illusion of purity - for he lives as a 'third person' -he allows the world to triumph not merely externally, but in his intermost thoughts. Me to en syneheia kryfo dilema anametadidwmeno sto telos tis thesis 86.

Den isihazei i nyhta apoti.

Only a cunning intertwining of pleasure and work leaves real experience still open, under the pressure of society. Such experience is less and less tolerated.
Theodor W. Adorno, Minima Moralia, #84

The Fiction of Development

It's Hard Selling Land
Another project by omada ergasias in cooperation with Google Earth
As part of 'Square Opperation' by Georgia Agathocleous, BA Fine Art Degree Show, Central St Martin's College of Art and Design, 107-109 Charing Cross Road









Land Contract

(Use when buying)



This Agreement is made and entered into by and between:
_________________________________________________________________________________________
(seller)
whose address is:
_________________________________________________________________________________________
hereinafter called the Vendor and
_________________________________________________________________________________________
(buyer)
whose address is:
_________________________________________________________________________________________
hereinafter called the Vendee.

Witnesseth: The Vendor, for himself, his heirs and assigns, does hereby agree to sell to the Vendee, their heirs and assigns, the following real estate commonly known as:
__________________________________________________________________________________________
and further described; as:















together with all appurtenances, rights, privileges and easements and all buildings and fixtures in their present condition located upon said property.

1. CONTRACT PRICE. METHOD OF PAYMENT, INTEREST RATE:

In consideration whereof, the Vendee agrees to purchase the above described property for the sum of _________________________________________________________________________________ Dollars ($________________), payable as follows:

The sum of $_____________________________________ as initial consideration at the time of execution of the within Land Contract, the receipt of which is hereby acknowledged, leaving a principal balance owed by Vendee of $___________________________________ together with interest on the unpaid balance payable in consecutive monthly installments of $________________________________________ beginning on the _____ day of ____________20____, and on the _________ day of each and every month thereafter until said balance and interest is paid in full, or until the ______ day of ____________________ 20_____
at which time the entire remaining balance plus accrued interest shall become due and payable. The interest on the unpaid balance due hereon shall be (________________ %) percent annum computed monthly, in accordance with a month amortization schedule during the life of this agreement.

Payments shall be credited first to the interest. and the remainder to the to the principal or other sums due Vendor. The total amount of this obligation, both principal and interest. unpaid after making any such application of payments as herein receipted shall be the interest bearing principal amount of this obligation for the next succeeding interest computation period. If any payment is not received within __________________(______) days of payment date, there shall be a late charge of (____________%) percent assessed. The Vendees may pay the entire purchase price on this contract without prepayment penalty. The monthly installments shall be payable as directed by the Vendor herein.



Page 2 of 3 Land Contract

2. ENCUMBRANCES:

Said real estate is presently subjeC1 to a mortgage with ________________________________________________ and the Vendor shall not place any additional mortgage on the premises without the prior written permission of the Vendees. To protect Vendee's interests. Vendee may elect at any time to pay any sums due hereunder directly to the mortgagee, and any amounts remaining to the Vendor. Vendor understands that this transaction may permit the mortgagee to exercise their right to accelerate the loan and to call the remaining balance due. In any such event, the Vendor agrees to hold Vendee harmless and in no way liable for any damage to Vendor as a result of such action. Vendor initials _________.

3. EVIDENCE OF TITLE:

The Vendor shall be required to provide an abstract or guarantee of title, statement of title, title insurance, or such other evidence of title to Vendee's satisfaction.

4. RECORDING OF CONTRACT:

The Vendor shall permit a copy of this contract to be recorded in the ____________________________County Recorder's Office at Vendee's discretion at any time subsequent to the execution of this Contract by the parties hereto.

5. REAL ESTATE TAXES:

Real estate taxes to the County Treasurer shall remain In the Vendor's name throughout the term of this agreement. Payment of said taxes shall be the responsibility of the Vendee upon the execution of this agreement, and [___] shall [___] shall not be escrowed and added to the payment required by Vendee herein.

6. INSURANCE AND MAINTENANCE:

The Vendor shall insure the property with a non owner-occupant (landlord) policy against fire and extended coverage to the benefit of both parties as their Interests may appear herein. Said policy shall be for an amount no less than __________________________, payment of which shall be the responsibility of the Vendee, and which shall be escrowed and added to the payment due herein.

Vendees shall keep the building in a good state of repair at the Vendees expense. At such time as the Vendor inspects the premises and finds that repairs are necessary, Vendor shall request that these repairs be made within sixty (60) days at the Vendees expense. The Vendees have inspected the premises constituting the subject matter of this Land Contract, and no representations have been made to the Vendee by the Vendor in regard to the condition of said premises: and it is agreed that the said premises are being sold to the Vendee as the same now exists and that the Vendor shall have no obligation to do or furnish anything toward the improvement of said premises. Vendor shall furnish a clear termite report at Vendor's expense prior to executing this contract. If the property has live infestation of wood destroying insec1s, Vendor will pay costs of treatment and repair damages caused by same. If Vendor elects not to do so. Vendee may elect to waive Vendors responsibility and proceed. or Vendee may elect not to proceed with this contract. Notice of each election shall be given in writing within five (5) days of. respectively. receipt of Vendor of the notice of infestation and receipt by Vendee of Vendors notice as to intention to remedy.

7. POSSESSION

The Vendee shall be given possession of the above described premises at Contract execution and shall thereafter have and hold the same subject to default provisions hereinafter set forth.

8. Delivery of DEED:

Upon full payment of this contract, Vendor shall issue a General Warranty deed to the Vendees free of all encumbrances except as otherwise set forth. In addition, Vendees reserves the right to convert this contract into a note and mortgage which shall bear the same terms as the contract for the remaining balance, and receive a warranty Deed to Vendees or assigns from Vendor, anytime the following conditions have been met by then Vendees,

At least 20% of the purchase price has been paid to the Vendor.
Vendee is willing to pay all the costs of title transfer and document preparations.
Page 3 of 3 Land Contract

9. DEFAULT BY VENDEES

If an installment payment to be made by the Vendee under the terms of this Land Contract is not paid by the Vendee when due or within thirty (30) days thereafter, the entire unpaid balance shall become due and collectable at the election of the Vendor and the Vendor shall be entitled to all the remedies provided for by the laws of this state and/or to do any other remedies and/or seek relief now or hereafter provided for by law to such Vendor; and in the event of the breach of this contract in any other respect by the Vendee, Vendor shall be entitled to all relief now or hereinafter provided for by the laws of this state.

Failure of Vendee to maintain current the status of all real estate taxes and insurance premiums as required herein shall permit Vendor the option to pay any such premiums, taxes, interest, or penalty(ies), and to add the amount paid to the principal amount owing under this contract, or to exercise any remedies available to the Vendor as per the preceding paragraph.

Waiver by the Vendor of a default or a number of defaults in the performance hereof by the Vendee shall not be construed as a waiver of any future default no matter how similar.

10. GENERAL PROVISIONS:

There are no known pending orders issued by any governmental authority with respect to this property other than those spelled out in this Land Contrat prior to closing date for the execution of the contract.

11. SPECIAL PROVISIONS:

___________________________________________________________________________________________

___________________________________________________________________________________________

___________________________________________________________________________________________

12. ENTIRE AGREEMENT:

It is agreed that this instrument and any addendum mutually entered into and, by reference to this agreement, made a part hereof constitutes the entire agreement of the parties, and which shall be binding upon each of the parties, their administrators. executors, heirs and assigns. It is further agreed that neither party is relying upon any representation not contained herein.

IN WITNESS WHEREOF, the parties have set their hands this ______day of _____________________, 20_____,

Signed in the presence of:

VENDOR: _______________________________________

_____________________________________

_________________________________________________

Signed in the presence of:

VENDEES: ______________________________________

_____________________________________

_________________________________________________

STATE OF__________________________

COUNTY OF ________________________

On this _________ day of __________________, 20____,before me, a Notary Public in and for said county and state. personally came, __________________________________________________________ Vendor (s ) and. _____________________________________________________________________________ Vendee(s) in the foregoing Land Contract. and acknowledged and signing thereof to be their voluntary act and deed.

WITNESS my official signature and seal on the day last above mentioned.


________________________________________________

This instrument was prepared by:

NOTARY PUBLIC

_________________________________________

_________________________________________

_________________________________________

Kalogiannis on my mind

Deilis. Den klaiw gia afta pou mou 'heis kanei / Gia afta pou mou 'heis arnithei. Epikeimeni matia. Metaniwmena filia and smokeless smokes egw den goustarw agapi mou. Kena lefka. I fantasiwsi einai anwteri tis fantasias. Manhattan 28 hronia meta + 5. Ta teleftaia.




Kala p/iota.

....trwei tin kardia sou

who let the poets out?

new(s and) discoveries

1) a freelancer freestyling

2) welcome back to dem, to our page of unclear improprierty - i think the double negative works quite well there, don't you?

3) thinking of Poe during death is like reading Frank O'Hara during a wedding. not really the 'done' thing.

4) i have been wondering if fish might ever need SCUBA gear.

5) en enas lipimenos astronautis.

if the block ends, there might be more.

Πολυβιος Μιχαηλιδης (1907-1960)

Πολυκατοικία Μιχαηλιδη, Ζαϊμη και Στουρνάρη, Αθήνα, 1933-1934


Η πολυκατοικία των αδελφών Mιχαηλίδη ανήκει στα έργα αναφοράς του ριζοσπαστικού μοντερνισμού στη μεσοπολεμική Aθήνας. Eίναι έργο του δεξιοτέχνη Kύπριου αρχιτέκτονα Πολύβιου Mιχαηλίδη και του εκλεκτού συνάδελφου του και καθηγητή στο EMΠ Θουκυδίδη Bαλεντή. (...) H πολυκατοικία έχει έξι στάθμες: ισόγειο, τέσσερις ορόφους και εσοχή. Περιλαμβάνει δύο διαμερίσματα ανά τυπικό όροφο. Ο τελευταίος όροφος και το δώμα έχουν διαμερίσματα διπλού ύψους (duplex).Τόσο η οργάνωση των κατόψεων όσο και η διάρθρωση των όψεων αποτελούν αυθεντικές εκφράσεις του διεθνούς Mοντέρνου Kινήματος .
H γραμμή των όψεων είναι λιτή. Στην πρόσοψη επί της Ζαΐμη επικρατούν οι επιμήκεις συνεχείς ζώνες παραθύρων με μικρούς εξώστες στο δεξί όριο της πολυκατοικίας. Αντίθετα η όψη της οδού Στουρνάρη παρουσιάζει μεγαλύτερη ποικιλία, συνδυάζοντας επιμήκεις εξώστες και εξωστόθυρες.
Ο ορθογώνιος όγκος του κτιρίου ολοκληρώνεται στη στάθμη της εσοχής με pergola.
Τα υλικά διαμόρφωσης των όψεων είναι η σιμεντοκονία αρτιφισιέλ, τα κιγκλιδώματα των εξωστών από μεταλλικό πλέγμα και τα ξύλινα κουφώματα με ρολά. H μεταλλική εξώθυρα της πολυκατοικίας έχει απλή μορφή.

From: http://www.culture2000.tee.gr/ATHENS/GREEK/main2.html

Limescale

Solo. Diakyndinevw tin anagnwsi anavalwntas to akousma. Sinaw vimata kai megenthinw trihes. Thelw na paixw me ta ypsilon - adynaton. Malchus, akoueis? Kratiemai apo tin epi twn lexewn eirwnia allotriwn. Poach me baby. Poach me jai varmou mylla.
I want to walk. Enanti epitokiou erevnis daneikwn seimiologikwn arthrisewn sto tosa epi tosa. Xana sta isa mou.

Kryptografwntas anapothikeftos, how many shows will I loose still?



Idi simera.

Later...

Black Bush. I want to drink to coffee.

Rwgmi

Repeat: tha thryps/alla. I skoni tis apraxias kai tis apostasis. Lexeis kai selio. Matia giok. Whiskey. Systatika anyparxias. He? Metrofyllw viaia kai kryfakouw me prosohi. Varenoun ta gonata. Thymame vradia m' elafritero to swma. Septemvrides. Pernw apo ta traina sta standby aeroplana. Sta solo monologwn. Oi filoi mou osonoupo. Agapimeni, pikri lexi. I fasaria dexia: Lexika, vivlia, hartomani. Adeio potiri. Gemato potiri.

Ki an tosa hronia perpatisame mazi / ton teleftaio dromo tha ton kanw monos
Katohos, idi, ap'tous mines tou ypogeiou, Northington Street, athymitheite, tis rwgmis.
Ladera kai xydia. Tatses.

Thymame mia nyhta mou 'hes pei: eheis stavrwsei kosmo esy / tha meineis xenos

Oxydwmenos Halkos.




Xana. Repeat: En mas foroun
/oi topoi.

Mison Teras

Kafes stin kouzina. Mnimes Giwtopoulou, fakelwmeni grafomihani. Iliovroho. Dyo lepta me ton papa tis Artemisias, prospathw na pintwsw ta apintota diairwntas prwi prwi tis files tou Israel se 9. Plus 2. Who is pointing to who? What is out there: i arche. Na to epanalavw. To molyvi mou apo recycled videotapes heirokrotei to trohadin kai logizw me to alogiasto.
Ki an ypomnimatisw tha antexw? Pros ti i ypersyndesi - as'ton kafe na milisei her-i.
Na metakinitoume kanena foniento.

A'e 'ontin:+

Gar/ides?

Over (Or Natural Progression)

'Eies ton, eien ton kanenas?'

Ate kale! Jai efamen tin imera mas simera na grafoume sovara, emperistatwmena keimena jai na na anoiumen po tounta forums akoueis jai 'sy!
Ate Christo mas ela teliwne jai ehoumen jai douleies. E, inta!
Oi omws en mporeis na peis. Eperasemen polla wraia. Oi, alithkeia, bravo mas.






Touton en pou allou alla na to valw jai dame etsi gia mostra:

"It's convenient to blame outsiders for the problems. It's not for me to recommend solutions but it's usually a good idea everywhere to look in the mirror and ask what we can do right where we are to mitigate and limit problems that are very serious and have to be overcome."

Noam Chomsky, 17th May 06, UCY Nicosia, Cyprus

E jai hey re! E jai hey!

A?



Avratini! Ouli diki mas.

To video, to mavrogerimo to video re paithkia, na hareite oti agapate.

PS. Pou eisai Daphna na sou deixw t' ambelia mas! Meine mana mou esso sou na kamneis pipila, omorfa ji wraia, pou na nekatwneis twra jai sou istories.

UPDATE: I wra e' lathos. Akoma en en 1 to mesimeri - en 1 ti nyhta. Olofreskooo.
Den tha xanasymvei. It will never happen again. Akoueis?

Portugessa oloswmi

Analwnomai se meta-fraseis efimeridwn kai eswterikis katanalwsis salonia enw tha mou prepe na akolouthisw ton dekalogo pio katw, panw katw, kai ap'tin eswteriki katanalwsi na perasw stin endomyhi anakyklwsi. Na paraxw to pharmako mou anantiviotos para na tsakwnome osan tsiakin ji osan xiourafi me palioxyla jai anydres voujes tis pyrwmenis Lefkwsias, not least.
Thwrw pojei poda, anavw tsigaro apogevmatino, tis pipas kai tin nyhta Sante. Prospathw na geftw deila deila mia theologia mesa apo tin minimum atomiki paragwgi topou [kai ohi to anapodo diladi to place production pou tha leitourgei san human enclave], tin siwpili urban parousia kai tin urban parousia tis siwpis.
Apwn ap'ta kranoihta ahnizwn pharmakeia exakollouthw na paramenw mis-spelled, me nevro, entos ombiou. Isws perimenwntas tin enarxi tis frasis pou teleiwnei to "Vers une musique informelle". The aim of every artistic utopia today is to make things in ignorance of what they are.

Comeback.

Svinw ta fwta.
Satie kai prwimos Cage se apraxia. Krina, Pinter, Derrida. Apoheteftika kai gelia. Ehw allaxei idi 3 spitia kai ehw twra 2. Tha thela na grapsw gia tous mines pou perasan. Tous kafedes stin iviriki hersoniso, ta afiltra assos sta pyrenea, gia to Parisi, xana, kai ton potho tis Athinas, pali, gia tous agwnes twn sentoniwn kai tin agwnia tis odikis skonis, to whiskey kai to tsai plai plai kai plai mou. Gia tin siwpi, me tin seira tis. To kathimerino krasaki kai tin anihnefsi vivliothikwn. Gia ta matia tis kai ta mallia tis.
Tha thela na grapsw gia kollarous poukamiswn kai bespoke 3 piece suits, gia tin lefkwsia me aftokinito tin nyta kai gia ola ta podilata mou. Xana.
And yet again.
Gia ta trena kai ta ekatontades hiliades hiliometra me aeroplana. Ta upgrades kai ta delays. Ton podarodromo kai to klama.
Tha thela na grapsw gia to dwsimo kai to hasimo,orphan drugs, kai pare dwse, aenaa here.
Foraw akomi ta diafana mou gyalia kai eimai, pali, sto Londino.
Pinw alli mia goulia Black Bush, ap' to kainourgio mpoukali.

In his text, the writer sets up house. Just as he trndles papers, books, pencils, documents untidly from room to room, he creates the same disorder in his thoughts. They become pieces of furniture that he sinks into, content or irritable. He strokes them affectionately, wears them out, mixes them up, re-arranges, ruins them.
Theodor W. Adorno Minima Moralia

Enunciating, en pointe, as en, E, symplwrites.

decalogue

In our morale must lie our strength:
So, that we may behold at length
Routed Apollo’s
Battalions melt away like fog,
Keep well the Hermetic Decalogue,
Which runs as follows:—

Thou shalt not do as the dean pleases,
Thou shalt not write thy doctor’s thesis
On education,
Thou shalt not worship projects nor
Shalt thou or thine bow down before
Administration.

Thou shalt not answer questionnaires
Or quizzes upon World-Affairs,
Nor with compliance
Take any test.
Thou shalt not sit
With statisticians nor commit
A social science.

Thou shalt not be on friendly terms
With guys in advertising firms,
Nor speak with such
As read the Bible for its prose,
Nor, above all, make love to those
Who wash too much.

Thou shalt not live within thy means
Nor on plain water and raw greens.
If thou must choose
Between the chances, choose the odd;
Read The New Yorker, trust in God;
And take short views.

charama

-en anamoni eroto peritou ti? tha elavanne os choran, aNEU! x’ [s]trefis anamniseos men, ‘comme un souvenir indestructible, la date de 1807’ ke den – imeroi thnisimotitas – [p]ou enna svisti, lalis? 'I think that's how the world will come to an end: to general applause from wits who believe it's a joke.'

On intellectualism

Kalimera kamilari. Kathomai stin Frankfourti jai petasete o kathe egglezos jai poloneza na poun "...and I am sure Jacque would agree with me..." File mou, I'm not so sure, so please, sit down, shut up, men mou psallis oti en oulla mian ideologia [Eimai siouri oti apenanti pou to krevati tou eshei mia fotografia tou D jai kathe nuxta avlanizete tsirilontas jacque jacque, watch me always already write/jack myself into existence]. Miloun miloun, egw metrw tes meres, ta xronia, 23 15 10 156, telika uparxei wra, a? Simera ematha oti areskoun mou ta poiimata epidi apla thelw na ta grafw egw - sampos jai en to iksera idi. Get rid of is, concentrate on being, Hide-edgar in olson's closet, tell me the truth - i now pronounce you --- stroke language away, or enter its abode. Yia mia stigmi exw wra na skeftw, prin na ppesw pou tin mian grammi stin epomeni, Piss-on Cantos, slam duncan, let the fish go, disperse the fragment...

enna grafoun yia mas?
oksa yia mia zwi enna grafoumen yia jinous?

apou 'shis choran diavene -

three poems for a chora-iti

ksero, pws eine tipote ol'auta ke pws i glwssa
pou milw den exei alfavito

I can't go into the meaning of the dream
except to say a sense of total Loss
afflicted me therof:
an absolute disappearance of continuity & love
and children away at school,
the weight of the cross,
and everything is what it seems.

There: a feeling,
blown across by the ice wind
attaching its dove- its snow-
coloured cloth as a flag.

a pou na xatheis, chora

Poetry today shows a strong inclination towards silence

You were my death:
you I could hold
when all fell away from me.

-

Your face quietly shrinks away
if suddenly
there is lamplike brightness inside me,
at the point where most painfully one says, No.

-
THE ALREADY-WRITTEN hollows itself,
already-
the
spoken,
sea-green, burns in the coves,

-
The weightless,
so weightless
Rings
of souls.

a fond adieu, JD.

dead man's laughter

zing boom. what's the use. wow bam said the cyber pixie.
whatever you do, life is hell said wendy cope.
love is like falling, and falling is like this said the not-pretty girl.

and then they parted and went to their respective homes to clean their respective dirty dishes.

falling and flying are near-identical sensations: vzoum pong. pink. ink: je ksana pou arkeis, w kalokeri(a) na rtheis. I am very bothered when I think (of the bad things I have done in my life.)

Επίλογος

Oι στίχοι αυτοί μπορεί και νά 'ναι οι τελευταίοι
Oι τελευταίοι στους τελευταίους που θα γραφτούν
Γιατί οι μελλούμενοι ποιητές δε ζούνε πια
Aυτοί που θα μιλούσανε πεθάναν όλοι νέοι
Tα θλιβερά τραγούδια τους γενήκανε πουλιά
Σε κάποιον άλλον ουρανό που λάμπει ξένος ήλιος
Γενήκαν άγριοι ποταμοί και τρέχουνε στη θάλασσα
Kαι τα νερά τους δεν μπορείς να ξεχωρίσεις
Στα θλιβερά τραγούδια τους φύτρωσε ένας λωτός
Nα γεννηθούμε στο χυμό του εμείς πιο νέοι.

(Manwlis Anagnwstakis)

grafei plunderphone

Igma: And presence?

Oswald: Presence in two senses. One: of the present, a pop now. The sources were all recorded in the past ten years, the dawn of compact discs, music videos, & beyond. They are recordings of popular contemporary quasi-performances of modern songs.

Two: I'm using the word presence also in a sense of physical immediacy, which comes from the technique of electroquoting being used, which entails cloning, making exact replicas of the sources, & maintaining the precise quality of the digital masters throughout the process of recomposition.

perizhtith perigrafh

Ti to kanes to maxairi?

Empty Kitchen. Sound of door unlocking.
Enter young male from stage right.
Crosses kitchen and opens drawer. Looks in. Shuts it.
Opens second drawer.
Rummages.
Takes out big carving knife.
Shuts drawer. Walks back off stage right.
Sound of door locking followed by sound of shower running.

Sit down, stand up, Now here is the news:

To bzzz telika akoustiken i wra 07:50 anti epses, tzai meta pou eksi mhnes katalabeis oti to enstikto sou htan swsto. Me tosa mhnhmata pleon... ate ais-sixtir.
Malakismenh eisai tzai fainese, ftou! idika mes'se tzinous tous kabafiakous toixous.
And besides, I thought your name was Elisa Day, stop speaking that male dialect, how small do you feel?
Poli se poli, misw tin poli, katse re mitsi, you aint seen nothing yet, trabas pisw, niwthw to, tzai sfiggoun ta rammata, kops'ta-kops'to, prin na xtupisoun thn porta,
Ma en ekatalabes re;

[But where did foxy joyce bury his grandmother?
googlegooglegooglegoo]
etrampare me re file
trampa on the trampoline

[There's a hole in my life/bucket/doughnut/cheese]

Ston villo mou an eisai perizhtitos, e eutuxws pou stamatisen na vreshei, tzai fkhken tzai o hlios

san to
san tooo
santo
entalos eni?
san ton Blake.

not-city

ekswthen ke peripou,
stin Poli pou nistepsa,
to Gramma sou me fernei p'esso sou,
anapodwnta polews ousies:

'I have almost forgot the taste of fears;
The time has been, my senses would have cool'd
To hear a night-shriek; and my fell of hair
Would at a dismal treatise rouse and stir
As life were in't: I have supp'd full with horrors;
Direness, familiar to my slaughterous thoughts
Cannot once start me.'

o Megas Erwtikos, aksestos kai anaudos en meri,
ta krifa sou paramithia, tou iliggou alitheia (iliggos!)

'Out, out, brief candle!
Life's but a walking shadow, a poor player
That struts and frets his hour upon the stage
And then is heard no more: it is a tale
Told by an idiot, full of sound and fury,
Signifying nothing.'

mipws paeis i mipws erxese? - kaneis na figeis - katse katse wspou na figeis.
gerasmeni poli, wspou gernas pellaniskeis.

(prosexete, nomizw oti thkiavazoun mas akoma)

kalos to kalojari. akoma en exrisimopiisa kamila, oute ll(lllll?)ama, (mmm alpaca!), alla eftasa ws tin poli me liges diskolies. distixos en tha kamw bloom fetos, tou xronou pou enna eimai pio monterna enna'shei parapanw fasi. emblektika me tes metafrasis, me tes aitisis, me tous beatles, me tes skepsis tou athkiaserou, jai perimenw sas mes'sto waiting room tis Bishop.

[ODE TO OED
if i had known the word
"comedogenic"
when i was 15,
i would have used it
all the time]

k-ubris

en kala pou lalei toutos.

omb[leave]ion

no-mad(ic) writing comes to an end

eipa na chekkarw to ombion simera, twra pou eftasa sto glyko potamo tis guatemalas. eskeftika, 'mborei na grapsw jai kati'. eprolaves me re christo.

se 4 meres teliwnoun oi peripeties jai ta taksithkia. se 4 meres enna jimithw pa'ston kanape tis elenis, enna shesw mes'se toualetta pou en eshei katsarides, se 4 meres o plousios kosmos ennan i pliopsifia, jai oi leptoi ennan leptoi logou modas, oi peinas.

imoun thima simera - tou sistimatos, eipe mou o philippe. irte mou na tou pw jai kanenan sxolio larkin-esque afou epienne polla alla eskasa, jai pkierwsa. ematha polla omws. eida kati xrwmata pou en eksanaeida. akousa to bob marley legend 100 fores xwris na to thelw, jai an mou tragoudisi kanenas ksana to 'mi gusto di gaassolliiiina' enna ton/tin spasw pou to ksilo. eida mian poli na ginei ekklisia yia 2 meres, agorasa mian ounjia yia 10 lires, efaa evdominta dio mangos kai trianta okto avokados, kathe fora pou ethorousa rizi eskeftoumoun 'ma en exoume yiaourti' san etragoudousa to jackeroo. evrisa tous evreous, peripeza tous gallous, jai agnoousa tous amerikanous. jai eftasa se ena simberasma. o kosmos en pellos.

claro?

E.

Πλησίον μια μικρή βροχή μ' όλους των άκοπων ακόμη
Οπωροφόρων τους στενούς συγγενείς και τα παιδιά
Μαζί μωβ ανθύλλια όλα στραμμένα
Δυτικά της λύπης

ica-ica iiiica ica-lima lima-liiimmaa

matching peaches?
ouros?
oi oi kanei.
twra paw parakatw.
kapou.... dame..

(sun)day, philosophy in absence

diavazontas kiriakatikes kipriakes efimerides (w sun-oxymoron), touto en i moni anafora, i moni leksi estw pou mou etravise to endiaferon - kiriaki tou enthetou 'politismou', tis analisis, tou logou, tis kinwniologias kapiou ax(a)ristou kipreou pou espoudase kapou to mai tou 78 eksw pou to parisi, kapiou filosofou tis athinas, kapiou kallitexni ek-kentrikou londinou. assen, touti en i moni 'filosofia' pou anakalipsa:

eida kati grammes simera.

edging around the box

E CHRISTO ESHEI 6 XRONIA

we're in a room without a door
and I am sure without a doubt
they're gonna wanna know how we got in here
they're gonna wanna know how we plan to get out.
we better have a good explanation
for all the fun that we had
'cuz they are coming for us, baby
and they’re going to be mad
yeah, they’re going to be mad at us
-Shameless(ly into Angry Girls)

“The box is only temporary” – Plath (The Arrival of the Bee Box)

Jai jame pou (en) to perimeneis,

IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.

- Wallace Stevens (Thirteen ways of looking at a blackbird)

Oh and speaking of jam jars, Stevens, boxes, and edges…

Anecdote of the Jar

I placed a jar in Tennessee
And round it was, upon a hill.
It made the slovenly wilderness
Surround that hill.

The wilderness rose up to it,
And sprawled around, no longer wild.
The jar was round upon the ground
And tall and of a port in air.

It took dominion everywhere.
The jar was gray and bare.
It did not give of bird or bush,
Like nothing else in Tennessee.

peri melissas o logos

E ALEXANDRA MA AKOUEIS...

when they said he could walk on water
what it sounds like to me
is he could float like a butterfly
and sting like a bee
literal people are scary, man
literal people scare me
out there trying to rid the world
of its poetry
while getting it wrong fundamentally
down at the church of "look,
it sez right here, see!"
(literal, ANI DIFRANCO?)

MERIKES FORES THIMIZEI MOU TON...
Behailed His Gross the Ondt, prostrandvorous upon his dhrone, in his Papylonian babooshkees, smolking a spatial brunt of Hosana cigals, with unshrinkables farfalling from his unthinkables, swarming of himself in his sunnyroom, sated before his com- fortumble phullupsuppy of a plate o'monkynous and a confucion of minthe (for he was a conformed aceticist and aristotaller), as appi as a oneysucker or a baskerboy on the Libido, with Floh biting his leg thigh and Luse lugging his luff leg and Bieni bussing him under his bonnet and Vespatilla blowing cosy fond tutties up the allabroad length of the large of his smalls.
(GUESS WHO!)

JE ALLES FORES TIN...
Who are these people at the bridge to meet me? They are
the
villagers-----
The rector, the midwife, the sexton, the agent for bees.
In my sleeveless summery dress I have no protection,
And they are all gloved and covered, why did nobody tell
me?
They are smiling and taking out veils tacked to ancient
hats.

I am nude as a chicken neck, does nobody love me?
Yes, here is the secretary of bees with her white shop
smock,
Buttoning the cuffs at my wrists and the slit from my neck
to my knees.
Now I am milkweed silk, the bees will not notice.
Thev will not smell my fear, my fear, my fear.

Which is the rector now, is it that man in black?
Which is the midwife, is that her blue coat?
Everybody is nodding a square black head, they are
knights in visors,
Breastplates of cheesecloth knotted under the armpits.
Their smiles and their voices are changing. I am led
through a beanfield.
(the bee meeting, SYLVIA PLATH)

- Stranger? I... do not understand... What has happened here?
-Everything has happened.

In a minute there is time
For decisions and revisions which a minute will reverse

Tire(s[ias])
Ter...
Tear (duct/apart)

doubling in and out, con-tinuing off the page, the skin con-tain(t)s and com-municates. The shock of being proved pleasantly wrong is never any the less shocking in the meager amount of times it occurs in. one part here and one part there "all decays to the same black humus" (and i am not talking about the dip, but the juice that was so clearly presented to me in a new moment of unexpectedness). now today is tomorrow, and tomorrow is today, and yesterday is weaving in and out. (bundt kori, bundt). would you care for a manual? [troubleshooting: it won't download all the images.]

maybe some other time, fuck you very much
and after the fourth, it came out like water from an estuary.
all together eventful, in its uneventfulness.

(references: alan moore, tseliot, cake, ani difranco)

C.-ale- (Seamiwseis tis Rwgmis)

Ate kale, xana tha apantisw to kalesma, kai ton knismo tou totem tha apsifisw. Milw stou mellonta tous hronous, not least, trofos tou pentziki. To parellthon einai to paron tou mellontos. Apostagmata kai ale-ale- sta akrodaktyla, mines meta kai meta apo ta idia tragoudia, emenw stin anasa sou. Allazwntas patwmata, allazwntas kai hwres kai megalwnontas, horohronika, immensely kai akariaia. Mporei to plithos kai i syhnotita na synithizwntai kai na feugoun ma menei i gefsi kai to orama. I mnimi me tin protokathedria tis kathws epanallamvanei kaneis to ela kai to fyge tou ygrou apospamatos tou olou sou. Epekteinw ta heria opws antikeimenos sou einai o nous. Entos tis katataxis, me tin rwgmi sta katw (ektos ap'ta methysia st' ai giannis tin giorti, pou emtopizame ta pdia panw kai ta kefalia hame ki anapoda), kai opws ypomnimatizw noitika gia tous epomenous ta proigoumena tou hronou kai tis diathlasis tou fwtos se alles glwsses, gia tin afi tis ygrasias epimenw kai twn heiliwn to synapantima. Psahnw tis pediades kai ta plateus twn pediwn volis tis thallasas tou agrinou. Twn apodehtwn oriwn diakekomenis meta feministikis symperiforas. Ashetws an stin opsi, me to fws nero katakoryfo, ta synora kai oi nomoi amfisvitunte. Pyli toy paradeisou kai i pigi mias kainourgias omorfias to stereotypo. Ma kai to risko. I afwni epivevewsi tou stithous kai to pyrotehnima tis enstolis perithoriopoisis, gia hari tis haris, i sympathitiki asfalisis, apo to neo sto palio ki ap'ta polla sta liga. Den eimai o James Bond. Oute kan voutihtis. Ki an o Elvis koimithike st'alitheia kapou edw to lefko twn provollwn sou, ashetw onomatws, to ehw osfristei, toulahiston, egw kai i avra sou. Makria apo tin efivia, oso ki an mas onomaizei kai klwthogyrizwntas mas daktylodeihnei ton thavmasti tis Godiva, etsi milw gia sena kai gia mena epifyllasomenos tin pollaplasiazomeni diaieresi epi tou pothiotou, afou einai akoma Savvato.

Ki an i katanoisi amfisvitite apo tin seimiologia einai giati akoma kai o Barthes, sta lexikografika tou syngramata tin engateliepse. Kai tin mia kai tin alli. Gia na meinei, parwmiws, erwn. Erwn entos afis akrodaktylwn kai osfrisewn taxidevmenon gia to mellon. Entos amihanwn kai heiras. Me mboukles i hwris. Akyri algevra tou m+n sta defterolepta tis entasis pou apotraviounte gia wres metamesonuhties, en kinisei i (full stop)

Epestrefe kai perne me glykia mou aisthisi

appearance as withdrawal

ke pios den oneireutike enan ximo sun-island mes tin kake(u)keria tis agglias.
Absolute Eliot (prepei na miazei san mpoukala absolute):

-----------------------My mind…---------------------
-----------------------[is] absolut---------------------
-----------------------e, in that it------------------------
-----------------------is a point of-----------------------
------------------viewfrom which I can-----------------------
----------------not possibly escape...; d------------------------
----------------erived, in that I am able,-------------------------
----------------by virtue of the continuity------------------------
---------------of mind with the non-ment------------------
---------------al, to trace in some ways its---------------------
---------------origin, with that of other mi---------------------
---------------nds, from an indifferent mat-----------------------
---------------erial…we must remember th----------------------
---------------at no view is original or ultim--------------------
---------------ate: when we inquire into the-------------------
---------------real world…we mean the worl--------------------
---------------d from the viewpoints of finite--------------------
---------------centres as subjects only; we m------------------
---------------ean the real world for us now, n-----------------------
---------------ot from the point of view of som------------------------
---------------e further developed mind tracin-------------------------
---------------g its ancestors and the world the----------------------------
---------------y lived in. (Eliot, Knowledge and------------------------------
--------------- Experience, p.145)......................-------------------------

forget it, lets not forget:

I have put forward the proposition according to which there would never be “metaphysics”, “closure” not being here a circular limit bordering a homogeneous field but a more twisted structure which today, according to another figure, I would be tempted to call: “invaginated.” (Derrida, The Retrait of Metaphor, p.14)

Why should ‘literature’ still designate that which already breaks away from literature – away from what has been conceived and signified under that name – or that which, not merely escaping literature, implacably destroys it? (Derrida, Dissemination, p.3)

WARNING: I have the power to trap you in giant jam jars

Let her be
B B B
Gertrude was never a Gertrude was never never a was was Gertrude a never poet Gertrude was never a Stein

[otan se velpw thwrw mono xrwmata]

Feukw pou tin Lania, tzai paw pio notia. Vriskw tous Kypreous, tzai sinexizw to taksidi.

Eimasten pio HC.
Eimasten pio palioi.
Eimasten ninja.

en grisa oulla giro mas

tse eno ego kathe mera oulli mera grafo grafo grafo tes agrafes skepsis sta gri pezodromia. lalite gi afto nan gri? lalite na grafoun ti egine pou estripsa dexia anti aristera pou en sas ixera pou en me xerete i gia ti mera pou ekatalava ego oti mpori na ime hromatisti tse oi diafani?





A man cut from the future
is waiting for me in the rain.
The walls are undressed
and left like a child,
the past is packed for transit
in its familiar box. Later I ask him
did you know I would find you?
am I no longer alone?
He kisses me among the selves
that never made it this far.

[Flowers - Polly Clarke]

Going Public

Tripse me me traxana

ref/verential

Ezra Pound

Horizontal on a deckchair in the ward
of the criminal mad....A man without shoestrings clawing
the Social Credit broadside from your table, you saying,
"...here with a black suit and black briefcase; in the brief,
an abomination, Possum's hommage to Milton."
Then sprung; Rapallo, and the decade done;
and three years later, Eliot dead, you saying,
"Who's left alive to understand my jokes?
My old Brother in the arts...besides, he was a smash of a poet."
You showed me your blotched, bent hands, saying, "Worms.
When I talked that nonsense about Jews on the Rome
wireless, Olga knew it was shit, and still loved me."
And I, "Who else had been in Purgatory?"
You, "I began with a swelled head and end with swelled feet."

- Robert Lowell

...(arche)

"- ok?"
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door -
"Eisai moni sou;" "pareta me tes malakies, apla pe mou" "O Salvadore en pou to Dhali."
Ton jairo mou, eperpatousame, me kappelo jai bastouni. Imastoun oulloi tou Godot.
Pinw to krasi tou yia na ksemethisw. Pinw poura yia na katharisw tous pneumones mou. Thkiavazw vivlia yia na arrwstisw.

I felt a Funeral, in my Brain,
And Mourners to and fro
Kept treading - treading - till it seemed
That Sense was breaking through -

and suddenly the world became that much smaller. And the Panic that much heavier.
Back to t/here, put back into the arche. Lania. Pamen Lania. Pamen Lania yia na...
and I'm sweating a lot by now and thinking of
leaning on the john door in the 5 SPOT
while she whispered a song along the keyboard
to Mal Waldron and everyone and I stopped breathing

"Are you-" "Sil-""Goo-""Do you - ""Oh Thank You" "Pou en i a-" I learnt the dash from emily.
Not Michaelangelo, but talking, talking, talking. to amathus eginen ksenodoxeio. jai oi ninjas indexicals. makari na imoun egw enan indexical. mballerina indexical.

Ahhhh. Twra tha pamen express! Ox! Den eksouristika!
and
This Is Just To Say

I have eaten
the plums
that were in
the icebox

and which
you were probably
saving for breakfast

Forgive me
they were delicious
so sweet
and so cold
-W.C.Williams

EKTOS:
thkiavazoun mas jai grafoumen tous: enta pou thoreis re St. Clare?

POST CARD

Please address this card to yourself.
Name: a-m-a-z-e-d
Address: oi dame, oute jame. lion pio katw.

You're late (not like a rabbit). Running late.
Going to be late.
Post-pone (I know I'm an intellectual because I use the word "post" in the place of "after"):
Post-haste, post-noon, post-humous, going postal, postwards, post-a-drop-of-honey.
But I haven't posted anything yet.

No Stamps Are Required.

I've lost my black polo-neck.

Nothing new this year, or next.
Except perhaps for frequent trips to the Pharmacy.

leaving befor(e)

twra\pou irthe i wra - oh i'm not a quitter: teleuteo tsigaro me ladia ksidia, to anw ke to koufon, odos mia panw ke auti, The way upward and the way downward are the same... I am here / Or there, or elsewhere, feugontas gia mia alli megali niso, epistrofi sto va/eto, every attempt is a wholly new
division - see you soon in another cartoon
exit.

Although prepared for martyrdom, I preferred that it be postponed.

(or the ship song)

You've gotta hope that there's someone for you

As strange as you are

Who can cope with the things that you do

Without trying too hard



'Cause you can bend the truth

Till its soothing you



These things that you're wrapping all around you

You never know what they will amount to

If your life is just going on without you

It's the end of the things, you know

Here we go



You've gotta know that there's more to this world

Than what you have seen

Cause we all have a limited view

Of what it can be



As we move along

With our blinders on

Each one of us feels a little stranded

You can't explain or understand it

Each one of us on a different planet

And amidst all the ''to and fro''

Someone can say ''Hello''

Here we go



Feeling that someone really gets you

Well, its something that no one should object to

It could oday so I suggest you

Skip your habit of laying low

It's the end of the things you know

Here we go



Cause someone could say ''Hello''

You old ''So and so''

Here we go

He said: I'd like to do without words (...) What words does the sky use?


If gentlemen do not observe the rites, the rites will go to ruin

sub.

To do a play in a car one must not judge people by just one shoe, not to mention their cinematic ass or their intra-public sex life -us or them- and of course not by the demands of their wastelines. Not that they do not read, to paraphrase, or that architectural lighting is not important, that is the circling of creation, of god's gift to man [ go on ! call me s-ex-i-s-t, me the wo/man] but who can match mike nelson and nick cave together, apart from the noises of a bed, probably madein japan, and even though its pinks are stolen, the risk of the manifested playboy's not forgotten. Not back then in the days, when waiting was the thing. Where as now, the inbox is always full, and the plane always waiting. It's just us that we are eclectic. That's all. We can choose. Eyes, hands, fingers, genitals, drinks, songs, cigarettes, bars. Streets and cars and desires. E, synmplorites // Hey, (co)mariners

Thene again there's notthink alike tshea.

Relax in the cultural arts // Random acts of meaningless joy

And will you, friends, say that I sing
in ignorance, that I know nothing, yet sing? [1]
...heavy in mood to brood that I alone
work for that crowd-no furlough allowed,
longing for home,
fearing the price.[1.1]
I sterisi tou allou simainei eglismo se mia monaxia (kaki monaxia statherotitas kai autotautisis) kai katargisi tis ithikis ypervasis. [2]
To lack and pretend to have, to be empty and pretend to be full, to be tight and pretend to be liberal: hard to attain consistency.[1.2]
They had heard or had heard said or had heard said written.[3]
Sta protoselida tou erwta
O thanatos autwn pou zisan gia tin tehni /
Tin tehni tou eran [4]
Arage tha synantithoume;
I gia vlastimia i gia fili. [4.1]
The wise drink and hold their wine, but topers say
that to be drunk is to be rich for a day.
Yield men, all men, this advice:
Heaven speaks once and never twice.[1.3]
To be happy is to be able to become aware of oneself without fright.[5]
...after her, who as an engineer, cut it through the author. [5.1]
Don't forget that poetry is language for its own sake.
Don't forget when different words are sanctioned, other attitudes required.[6]


[1]Pound [2]Derrida [3]Joyce [4]Skourtis [5]Benjamin [6]Kane

xana

=Dame -ki as ein' arga:
Alla pou tha eisai ti stigmi pou tha 'rthei
edw s' auto to theatro to fws; "Remember the light and believe in the light."

//Me kourazei i yperaxia. Ma ti katalavoun oi antrwpoi pou hrisimopoiun tis lexeis gia na ftwhinoun?
\PARK FAST kai psaxe gia tin
egkathidrysi tou paroxysmou [Rozanis]
tin 'euthini tou eautou mou gi auto pou den einai praxi mou i gi auto pou oute kan me afora [Levinas]'
Mid. Take The A Train
Tin efhi tis metaBenjaminikis Seferikis gorgonas, sto Berolino
tin katafasi tis emfanisi twn (dyo omookentrwn kyklwn meta mystiriwdous parekklisis) >Para
Klisi
stin epiklisi twn mythwn tis alligorias pou trefei tin Chora,Man(hat/e)an.
If
Ha! 'Ean!

Poia alla edesmata mas menoun gia to esperas, Theia?

frou-frou

Thelw na xanaxipnysw ekrinwntas peristerakia
sta prasina tis Martha Schwartz prin
ton kafe sto parko dipla
[it's not just no trains man, it's no parks this country]
enw tha treheis na prolaveis
lunch //
anjougia twn ekdilwsewn mou
commons stuff
panta heimwnas
iliou o antikatoptrismos stis emmones tou proswpou
sou - kai tipota pia na min xekina me kefalaio gramma.
Thelw na xanakousw ton psithyro tou 5
sfougari fasolada taramas
stin oneirwxi tis gefyras kai tou kleistou spitiou.


Ola afta gia ena ihnos, ena isto, mia rafi, ena ponto, ena
exw apo dw tou prwinou. An m'enuisateD

Apagwgiki Anatomia

Gia me tis lexeis, gia me tis gefseis, kleismenoi sta dwmatia tou pswmiou, me to imago tis pethamenis mas zwis na antihei ap'ta tyhera mas, me alepoudes kai kaiwn matia, stin monaxia tou nerou, stin epanallipsi tis eikonas, na prop/spatheis na diairesis tin authiparxia sou pou pote den kateihes, kai sou 'rthe hrisimi twra, sta roz, sta kitrina, sta prasina, stin grammikotita tou fort-da, kai stis peoleixias to prosklitirio.
Mia me jeines jai mia me tis alles, kopelia, stin aidw tis ypnilias kai twn kommenwn gonatwn.
Na hame kan'a tetartaki gia ton agio tis exorias mas, simatodotoumenoi apo to optiko twn allalwn...

Or

Otan to 24wro epemvenei stis vouties mou
Vriskomai sto delfinario twn kleptapodohwn tis lexeis.
I glwssa, diladi i gefsignosia, anatrepetai monaha apo tin gastrymargia.
Ki agapw to sto
mache sou.

un/gift

Den ixera pws na antimetwpisw tin oikeia poutania tis lexis, kai oute to vivlio pou me to opoio se gnwrisa katafere na afairesei tin nevrikotita, tin yperipsomeni evaisthisia. Pws allwste afou den kapnizw Gauloises kai den einai, akoma, haramata. Savvato pros Kyriaki omws ston metagraphea tou tote psahnw symparastasi. Oi filoi mou ehoun koimithei kai einai to varos asykwto:
Egw katheudw kai i kardia mou agrypnei
+
pisti exaskoumeni ston stoiho: To see, purely and simply, without name, / Without expectations, fears, or hopes, / At the edge where there is no I or not-I.



[2. to dwro or post-tea(shhhh!)
To pathos ze me tin kardia, kia mono i kardia ehei shesi me tin zwi kai ton kindyno tis. Ohi i nomothetimeni apo tis apagoreysis noimosyni....Ti noima tha eihan o erwtas kai i omorfia, an den mporousan na xekanoun ton anthrwpo.
]

//staying up late hoping to shift from green;

death/bed

but if i'm dying
could you please come over
for
my dry lips
my eyes and ears already through lake-river-puddle-bucket (twice i dreamed last night of the 'achille's', formely known something else, drowning, my legs numb numb, tired of the name that rules your life, i
no
more)
// the voice and the kiss die last,
if you may.

Ekei epistrefw afou i epistimi den ehei vrei to ipio anholytiko, diladi here

I would bathe myself in strangeness:
These comforts heaped upon me, smother me!
I burn, I scaldso for the new,
New friends, new faces,
Places!
Oh to be out of this,
This that is all I wanted
-save the new.
And you,
Love, you the much, the more desired!
Do I not loathe all walls, streets, stones,
All mire, mist, all fog,
All ways of traffic?
You, I would have flow over me like water,
Oh , nut
far out of this!
Grass, and low fields, and hills,
And sun,
Oh, sun enough!
Out and alone, among some
Alien people!



Aye we will // but what
to who are you shouting
and for-

O terrible names of the spirits. This is my last time. I cannot return here again.

D/amazing post (Homage to you two of SUNDAY)

Small talk comes from small bones


Pseudo-coilision me ton Pound anemothoraka kai ton agkwna engraphon svistiri sta van tou fournou. As en kala ta pothkia mas, afou o nous ehathin,and in all my mind / Not even a child's wit can I find / Such in her presence I become / Surely some kindness should start up / In her sight of such plight. na menei kai i entopia mas sofia dipla pou tin Sophia tou 23. Post-Cypriot. I cyprus post. Meta tin phwni, sta dexia mas, 1:29+kati psila, apo tin 14 anatoliki kai 60th street, sta 130 hronia tou Winston,[ZEI] diava-zei etsi gymnos o selidodeiktis, hwris tragoudi, ap' ta vivlia me ta pente asterakia:

While our fates twine together, sate we our eyes with love;
For long night comes upon you
and a day when no day returns.
Let the gods lay chains upon us
so that no day shall unbind them.

Fool who would set a term to love's madness,
For the sun shall drive with black horses,
earth shall bring wheat from barley,
The flood shall move towards the fountain
Ere love know moderations,
The fish shall swim in dry streams.

No, now while it may be, let not the fruit of life cease.

Dry wreathes drop their petals,
their stalks are woven in baskets,
To day we take the great breath of lovers.
to morrow fate shuts us in.

Thouh you give all your kisses
you give but a few.


Kai pio panw, 537:12
san dwro, gift, to apogevma tis fasarias, dwsmeno meta ta pota mias tetartis:
Eyes are the guides of love

Apenanti, st' aristera i Kypros. Na, des! To Idalia
+
ta mnemosyna tis niotis pou egkainiazei o erastis tis Phrosous, a!

You, sometimes, will lament a lost friend
For it is a custom:
This care for past men





All things are given over, / Only the restless will / Surges amid the stars / Seeking new moods of life / New permutations...

Would you like to go to

death with
me:

, firstnighting down Sycomore Lane. Fine feelplay we had of it mid the kissabetts...

...and making her love with his stuffstuff inthe languish of flowers and feeling to find was she mushymushy, and wasn't that very both of them, the saucicissters, a drahereen o machree!, and (peep!) meeting waters most improper (peepette!) ballround the garden, trickle trickle trickle triss, please, miman, may I go flirting? farmers gone with a groom and how they used her, mused her, licksed her and cuddled. I differ with ye! Are you sure of yourself now? You're a liar, excuse me! I will not and you're another. And Lully holding their breach of peaxe for them. Pool loll Lolly! To give and to take1 And to forgo the pasht! And all will be forgotten! Ah ho! It was too bad to be falling about her kindness pet and the shape of OOOOOOOO Ourang's time. Well all right, Lelly. And shakeahand. And schenksumore. For Craig sake. Be it suck.
Well?

*i/psi
low

Well, even should not the framing of such figments in the evidential order bring th etruth to light as fortuitously as a dim seer's setting of a starchart might (heaven helping it!) uncover the nakedness of an unknown body in the fields of blue or as forehearingly as the sibspeeches of all mankind have foliated (earth seezing them!) from the root of some funner's stotter all the soundest sense to be found immense our special mentalists now holds (securus iudicat orbis terrarum) that by such playing possum our hagious curious encestor bestly saved his brush with his posterity, you, charming coparcenors, us, heirs of his tailsie.

FW, 96:11-35


e, pws alli/ws(x2) tetoi
a?

hyperivher]e

Since earth is earth, perhaps, not heaven (as yet)— though some savants make earth include the sky; and blue so far above us comes so high, it only gives our wish for blue a whet.
τo σμικρoν eκληπτeον wς eπi πaντα
καi διa πaντων aνεμποδiστως χωροuν
καi eνεργοuν καi διϊκνοuμενον aχρι
μερισμοu ψυχhς καi σvματος,
aρμoν τε καi μυελvν καi eννοιwν καρδiας,
μaλλον δe τwν oντων aπaντων
mlllnnddddttnERASEaponton
imerororologwwwayadu
yudaSVISTIRIdixtismaspera
WHY make so much of fragmentary blue in here and there a bird, or butterfly, or flower, or wearing-stone, or open eye,when heaven presents in sheets the solid hue?
the giver of presents is tomorrows gone, the dreamy snap of fingers and it's ghost, the ghostly gone of presents and its giver, of dream is given, of dream is taken, of dream is gone
Τo δe ταuτoν uπερουσiως aiδιον,
aτρεπτον, aφ΄ eαυτοu μeνον, aεi
κατa τa αuτa καi wσαuτως eχον,
πaσιν wσαuτως παρwν καi αuτo καθ΄
eαυτo eφ΄ αυτοu σταθερwς καi aχρaντως
eν τοiς καλλiστοις πeρασι τhς iπερουσiου ταuτoτητος iδρυμeνον a language of which they are absolute lords, and which is proper to the popular commonwealths and monarchical states; a language whereby the people may fix the meaning of the laws by which the nobles as well as the plebs are bound

[afrost.ypseudodionysiançommodiusvicusofrecirculationειςτουςαιωναςτων

Words, what are they? One tear will say more than all of them.

Schubert.Or Blanchot: Always returning upon the paths of time, we are neither ahead nor behind: late is early, near is far. Giati zwi einai oi alloi kai zwi einai otan oi alloi s' akoumpan ki otan gyrnoun pros esena kai ta swmata ton anthrwpwn. Cheimwnas.

What happens between two, and between all the "two's" one likes, such as life and death, can only maintain itself with some ghost, can only talk with or about some ghost. So it would be necessary to learn spirits. xviii, 1994

Ay, already the somber oppacities of the gloom are spanished! Brave footsore Haun! Work on your progress! Hold to! Now! Win out, ye divil ye! The silent cock shall crow ata last. The west shall shake the east awake. Walk while ye have the night for morn, lightbreakfastbringer, morroweth whereon every past shall full fost sleep. Amain.





Never disappointed, not for lack of disappointment, but because disappointment's always being insufficient. Maurice Blanchot, The writing of the disaster, p.4, 1995

Untill the end of the world

J43, 5: The immagination, that queen of the faculties
J43, 7: Enduring fame is promised only to those writers who can offer to successive generations a nourishment constantly renewed; for every generation arrives on the scene with its own particular hunger

Etsi klaiw jai trww gia thkio. Sorry-
I have lost my humour (W)here, instead of the clock, the eyes indicate the hours M3a, 2: Flanerie through the bill of fare

and [U2] were acting like it was the end of the world

...thank you babe[nick
os]This work has to develop to the highest degree the art of citing without quotation marks. Its theory is that of the montage.//p.458, 1999.
D1a, 7: The streets have such gradiations of gray...
-men mou mitsokamas/eisai athropos esou na mou theleis
hartw-man



[e, eimai o gerimos.
No. 017407 Kind of Blue

WHAT CAN BE DONE IN THE ABYSS BUT TO TALK victor hugo

decaf.-

19 sto patwma
to thymo sou ki an thelw /
monaha to fili sou pethymw
hwris teleies
dyskola metafrazete to that still sobbing place


episis se fotografia to nero kai to 13% kai to psesino
10.5%

kal'
i
nyhta // t' asterakia hamw

skepsis, or: writing what i bloody well want to

“the poem dreams of being written without the pronoun ‘I’.” - Harper

The leaves fall early this autumn, in wind.
The paired butterflies are already yellow with August
Over the grass in the West garden;
They hurt me. I grow older.

Daedalus’s epical form. Pound always strived for epic. From the self, to the others.

“the poem is a space” - Sacks

These are the years and the walls and the door
that shut on a boy that pats the floor
to feel if the world is there and flat.
This is a Jew in a newspaper hat
that dances joyfully down the ward
into the parting seas of board
past the staring sailor
that shakes his watch
that tells the time
of the poet, the man
that lies in the house of Bedlam.

Pound’s space. As described by E. Bishop. From talkative, to cruel to tedious to wretched, as Pound shifts, so does the space, and so does the world, from round to flat.

“poetry negotiates the edges” - Sacks

But Crow Crow
Crow nailed them together,
Nailing Heaven and earth together

So man cried, but with God’s voice.
And God bled, but with man’s blood.
…
The agony did not diminish.
Man could not be man nor God God
The agony
Grew.
Crow
Grinned
Crying: ‘This is my Creation’

Crow negotiates the edges.

sing willow, green willow, oh willow!

She read, she said, we drunk, i ate, he did not shave, i read:
In November, for September's nights // at least

Penis erectus non habet conscientiam

"A man's life of any worth is a continual allegory" John Keats

Na trws ahladomila kathws agorazeis elies mes to xydi, na eheis skisei ta heili sou sta nyhia tis kai na einai sto patwma o Cheimwnas ki ap'e xw i metamfiesi tou heimwna, enw afineis tin myrwdia tou ilioloustou kafe sta dwmatia me ta gyalina mpimpelo tou mesopolemou kai ta lefka fanelakia. Pethymwntas ton Shake-speare [HAHAHAHAHAHAHAHAHAHA!
Love is too young to know what conscience is;
Yet who knows not conscience is born of love?
Then, gentle cheater, urge not my amiss,
Lest guilty of my faults thy sweet self prove.
For, thou betraying me, I do betray
My nobler part to my gross body's treason:
My soul doth tell my body that he may
Triumph in love; flesh stays no farther reason,
But, rising at thy name, doth point out thee
As his triumphant prize. Proud of this pride,
He is contented thy poor drudge to be,
To stand in thy affairs, fall by thy side.
No want of conscience hold it that I call
Her 'love' for whose dear love I rise and fall.
] ehw ton idrwta stis mashales arwma sta mallia twn polewn. Ki as hathei gia panta i epohi twn grammatosimwn - tha epikoinwnw mazi sou me exatmismena dakrya,
entopias kai apoikiakis paragwgis thymitaria kai portierides.

"Pws pernas?"

B-612

Diladi [V]
So here I am, in the middle way, having had twenty years-
Twenty years largely wasted, the years of l'entre deux guerres-
Trying to learn to use words, and every attempt
Is a wholly new start, and a different kind of failure
Because one has only learnt to get the better of words
For the thing one no longer has to say, or the way in which
One is no longer disposed to say it. And so each venture
Is a new begining, a raid on the inarticulate
With shabby equipment always deteriorating
In the general mess of imprecision of feeling,
Undisciplined squads of emotions. And what there is to conquer
By strength and submission, ha already been disovered
Once or twice, or several times, by men whom we cannot
hope
To emulate -but there is no competition-
There is only the fight to recover what has been lost
And found and lost again and again: and now, under
conditions
That seem unpropitious. But neither gain nor loss.
For us there is only the trying. The rest is not our business

I AM RESPONSIBLE FOR MY ROSE(full/stop)

Home is where one starts from. As we grow older
The world becomes stranger, the pattern more complicated
Of dead and living. Not the intense moment
Isolated, with no before and after,
But a lifetime burning in every moment

Afto, afto na grapseis stous toixous toutous, kathws me zesto panteloni kai hameni akoi, me tin orasi sterimeni tou ti/pota, amethystoi, fylame tin enohopoiimeni ypnilia kai tin ypenthymisi tou asteroidous twn epikefalidwn tou 1909, tou 1920, tou 1944.

Merci A-gape mou

Then again post-txt, may
b just
for now
here

Epistaxi

Pai/zw (i pe-hwris to 'n' ma skandalothirikos ekei, here christo- zw) still akoma mes to chaos twn vivliwn. Me tin vrohi kai tin skoni, ton aera kai tin anpnoi sou. Xeskonizw ton Imero kai Klinopali (me iwta) pou mou thymizoun oi grafes, oi engraphes, ta simadia, ta stigmata, to pharmakon:
...opois mporei na ginei airesi me to pathos tou, ayto akrivws to dikaiwma diekdikei. Tin anarhia tis mi anagwgis. Kai i dynamiki exodos apo tin taxi tou eidous, pou apotolma o imeros, dei einai para mia viaii apostasi apo ta katasiha tis anagwgis.
To eidos epidehetai exigiseis. To atomo omws ohi. To prwto einai i panishyri kai tyfli anagkaiotita. To deftero mia eklampsi tis tyhis. Kai to pathos mas gia to thayma i to skandalo tis atomikotitas einai kammia fora toso sfodro, wste tou afierwnomaste me apognwsi. Prokeitai gia mia afosiwsi pou den ehei na kanei me eirinikes sheseis - ousiastika synepagetai tin eleyftheria tou erasti na vaptistei sto mesa tou skoteino fws, wthwntas ta aisthimata ws to apolyto
//pafsi telefonou
To egw einai i lysi apelpisias pou epinoise i merikotita. Eimai egw - omoiws me olous kai diaforetikos apo tous pantes. Ara tipota den me stegazei. Oute kan i ousia anthrwpos, pou, epidi katehei tin ishy, den ehei proswpo alla daimoniki proswpida. O erwtas tha eihe asfaleis synepeies mono an aforouse sto arren kai sto thyli en genei. Apo tin stigmi omws pou enwnei atoma, i katastrofi einai anapodrasti. Den yparhei perasma apo to kath' ekaston sto eidos.

Kai palioimerologitika syn/plirwnei me ton arithmo perasmenwn ilikiwn, me JOY(ce):

Kalytera na peraseis tharallea ston allo kosmo, otan eisai sto apogeio enos pathous, para na svineis kai na marainesai thlivera me ta hronia.

Dublin(')Nico
(')si
a
?/!

pou ws pou? (pentzikis + psixaris)

simera
pou eperimena to leoforio to 12 (beeston je university campus)
pou en irte potte -
pou-thena! ws
pou je epiasa to 35 (bullwell)
pou na men to epianna
(12 je 35 en 47 par epiptontws)
je irte mou (demetri) o pentzikis
pou sou elalousa
pou na men mou erketoun

(pou na ton eftanen!)

ma, theleis na peis - pws?

apogeuma, me to krasi ap'to epses, saxtouris:
Κόκκινο φεγγάρι
ούρλιαζε δεμένο
σα σφαγμένο βόδι
(...)
και το φεγγάρι είναι ένα πράσινο φανάρι
γεμάτο οινόπνευμα...

ystera, kafes pikros, sta skalopatia, me (ton) seferi ke (ton) darrell:
There was a young lady called Bright (Φωτεινή)
who ran much faster than light
so that, instead of coming she went!

meta (ke otan) manos loizos/empeirikos:
Ε- Τι είναι το κόκκινο χρώμα;
'Ενα χαστούκι από παπαρούνες.
Ε-Τι είναι η ποίηση;
Συνουσία επ' άπειρον.

Prepei kapoios na milisei gia ta solo caffeinis kai ta heimwniatika tsigara, gia ta treia dwmatia kai ta efta shots, prepei kapois na milisei diladi na diavasei diladi na grapsei gia ton heimwna tou apogevmatos kai ta idrwmena deipna mas, prepei kapoios na afisei na eishorisoun diladina ekreysoun oi fysalides kai oi paranyhides pou mas perivalloun gia na men mas parei o thkiaolos jai na mas sikwsei oulous da
me
sa
da, akoute re
///dadadadadada
Apousiazei oi poiesi kai zei oi kathimerinotita mas poietika me monadiko antihtypo ton ponokefalo kai to hamogelo. Den mporw pia na gyrizw pisw sta vivlia kai na milw se trito enoiko.
please open the curtains

Un-metaphorically dialdi entos kai ohi enanti
a kai onomastika. We have the kane, that is the stick. Gimme a carrot!

You've seen too many films, you've read too many plays
Temp(.) it (k)now

*Grafw esti oligolekta kai thravsmatika, sto kryo tou noemvri, another untitled, notes twn daktylwn, mehri ton dekemvri kai tin elpida pou trefw. Empros tis hwras oi lymenoi.... Xorkizw kai orkizomai etsi sto an/hohoho/s mou.

An to simera xekina apo to htes, tote tha kratisw to agrio vlemma sou kai ta dakrya mas, ta salia mas stin apousia sou, kai tin ypovathmismeni thesi tis caffeinis stin therapia tis maniokatathlipsis kai tis melan/holias.
Elpizw
xana
+
Efharistw tin hari ki apologoume lypimenos pou kratisa tous karpous sou.

Wish you were and then again may
-w mai, my!-
be here

And even, rightly so, the morning messenger refuses the part, as well as the role of the educator, now post-Benjaminianly where is the translator to be found?
In case, pou lalei jai o Kwstis o arfos mou of earthquake fire or flood.

"YES, YES"

11:48 com/plex-i-on | To symplegma twn 11:48

Prolamvanwnontas to pisogyrisma, to klosma, zevgari + crowd, koino, stuck in the middle with you, mouhrwnontas to roz mias enarktirias vdomadas metrias alkoolis, ypermegethwn dakrywn -an einai pote dynaton post-p(i)m/ply- ximerwmatwn kai apogevmatwn, deipnwn kai xypniwn, tis myrwdias tou patrikou fthinoporou kai tou freskou vivliou, prwto mina hwris tu, yet again footnoted, appendixed i teleti tou unpasteurised sta matia, sta myala and at our so(u)les, blobing bobing blogs, passengers tou enaeriou patimatos kai tou anisihou protovgaltou potiriou, tis vrohis, tou kryou kai tou kouvalitou simulacrum iliou, m' ompreles ma kai hwris, palio-mariners, e symplwrites, 11
Arnoume tin teleia,
Kai epitrepw ston tono na paei diakopes me ta delfinia.
As mou epistrafei i osfrisi tou pollaplou kai to iwdio tou opa/u
s
hhhhhhhhh

10, 9, 8, 7, 6, 5, 4, 3, 2, 1,

selida evrethin kommeni mes to vivlio

Kino to lipsano pou fitepses ston kipo sou ton allo xrono,
arxise na vlasteni; Pes mou, th' anthisi efeto;

come, that I may
kiss you my
little
dark hair
turn off the
fireglows
that my heart
has

come to the
window girl
of glass
that I may watch
thy semolina face

ela sto parathiri
xrisomallousa mou
akousa pou traoudas
hava xaroumeno

Epistrophe (neither Theloniusly, nor Haroldly)

kalo/ston D(errida).
extes to piato mou itan psomi - en o iasonas pou to epathen touto, oksa o odysseas?
there was nothing epic about it... nomizw. fisika, opws eipa jai prin, enna grafoun yia mas. yia ta tirka, ta 3.41's, tes hobless mbires jai to koloxarto mas. as ton brecht me to epic theatro, as ton omiro, extes itan alithino epic-ness. or am i confusing it with decadence?

yesterday, i tapdanced and stuck my foot in a mop bucket. i experienced intellectual cluelessness. OH my God!! You Tooo???

Jai simera, kamnw mian Benjaminiki praksi.
unpacking the library.

ase, enna kamw dialima. enna paw na faw tes shokolates mou. Grazie Mille dem. e'nartw se lio yia na kamw sanouits.

so you don't like all the aphorisms? that's alright, I don't like all of you.

Piliko

Min spatalas tin pnoi pou sou harise / touti i anasa

G. Seferis 'Therino Iliostasi'